Mixing Up Media

Exuberance mixed media 7x5" by Meera Rao

A couple of months ago, I was the lucky recipient of a book giveaway from a fellow artist, author and blogger Paula Guhin at Mixed Media Manic . The book "Painting with Mixed Media"  by Paula Guhin and Geri Greenman is filled with ideas, step by step techniques and full color Portfolios of art. It has chapters on working with different media -acrylics, watercolors, oil paints, pastels and Tempera. Each chapter highlights a different painting medium, exploring the 'funky ways' it can be combined with other materials, and ends with 'Float your boat further' suggestions that challenges the artist to continue experimenting. The pages are sprinkled with 'Painting Pointers' -artistic advice and helpful hints,  'Savvy Substitutions'  - exactly that  and 'Green scene' - Eco friendly recommendations. 

I decided I needed to try out Alcohol inks with my watercolors and made a trip to the art store to buy a couple of small bottles.  Needless to say, I got lost in the aisles, and ended up buying a Pebeo Mixed media Discovery kit with Fantasy Prisme, Moon and Vitrail paints (6 bottles)  along with Pinata alcohol inks in 3 colors. The Pebeo kit promised "opalescent reactive paints that create an array of infinite designs and textured finishes." and I was seduced :) 

Back home I did a marathon session of You tube videos on Pebeo paints as I had never heard of them before.  Between the videos and the book I had receved, I was full of ideas but no plan. That meant I went off in a completely different and a totally experimental path :) I decided to use old out of focus photographs (double prints!) from long ago (when cameras used film and did not have digital previews) that I had saved because I could not bear to throw away something I had paid good money for. 

I used white gel pen, Pebeo Moon and Prisme paints for wonderful textures to paint on a photo of poinsettias.  Not a drastic change but enough with  more texture  and personality. I have the before and after shots below. 

Fire and Ice  Mixed media  5x7" by Meera Rao

poinsettia photo before 

'Exuberance'  on the very top of the blog is transformation of the photo below.  Here I used  Pebeo Prisme, Moon, and Ceramic paints, Pinata Alcohol Inks, and casein paint.  Pebeo recommends one to pour large quantities of Moon and Prisme (I am yet to try Vitrail) but I used droppers and toothpicks for what I wanted to do. I will use Krylon sealer when the piece is completely dry.  I am very pleased with my experimenting and  really like the results !  

Exuberance mixed media 7x5" by Meera Rao

the photo for "Exuberance"

Exuberance  Mixed media 7x5" by Meera Rao

Fire and Ice  Mixed media 5x7" by Meera Rao 

Winter Abundance

Winter Abundance digital photography by Meera Rao 

I saw these berries weighing down the holly tree branch on my walk last week. For some reason the birds have not found that tree yet.  I understand cold winter frost makes the otherwise poisonous berries edible for the birds. 

Taking the photographs often is a lesson or practice sessions for me in how to compose, to get closer look at vast range in colors, light-shadow and variety of textures.  Sometimes I wonder though whether the camera makes me lazy about really paying attention to all that because  now I can just go back and refer the photos whenever I have a doubt, erasing a compelling reason to really observe for long or commit to memory much of the details......  

My curiosity lead me to research how and in what way photography changed paintings, in style and subject matter.  I came across some very interesting information in an article 'Painting and Photography'  written by Nancy Roth for Answers.com. : Photography arrived at a point in the history of European painting when Romanticism, as embodied in the turbulent fictions and exotic allegories of figures such as Eugène Delacroix (1798-1863), was widely admired and commercially successful; realism, the painting of immediate visual experience, was beginning to coalesce into an oppositional movement, championed by the brash young Gustave Courbet (1819-77). Neither of these painters saw photography as a threat to painting. They, and others later, quickly embraced it as a means of referencing such details as facial expression, ephemeral light effects, and motion. Delacroix even wrote in his journal that ‘if a man of genius should use the daguerreotype as it ought to be used, he will raise himself to heights unknown to us’. Some painters, notably Edgar Degas, Pierre Bonnard, Edvard Munch, and Ernst Ludwig Kirchner, themselves became accomplished photographers. It was rather the popular Salon painter Paul Delaroche (1797-1856), celebrated for the technical precision of his work, who reportedly declared, on seeing his first daguerreotype, "From today painting is dead "   

I am so glad he was wrong :)