Starting A Journey

Main Street Station watercolor and ink  5.5x8" by Meera Rao

At the start of a new year I always wonder if I should give myself any goals.  Over the years I have had a mixed record of keeping my resolutions.  This year giving myself wiggle room, I have decided to sketch 'something' everyday and post it on "sketch-today sketches 2017"   on Tumbler. 

The idea is to make it easy for me to post a photo of the day's sketch everyday and have all the sketches for the year in one place - to track and see the efforts of each day thru the year :)  This first week, couple of days I barely managed a simple sketch and then on other days I managed to pull out my watercolor set and spent a good deal of time on the day's creation. I really enjoyed keeping a art journal/sketchbook during my stays in India over the past five years, but somehow have not been disciplined about maintaining it rest of the year.  I hope this year is different :) 

While surfing the internet last week, I came across an article  on choosing  a word for the year. I liked the idea and decided my word is “present” — as in be present in the ‘studio’ (i.e anywhere to sketch or paint) – everyday as much as possible; 'be in the present’ while doing art – not worry about how something will turn out or not; to remember that whatever talent I have been fortunate to be blessed with is a ‘present’ to be fully enjoyed and be grateful for :) 

'present' my word for 2017

I really have to push myself to not procrastinate, not to be afraid of failure or rejection, and accept whatever shows up on the paper and celebrate everyday. Hoping the word will be a daily reminder to hold up my end of bargain and keep up with my goal of sketching everyday.

I came across a obituary in New York Times for artist  Tyrus Wong - aged 106.  He was an incredibly accomplished painter, illustrator, calligrapher and Hollywood studio artistan.  He was the artist  for Walt Disney’s 1942 animated classic, “Bambi.”  His  is a story of  talented  hard working immigrant artist who remained largely unknown to the public. He faced much discrimination and marginalization  but remained a true artist - creative till the end. 

I was really moved and inspired reading Wong's obituary and an article about his work -I hope sketching everyday will help me as he said : ‘If you can do a painting with five strokes instead of 10, you can make your painting sing.’

So Happy New Year to all!  What word will help you be inspired and create in 2017?  Please do share your goals and your 'word'  for the year :) 

Moved by Compassion

Bodhisatva  sketched at the Chicago Institute of Art by Meera Rao 

calm

 peace 

grace

on the path 

to Awakening

a merciful guide

moved by compassion

~Meera Rao~

Information about the statue of Bodhisatva 

I have badly sprained my ankles and on my trip to Chicago in a way it was a blessing in disguise. Normally I spend hours in various galleries trying to catch a glimpse of all the wonderful art. But this time I did not walk around the museum ( I know I missed some fabulous exhibits).  I decided instead to sit and sketch something at the museum. 

I had always been attracted to this statue which is close to the entrance of the museum leading to the exhibits on art from India, Tibet, Korea, Japan and China etc.  I slowly hobbled over and sat on a bench across the statue and took my time sketching with pencil and eraser.  The guard came around a few times to ask if I was ok and if he could help me find anything - I am sure he was checking my progress and making sure I was doing what I said I was doing! None of the visitors stopped and chatted though I noticed some paused close and long enough to satisfy their curiosity :)   

While I sketched it sitting down, the photo of the statue was taken standing up just before I left.  I gave the red wash to the background later - did not dare take my water brush or the small watercolor box in the museum. 

Bodhisatva sketch in pencil and watercolor 5x5" by  Meera Rao

Passage of Time

Whiling the Morning Away watercolor and ink by Meera Rao

India Art Journal 2015

Under the shades of huge trees in parks or elsewhere there are always elderly men mostly in crisp white shirts, wearing traditional white "Dhoti" (click on link for simple version) or western style pants sitting and whiling away their time - keeping up with friendships, resting after their daily walks, discussing world affairs and may be just fighting off loneliness. I saw this group daily while out on my errands and had to record it :)  

I feel a pang as I post this last sketch from my 2015 summer journal from India. The past four summers I went to India to take care of my Mother-in-law and started sketching daily as a way to keep up with my art. I compulsively sketched almost every single day when I was in India - something sadly I don't seem to be able to do now. As my Mother-in-law passed away late last year I won't be staying for extended period in Mysuru this summer. 

During those stays, I filled five sketchbooks with around 250 sketches - the first year I had done 124 sketches -small 2.7x4" in Strathmore 5.5x8" Visual Journal watercolor 140lbs- one for every day of my stay. It was easy to keep up with daily sketching as my only concern was to sketch every day! 

The second year feeling ambitious, instead of four sketches on the page like the past year, I decided to draw bigger 5"x4" sketches. I ended up with half as many sketches as most could not be completed in the allotted time each day. I had to resort to sketch one day and finish water-coloring them the next. 

The year after, I was a bit more adventurous filling in two Japanese style moleskine accordion sketchbooks - not restricting myself to any particular size within the sketchbook. I still finished around 40 vignettes. 

It was harder to sketch everyday in 2015 - I managed about 22- 5.5x8" sketches taking two to three days to finish each  - even working on the last few after my return as I unable to sketch on many days during my stay. On the whole, keeping the sketchbooks was definitely one of the best decisions I made.It helped see a bigger picture of life. I noticed and experienced things differently and the many fast disappearing vignettes of daily life are now not just only in my sketchbook but are etched in my memory.   

The past few months though I have spent more time reading and looking at art than picking up a pencil or paintbrush. Now finally I am beginning to feel an urgency and renewed enthusiasm to shake off my lethargy, to get back to sketching and painting every day. 

Artists don't get to work

Until the pain of working is exceeded 

by the pain of not working 

~Stephen DeStaebler~ 

Whiling the Morning Away 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Water for Today

Water for Today watercolor and ink by Meera Rao

India Art Journal 2015

When you see water in a stream

you say: oh, this is stream

water; 

When you see water in the river

you say: oh, this is water

of the river; 

When you see ocean

water

you say: This is the ocean's

water! 

But actually water is always

only itself

and does not belong

to any of these containers

though it creates them.

And so it is with you. 

Alice Walker

Water for Today 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Evening Shadows

Evening Shadows watercolor and ink by Meera Rao

India Art Journal 2015 

Sunday evenings the roads are relatively empty and I was fortunate to come across this scene on my daily walk.  The beauty of this play of light and shadow will remain etched in my memory even if I may not have done justice to the original scenery.   

I have realized over the years that, my vision is always ahead of what really ends up on the paper ! Here is a story from the book Art and Fear by David Bayles and Ted Orland :  More often, though, fears rise in those entirely appropriate (and frequently recurring) moments when vision races ahead of execution. Consider the story of the young student – well, David Bayles, to be exact – who began piano studies with a Master. After a few months’ practice, David lamented to his teacher, “But I can hear the music so much better in my head than I can get out of my fingers.”

To which the Master replied, “What makes you think that ever changes?”

That’s why they’re called Masters. When he raised David’s discovery from an expression of self-doubt to a simple observation of reality, uncertainty became an asset. Lesson for the day: vision is always ahead of execution — and it should be. Vision, Uncertainty, and Knowledge of Materials are inevitabilities that all artists must acknowledge and learn from: vision is always ahead of execution, knowledge of materials is your contact with reality, and uncertainty is a virtue.

To quote Ira Glass about the 'gap' in taste and skill:  It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. 

So on to marching towards my 10,000 sketches...... 

Evening Shadows 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Dance of Life

She Moved Like A Dancer watercolor and ink by Meera Rao

India Art Journal 2015 

She was a vegetable vendor.  Everyday she sat by the roadside with a few crates of produce. She always dressed in simple though beautiful sarees with matching stylish blouses, bangles,  flowers in her hair, and eyes rimmed with kohl. She also had a ready smile for her customers.  This particular evening she was moving her crates to a storage area near by before calling it a day.  As she lifted and carried her crates she moved like a dancer, light bouncing off the folds of her saree, face and body. I was captivated by the beauty and grace of her movements.    

"I found I could say things with color and shapes that I couldn't say any other way 

- things I had no words for. "

~Georgia O'Keeffe~

She Moved Like a Dancer 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Cool Blue

Cooling Off  Ink and Watercolor sketch 2015 5.5x8" by Meera Rao

Your acts of kindness 

are iridescent wings of

divine love  

which linger and continue 

to uplift others 

long after sharing.

~Rumi~

It was one of those very hot summer days.  I was hurrying home to escape the heat from an errand that had taken longer than anticipated. On one of the side streets outside a marble warehouse, I was most impressed by what I saw: someone thoughtful had filled  a big old blue bathtub with water for anyone who wanted to cool off by splashing water on feet or face ! 

Chilling the pulse points by running cold water over the wrist for a minute or so, splashing water on the temples or face are age old ways of combating the tropical heat. The amazing thing is that bath tubs are extremely rare in India but somehow one was out there propped up on old tires, filled with water !  Many men stopped by, scooped out water on their face and feet to cool off before continuing on their way.  Since then I have noticed the bathtub leaning against the wall dry and empty on other days when the temperatures were bearable.  

Sketching it later was very gratifying and even now the memory of the blue bath tub brings a smile to my face. 

India Art Journal 2015- Strathmore Visual Journal, watercolor 140 lbs, 5.5x8"   

Embracing the Ephemeral

Yakshagana Performance  watercolor sketch by Meera Rao

 "Embracing the Ephemeral" is the title of the this series of sketches on Moleskine Japanese Album sketchbook 5 x 8 1/4" I started end of last summer while I was still in India with my m-i-l.  I stopped working on it when my mother passed away and only recently picked it up again, determined to complete the last few panels, text and lettering. I wanted it finished before my trip to India again this summer :)  

Musician with Chande Watercolor sketch by Meera Rao

The first few sketches are from when I went to watch the classic art form of Yakshagana at the Jaganmohan Palace Art Center at Mysore.  The last sketches in my earlier smaller Moleskine Japanese album were of this palace as I was waiting for the show to start. Click on these links to check them out:  A Palace for Art  and  Time is Life

Musician with Maddale  Watercolor sketch by Meera Rao

Yakshagana, literally Song of the Celestial Beings is an expressive art form: poetry, dance, drama, music and storytelling with elaborate costumes. Accompanying musicians are called "Himmela" - there are  usually atleast two artists playing the drums Chande and Maddale - very crucial to set the mood and a Bhagavatar, a singer narrator with cymbals in his hands.  Together they enact stories from the epics and mythologies, dispense morals and spiritual teachings too.  Always the good is victorious over the evil. 

Jumping and Whirling watercolor sketch  Meera Rao

The elaborate costumes and face paints 'Vesha' clearly indicate who the actors are playing.  Even though now the performances are indoors, and last only a few hours, until a few years ago they were all night outdoor affairs with climax happening around 4 or 5 am in the morning ! I remember attending only a couple of them when I was a school girl, dozing off most of the night and woken with a start when the drums beat with vigor! The jumping and twirling by the actors are spectacular. My brother and I would try to emulate them for the next few days! Check out this link for a taste of the art from a 2-hr performance in Washington DC by a visiting troupe.  Traditionally all parts were performed by male artists only but now there are all female troupes too! More information on Yakshagana can be found here. 

Rajavesha watercolor sketch by Meera Rao

Umbrella Fun

Umbrella Fun sketch by Meera Rao 

As I was getting ready to post this sketch of my granddaughter in her brand new rain gear, I began wondering if the umbrella was first invented by whoever  to protect against the sun or the rain as I used the umbrella often this summer when I was in India to shield me from sun as well as rain.  

Of course, I googled the history of umbrellas. According to that article: "The origins of the umbrella are most probably China in 11th century B.C. although ancient sculptures have been found in Nineveh, Persepolis and Thebes (Egypt) depicting the use of umbrellas. There is also evidence of Umbrellas or Parasols being used at the same period in India. I don't think anyone really knows whether it was first used to hide from the heat or the rain, but I found lots of interesting information about them.  Do click on the colored links and enjoy the history :) 

sharp focus

Sketch of my thumb reflected on a shiny knife blade as I cut a mango

 by Meera Rao

The mind of the painter must resemble a mirror, which always takes the colour of the object it reflects and is completely occupied by the images of as many objects as are in front of it.

Leonardo da Vinci

Earlier in the year looking for ideas for daily sketching I came across many suggestions : draw your thumb, a reflection, sharp edges, a fruit etc.. Of course I could not make up my mind. As always, stalling the decision making I stepped into the kitchen.  Cutting a mango  for lunch suddenly I knew what to do :)

A palace for Art

India Sketch Book 2014 panels 27,28 by Meera Rao 

The last four panels of the sketch book are filled with details from the Jayachamarajendra Art Gallery and Performance center at the Jaganmohan Palace.  The performance hall has many beautiful stained glass windows. The beautiful building is unfortunately crumbling and in dire need of renovation and restoration.  

India Sketch Book 2014 panels 28,29 by Meera Rao

The arches on the many doors on the hall were also decorated with colorful paintings and sculpted relief.

The circular motif sketch is from the front facade of the building - there were about 10 motifs on each of the pillars and each was different scene.  This was the lowest one that I could see clearly :) 

India Sketch Book 2014 panel 30 by Meera Rao 

I was able to sketch only a couple of the stained glass windows before a 'Yakshagana ' performance started.  I did not sketch on the back side of the pages as the sketches had bled through to the other side on a lot of the sketches. 

Sketchbook spread out on the floor 110" x3.3" 

I tried to take a picture of the sketchbook all spread out little over nine feet long ! This was the best I could do  :)

On the Road

Sketchbook India 2014 Panels 19-22 by Meera Rao

Sketchbook India 2014 Panels 23-25 by Meera Rao

Road scenes in India are always so very fascinating. Once I started sketching I began noticing all the little details and interesting things that take place. I am attracted to unique vignettes that tell a story. I have learned not to look for perfection in my sketches but hope to capture the emotions.

The scenes get etched in my mind once I start sketching like the time I saw the horse 'checking' out the autoriksha -his competition - while his owner was chatting with the riksha driver! Or the pleasure on the face of the tripple riding motorcyclists -living dangerously with no helmets! The Mother -son pair in the back of the little truck with all their possessions exuded the excitement of moving day.  This time I was pleased I was sketching on the accordion/ Japanese album sketch book :) It was a challenge to keep the sketches connected to one another. 

I needed a couple days to finish each of the sketches- drawing one day and then coloring them the next day. Drawing and sketching in a journal like this make me explore different styles as well as ways of seeing that I have not tried before :) 

A Long Journey

View From Balcony Sketchbook India 2014 June 4-7 by Meera Rao

View From Balcony Sketchbook India 2014 June 6-8 by Meera Rao

"Then India, everyone has his own idea of India"

-Milton Hays.

I have been here in India almost two months and yesterday I did the last sketch in the small Moleskine Japanese accordion style sketchbook.  I have finally figured out (for now!) the quirks of the computer and the programs here and been able to successfully post the first two photos from my sketchhbook :) 

First few sketches in a new book are always tentative in nature as I am learning what will work best. On the opening page (which I forgot to photograph) I tried out color pencils, watercolors and Faber-Castell Pitt basic color  brushpens. I mainly used Prismacolor Verithin color pencils, Prismacolor fine line marker pens and micron pen on these four pages. The hard lead color pencils are good to sketch with but difficult to color and shade on the slick beige Moleskine paper. I may build color with my regular Prismacolor soft pencils once I get back home! The background washes are watercolor (Koi watercolor field kit) and I am yet to master using them on this paper! The accordion style sketchbook gave me freedom to sketch wide and an opportunity to link these different sketches.  The idea was to have continuity though here I may be only partially successful as I don't plan ahead of time and am not sure what my next day's sketch will be! I sketched everyday but often took a couple of days to complete a panel - so it has taken me almost two months to finish 30 panels in the book that opens into one long 5.5" x 105" page  :) 

About the sketches: As the title indicates its the view from second floor balcony. I was excited to see the papaya tree top laden with fruits of various sizes right by the balcony, the collection of little lamps, the electric pole with its wires and a branch of "Kadam" /Adina Corifolia tree sporting a badminton ball like composite flower mass.

Today I will start using the large Moleskine Japanese album sketchbook  (5x8" when folded). It has 48 accordion pages. If anyone reading this has suggestions, constructive criticism and helpful hints on using these sketchbooks please feel free to pass it on in the comments section :)

Passions

My Passions sketch by Meera Rao

I want to sketch something everyday but there are days when my muse doesn't show up or sometimes life gets in the way! Once in a while I will check daily painters lists for ideas.  'My Passions'  came about when I combined two different such lists. One listed sketch your hobby; sketch an heirloom said another . I decided to combine the two :I would sketch an heirloom and add my camera review pane around it ! I am feeling very clever and pleased  :)  

This sketch was done in couple of months ago and I did not post it then. I am in India now, my annual visit to take care my Mother-in-law.  I am unable to post the sketches done here as google platform and microsoft PC seem to be at odds when it comes to posting photograpahs :(  Blogger won't recognize crops and edits done in Windows and I can't seem to import into Picasa to do my edits there to upload to the blog!!! I hope I will find a solution soon or I will have to wait till I get back to my own computer to post my sketch book.

I am trying something new this time - using  Moleskine Japanese style accordion sketchbooks in two different sizes.  The smaller  one that folds into 5.5x3.5" is almost full.  I love how it unfolds and I can vary the width of my sketches depending on the subject and how the sketches are not in isolation but run into each other reflecting life itself. I am excited about how it feels and can't wait to post them. I hope I will know more about how to work this computer  soon!!!!   As the saying goes :Thunderstorms are as much our friends as the sunshine.” ― Criss Jami  Challenges make life interesting and I am banking on being a bit more computer savvy by the end of it!!!

Everyday is a Celebration

2013 India Sketch Journal page 39 by Meera Rao 

"There are exactly as many special occasions in life as we choose to celebrate"

~ Robert Brault~ 

A small celebration as I post the last page of my 2013 India sketch journal. It was my second year of  doing the sketch book. I am amazed and tickled to see over 200 sketches of everyday scenes and incidences in the two years.  I hope some of them will end up as full paintings soon. The biggest lesson I learned is to just plunge in and draw rather than try for that perfect sketch. As I have mentioned before, the best thing I discovered is looking at everyday things with new sketching eyes as I look for ideas. I became adept at squeezing sketching time when I was in India.  Now to make that happen everyday the rest of the year ! 

2013 India Sketch Journal Aug 23 by Meera Rao

The wedding venues are usually a riot of colors elaborately decorated with fresh flowers and foliage. The creative and labor intensive designs are often awe inspiring - sometimes bordering on gaudy. I definitely did not do justice in design or perspective when I sketched this one and as I was finishing it by memory, my skills lagged behind :) 

2013 India Sketch Journal Aug 24 by Meera Rao

Basava - decorated bullocks and his master go house to house asking for alms in -between farming seasons. The bullock's bells and the woodwind instrument the master uses signals their arrival at the doorsteps.  Rice, money or old silk sarees are donated by most the householders.  Sometimes I think this has become a way of taking advantage of the sentiments towards holy cattle and make quick bucks - especially when I see the master curse when he is asked to just move on! The animals though, are decorated beautifully and it is a pleasure to look at the peaceful majestic beasts. 

Only Different Kinds of Good Weather

India Sketch Journal Page 29 by Meera Rao 

Sunshine is delicious, rain is refreshing, 

wind braces us up, 

snow is exhilarating; 

there is really no such thing as bad weather, 

only different kinds of good weather.

John Ruskin

India Sketch Journal Aug 3 by Meera Rao 

The 'windy month' brings out the kites and kids.  The stores stock colorful kites of various sizes. A favorite after school activity for some is making their own kites. Regardless, many spend hours trying to launch their kites- inexperienced as they are-  in hopes of seeing their homemade or store bought kites fly high in the sky. 

India Sketch Journal Aug 2 by Meera Rao 

As the rains continue, and the temperatures dip, the blanket peddlers roam the streets.  I had to peek out of the balcony to figure out what their loud calls were for and what is it that was being sold now! I do appreciate that even now blankets, vegetables, household items, toys are sold by peddlers roaming the street --it is always nice to have the market come to you ! 

For us wind, rain etc are just different kinds of weather but check out this TED talk video on Art made of Storms by Nathalie Miebach   - She  "takes weather data from massive storms and turns it into complex sculptures that embody the forces of nature and time." The talk opens with a sculpture  and musical scores.  It is fascinating to see and hear her explain how science, art and music intersect creatively for her. “Weather is an amalgam of systems that is inherently invisible to most of us, so I use sculpture and music to make it, not just visible, but also tactile and audible.”

Evil Eye, Hungry Mouth

India Sketch journal 2013 page 23 by Meera Rao 

Whether it is protection from evil eye or hungry cows and goats, there is a way to safeguard what you cherish - be it magic, superstition or a practical solution!

India Sketch journal 2013 July 21 by Meera Rao 

These red masks of fierce looking faces with horns and a scorpion on the tongue can be bought on the road side from migrant artisans who camp on the sidewalks, establish a workshop and a set up a retail outlet right there :)  The whole family pitches in to make the masks from molds to which they pour plaster of paris or clay, paint and then sell them in various sizes. The masks are bought to place on  houses, buildings, and new construction sites.  What caught my eye was that the sidewalk makeshift enterprise selling talisman masks had a classic talisman of its own - that of seven green chili peppers and lemon hanging so that no evil eye is cast on this thriving business ! Please do click on the colored phrases above and you will be able to see my sketches from my art journal 2012 :)

India Sketch journal 2013 July 22 by Meera Rao 

This is little sapling by the roadside had its own fence to fend off the hungry cows and goats that wander the streets.  The effort was worthwhile as the plant still had its leaves and was showing signs of growth! The tragedy sometimes is that the sticks from the little fence can also disappear - to be used for kindling by someone.   I was attracted to the geometry of the lines, the organic shapes of the leaves, the colors and had to record it in my sketch book. 

To Savor The Tropics.

2013 India Sketch Journal Page 16 by Meera Rao

A major perk of tropics is the variety of delicious fruits and vegetable that are available throughout the year!  Just google tropical fruits and vegetables and you will amazed at the variety, colors, shapes and sizes of the produce! And the number of creative ways those fruits and vegetables have been cooked or prepared and served is mind blowing :) 

 2013 India Sketch Journal July 7 by Meera Rao

The Jackfruit is the king of fruits because of its size and that means ingenious ways of consuming it too! The fruit leather is delicious, and the desserts prepared from it seems endless.  My aunt often prepares these special sweet dumplings wrapped in teak leaves that gives it a wonderful aroma, color and flavor. A sketch of jackfruits and vendor from a few pages earlier can be seen here. 

 2013 India Sketch Journal July 8 by Meera Rao

More and more seedless varieties of fruits are available in the market and when I cut this pappaya I was pleasantly surprised to see the star shaped black seed studded center with orange around it.  I quickly took  a couple of photos and then pulled out my sketch book for a hurried sketch before I proceeded to cut it for breakfast :)  My mother-in-law usually likes her food at the allotted time but now has come to accept that I might pull my camera or the sketch book right in the middle of cooking or other chores and has come to accept that food, snack or drink may be delayed because of my passion and obsession :) 

Spot on the Sidewalk

2013 India Sketch Journal Page 15 By Meera Rao

Most of the sidewalks are taken up by various  kinds of vendors - talk about niche marketing :) Often pedestrians do a delicate dance of walking -trying to avoid walking through a sidewalk shop's staked out area as well as the busy streets with teaming with all different kinds of vehicles! 

2013 India Sketch journal July 5 by Meera Rao

'Pani Puri' is a delicacy from north India and those vendors have the longest lines and best business! They sell  crisp fried hollow balls -puris that are then stuffed with tomatoes, onions, chick peas, green chillies coriander and dipped into spicy minty water. As much as I love the dish, I won't eat at any of these road side places because I am afraid of upsetting my stomach! I did not have a good view of the mountain of puris but you can check out my sketch from last year if you are curious. 

2013 India Sketch journal July 5 by Meera Rao

I passed this vendor and similar ones many times and couldn't figure out what he was selling.  Moreover I noticed  all his customers were men- and I always walked on the opposite side of the street to avoid that crowd.  When I asked my niece she laughed and said "No, Aunty, they sell 'paan' ingredients and tobacco products!" Then one day when running an errand, I was able to take a photograph from across the street, as unusually there were no customers around and my zoom lens caught the warning on the cart. "Paan" is another delicacy and not just eaten by men, but best not bought on the streets!!!! 

Clock work

2013 India Sketch Journal Page 14 By Meera Rao

I don't plan my pages at all and just sketch whatever catches my fancy each day. But I have been surprised to discover how there is always some connection between the two sketches once I start blogging about them. 

2013 India sketch Journal July 3 By Meera Rao

This cow like clock work comes to this door looking for food as the lady of the house always saves the vegetable peels and waste for it. But the last few days even though the house is locked up and the family has gone on vacation, the cow still comes in the morning and waits at the door for an hour or so before it gives up and walks away in search of food!

2013 India sketch Journal July 4 By Meera Rao

This tiny shop looks like a relic from bygone era with the owner providing a service that is a rarity in the age of digital clocks! I could see some antique clocks on the walls, and clock & watch parts everywhere! I am sure that shop has some unique treasures!