Sketching Every Day

2013 India Sketch Journal: At Dulles Airport June 7 by Meera Rao

I started another journal this year as I do my turn at my M-i-L's place in India till end of August. As always the journal starts with sketches at the airport and this time I challenged myself to choose vignettes showing something different :)  While waiting at Dulles, DC I sketched the wide corridor with huge black board gate info etc and various colorful national flags hanging from the high ceilings.  It was late night and our flight was delayed and there were few passengers wandering around and even fewer shops or restaurants that were still open. 

2013 India Sketches: At London Airport June 8 by Meera Rao

At Heathrow in London, I sat in the lounge waiting for the gate to be announced. I had a perfect to place to watch and sketch people as they came by to check the Departure board with the 'time planner.'  It was a challenge to get the moving people down on the paper! But the positive was that almost everyone slowed down or paused near the gates and boards long enough for me to notice and commit a part of a gesture, a limb, a slant of the head, a pose or piece of clothing on to the page :)  So mostly, the people are composites of a few passengers!

2013 India Sketches : Page 1 by Meera Rao

 Above is the first page from my journal with both sketches showing. I am using 8.5x6" Strathmore Mixed Media Vellum Surface 300 series 90lb  sketchbook with 40 sheets of paper.  I have my trusty Koi watercolor pocket Field sketch box,  3 waterbrush pens, a 3B pencil, and a ball point pen for sketching. I also have a few color pens, sketch pens but not in my carry on. I intend to use them once I am unpacked! So far I am excited about my second journal and am looking forward to sketching about 80-90 sketches this time, one a day, two to a page mostly and every now and then one or four :)  Now to make sure I am able to sketch every day at least for 30 minutes!

Lessons From Keeping An Art Journal

India Art Journal Oct 26-Oct 28 2012

This is the last page of my India Art Journal -- four months and 124 sketches later. I am incredibly happy with the way the journal evolved through my stay in India. Now it surprises me as to how  unsure and hesitant I was to commit to such a project before my trip! 

I had finally gotten the courage a few days before I my trip to India in June 2012  to come to keep a journal of my stay there. It then took a few visits to the art store, going through the catalogs etc before I settled on Strathmore Mixed Media Visual Journal (5.5"x 8") 34 sheets/68 pages, 90 lbs wt. paper. I calculated that it would give me just enough space to do 124 vignettes at sketch a day, four sketches to a page and three extra pages in case I mess up :) I still have one blank sheet  at the beginning and end of the journal! I shared one sheet with a young nephew. 

My sketch kit consisted of Koi watercolor sketch box, two  waterbrushes(one Aquaflow and one Koi), pilot G-7 pen , one graphite 4B pencil and a knead-able eraser. All this fit neatly into a plastic zippered bag ( that  pillow covers that I had purchased a while ago came in. ) I added a small box of 12 oil pastels in India. 

India Art Journal Oct 26 2012

By the time this last page came along, I was quite relaxed and confident about sketching. Nothing like sketching each and every day for four months straight to feel comfortable with drawing.  I knew by then not to expect every sketch to be a masterpiece, not to judge but just sketch every single day. I was attempting all different subjects knowing that each only had to fill in a space of 2.5"x 4". My plan was very simple.  I think keeping it small, and not worrying about size or orientation also helped me just draw. I worried and wondered only about the subject each day-That was the only decision I had to make and I didn't follow any theme.

India Art Journal Oct 27-Oct 28 2012

Even with my busy schedule of keeping a house, cooking, entertaining, marketing, caring for my m-i-l, etc... keeping aside time to sketch each day was something I did for just myself and I always looked forward to it. This 'sketching time' was very crucial to keeping an art journal every day.  Sharing my sketches made it special, made my activity legitimate and made me accountable to my intention. In the end it meant a lot to my dear Mother-in-Law too that I had made time to sketch every day!  Looking for subjects meant I was seeing the world around with new eyes and developed a deep appreciation for the beauty in everything.  I noticed things in new light.  In retrospect, keeping an art journal was the best decision I had made as a part of my journey.

India Art Journal Oct 28 2012 (India) by Meera Rao

Since returning, I have tried to sketch or draw or paint something almost everyday. I don't have a compelling reason other than I should and that has not worked very well!  I wondered and worried if I would be able to draw and paint in bigger sizes or even have enough patience to work on a large piece.  I am happy to announce that I did complete a full sheet painting that I am very  pleased with ( I will post a photo soon!)  

India Art Journal Oct 28 2012 (USA) by Meera Rao

Next, I am hoping to combine my blog posts on the sketches with the vignettes from the art journal and put a book together.  Meanwhile I can't wait to dream up another project to work on! The finished journal is a big boost to my confidence and a wonderful memento of my four months in India. 

Field Experiments

Watermelon and berries  sketching with Aquaflow brush with watercolor tube paint

At the Gate sketches with Aquaflow brush, tube paint, Pilot G-2 pen

Ready to Board  sketch with Aquaflow brush, tube paint, Pilot G-2 pen

I had purchased a Aquaflow waterbrush just before my unexpected  trip to India last month. I made myself a small field box by putting a blob of paint each of cool and warm reds, blues, and greens, aurelion yellow, raw umber, burnt umber into an old small flat Celestial Seasoning Tea box measuring 3"x2"x1/2" . The brush, the box and my sketch book (5x3"), a Pilot G-2 pen were packed into a quart size ziploc bag and fit in my purse neatly. 

I really enjoyed trying out my 'field sketch box kit' at the airports mostly and found it fun. It took some practice to get a feel for the brush which has a store of water --to figure out how much to squeeze as you paint and how to blend the colors!  I also now know to add a sponge or couple of paper towels to the kit. I played around with sketching first and then adding the colors  as well as putting down the colors first and then defining with the pen. Except that by the end of the trip, some of the paints mixed with each other (airplane pressure issue?) and there was a small mess in part of the box, the kit was a successful experiment. 

Fig  Salvia  sketches with Sakura waterbrush Koi watercolor field sketch box

The sketches of the fig and the Salvia was done at home couple of days ago with the Koi Watercolor Field sketch Box and the Sakura waterbrush that came with it.  The field box has 24 mini pans of paint, 2 sponge strips, a mixing tray that fits neatly to the side when opened, and room for the dis-assembled brushpen. The lid can be used as a mini easel for the watercolor paper that I cut fit into the space between the lid and the mixing tray.  I could hold the field box in one one hand and paint with the other, making it a neat field box. The box measures 6"x4"x1" when closed. I am not too happy with the waterbrush that came with as it kept loosing hair and it took me a while to figure out that I had to twist it to the right to loosen it as opposed to turning to left as I instinctively do ! I was afraid I was going to ruin the brush even before I had a chance to paint with it!!!  I am really looking forward to using my field kits regularly and hope all the sketching will make a difference in my studio paintings :) Please let me know how you approach sketching on the go.   

the set ups :)