Recording Memories

Me And First Born Pen and ink by Meera Rao

Sometimes I wonder what’s the point of sketching and then recording it in the blog.  Doing the covid diaries, I have recorded moments that looking back now, I could have easily forgotten and dug up memories that brought me joy. Now publishing in the blog after two and three years later brings some amazement to me!   This was a memory from years ago and yet now fresh - and refreshed again ! 

Week 20 Smithsonian Engagement Calendar Pandemic journal 2021 

The photo in the Smithsonian Engagement calendar 2021, upcycled to pandemic diary/journal 2nd year in a row, is by Elinor Cahn: East Baltimore Documentary Survey Project c.1975Gelatin silver print Smithsonian American Art Museum.  Cahn was one of the several photographers involved in the National Endowment for the Arts 1978 East Baltimore Documentary Survey Project, which aimed to capture the realities of life in a multiethnic community. 

Week 20 Smithsonian Engagement Calendar Pandemic journal 2022

 My sketch for this week is of the mural Pool House Blues by Anickan Udofias at the William H  Ramsey Aquatic center by the Eastern Market at DC.  I have learned a lot about various artists and history, science, archeology etc. through the photographs in the Smithsonian Engagement Calendar and also by the art I saw in and around various places I visited during those days.  The poster shown in the calendar photograph is for Richard Norman’s 1922 movie.  The movie featured “Bill Pickett(1870-1932), a famous cowboy and a rodeo performer of African and Native American descent.  Pickett created the technique of bulldogging( also known as steer wrestling) featured in the film. The film itself is presumed lost, as only fragments have been found”. 

Sketch of the mural ‘Pool House Blues by Anickan Udofias’

Sketch by Meera Rao 

Manholes and Memories

Smithsonian Emgagement Calendar sketching the pandemic 2021 week 19 May 2-8 

Manhole Mandalas photocopy of miniature paintings from  accordion album sketchbook

The wonderful side benefit of very late postings from my 2nd and 3rd year of sketching the pandemic days is that it reminds me things I have done and places I have visited that I almost have forgotten about !!  That weekend 2021 I was inspired to pull together different manhole covers from places I had visited ( yes, I notice interesting manhole covers wherever I visit !) I sketched and painted about 20 in a mini Japanese accordion sketchbook.   I photocopied one side and put it in my Smithsonian Engagement Calendar up-cycled to my sketchbook ! Uncannily, it paired  well with Alexandra Agudelo’s ‘Molly bowl’. The bowl embodies her ‘use of pre Colombian metal working techniques of batado in which a sheet of silver is placed between two hard surfaces and struck with a hammer in order to manipulate the material without welding’. For her ‘They evoke vessels used in ancestral rituals.’ 

National Museum of the Marine corps ink and watercolor  2022 week May 1-7 

In 2022, on May 2nd we visited the National Museum of Marine corps in Quantico, Va. We pass it all the time on our trips to and back from Washington DC but never did take that exit. The magnificent building evokes the scene of soldiers raising the flag at Iwo Jima. An exhibition of 50 huge and absolutely stunning watercolors by the artist Mary Whyte of ‘We the people:Portraits of Veterans in America’ drew us to finally take the exit from the highway.  It was a memorable exhibit by an artist I had always admired. 

Smithsonian Engagement Calendar Pandemic year 2022 sketchbook 

The painting the Smithsonian Engagement Calendar is by Elmer Wachtel of California spring landscape c. 1920. 

Star And Warrior

Brand New Baby Grand Daughter watercolor by Meera Rao

The baby is a year & half and finally I get around to post this little sketch from 2021!!  At least I did sketch it more than a year ago. I love it that this is being posted on the 14th Blog Anniversary! I wish I had a better image. I hope I will sketch many more as she grows up to fully realize her wonderful potential. 

Smithsonian Engagement Calendar Week 15 2021

The Kiowa Battle dress c 2000 by Vanessa Jennings (Kiowa/Pima) is "similar to those worn by female relatives of the warrior members of the Ton-Won-Gah, or the Kiowa Black Leggings Society. The yellow patches with the horse heads indicate a Vietnam War veteran from the US Army's first cavalry." I actually had not paid any attention to this photo on the opposite page in the upcycled sketchbook - the Smithsonian Engagement calendar 2021- while I sketched my grandbaby. It is one of the very few times I totally ignored the image in the engagement Calendar until it was time for me write about it in the blog :)

  

Star Magnolia from Japan At the national mall 

We planned the visit to DC to coincide the cherry blossoms in full glory. As we were walking around checking out various pockets of cherry blossoms around the National Mall area, I came across this marker on on of the star magnolia tree marking the gift from Japan many many years ago! 

Smithsonian Engagement Calendar Week 15 2022

"The strappy petals of Magnoliastellata's flowers give this tree its common name- the star magnolia. Endangered in its native Japanese range, it is commonly planted in gardens for its beauty." And I found this one near the Capitol grounds.   

Cycle of Life

 

Studying Skull Anatomy drawing pen and ink by Meera Rao 

I did not realize that I had been away from my blog for more than a month. I have been busy though with various projects and sketching almost daily. Some of it I post on Instagram as @artbymeera. Please send me a request in Instagram if you would like to follow and check my posts :) This month I am participating in the Inktober challenge. 

I am still plugging away at my sketching the pandemic years project! It just happened that this particular week  in March/April, I was watching various videos and studying the anatomy of human skull to help me improve my portrait drawing and painting skills.  For this sketch, the reference was by Vladimir London.  It definitely pairs well with the mask pictured for the week in my Smithsonian Engagement Calendar 2022 upcycled to 'Sketching the Pandemic' art journal. It is 'Bo nun amuin' mask helmet c1960 from Baule people Cote d'Ivori, Africa. The caption reads:  "The mask, carved from a single block of wood, combines a forest buffalo's massive horns, a snake, and crocodile's menacing and toothy maw to represent a powerful bush spirit. Meant to be worn horizontally on the head, these masks were donned by costumed dancers while performing at the funerals of elder men. 

 

Smithsonian Engagement Calendar 2022 Week 14 March 27-April 2

Cherry Blossoms at Washington DC. ink and watercolor by Meera Rao

Every year we try to visit Washington DC to admire the cherry blossoms around the Tidal basin and all over the city. Last year  we were there during the peak blooming time. I was surprised to see the all the people who ventured out (including us) ! Most wore masks where there was a crowd and  enjoyed the outdoors. The profusion of delicate pink blossoms is a sight that is awe inspiring. 

Smithsonian Engagement Calendar 2021 Week 14 March 28-April 3

 'Little Hills in April' c1923 -Color aquatint etching on the opposite page of the Smithsonian Engagement Calendar 2021 week 14 is by Beatrice Levy.  The Smithsonian coordinated a 1932 exhibition of her art that included this artwork prepared using three color intaglio plate printing system. It is now in the collection of National Museum of American History. 

One of a Kind

An Unlikely Hero: Noor Inayat Khan WWII uniform at the Spy Museum in Washington DC  

I was surprised to read about and see the uniform of Noor Inayat Khan at the Spy Museum in DC. which we visited with our grand daughters.  Its a treasure trove of history and innovations and surprises like Noor Inayat Khan. I learned that she was a musician, author, princess, and a secret agent for the British during World War II. 

Wanting to know more about her, I followed up later : "Perhaps best-known by her Resistance code name ‘Madeleine’, the story of Noor Inayat Khan is unfamiliar to many today, but contains so many extraordinary elements that it’s incredible she isn’t more widely recognized. A staunch pacifist regarded by her captors as a fierce and dangerously uncooperative spy, an outspoken supporter of Indian independence who gave her life fighting for the British, a children’s author, musician and princess (descended from Tipu Sultan of Mysore), Noor is also the first - and so far only – Muslim woman to be honoured with a statue in Britain." And her service as a spy was very impressive:  "In the early hours of 17 June 1943, Noor became the first woman agent to be parachuted behind enemy lines in France (previous women had been sent as couriers). Her task was to maintain radio contact between Britain and the Resistance in Paris. This was an unbelievably dangerous job – radio equipment was bulky and hard to conceal, and staying on air for more than 20 minutes at a time risked detection by the enemy. The average lifespan of a field agent was just 6 weeks. Noor evaded capture for three months, as the Paris Resistance network – which had been infiltrated by double agents more deeply than anyone had realised – began to disintegrate during the summer of 1943. In October, she was arrested at her Paris flat and taken to German security headquarters.  Noor made two immediate escape attempts (and refused to sign an agreement with her captors ruling out a third). Regarded as a particularly dangerous prisoner, she was kept in solitary confinement in Pforzheim prison for 10 months. Finally, Noor was transported to Dachau concentration camp, where she was executed in September 1944. Her last reported word was ‘Liberté’."

It was her uniform that was on display at the Spy Museum (I highly recommend a visit if you are in the area!). 

The image on the Smithsonian Engagement Calendar 2022 for that week is a Kimono c1955 japan, Cotton with shibori tied resist patterning indigo dyed from the collection of Cooper Hewitt, Smithsonian Design Museum. Shibori is "a complex technique which selected areas are bound with with thread to resist the penetration of dye. The medium blue areas are composed of hundreds of small white circles created with kanoko shibori or tied resist while the petal like forms are nuo shibori or stitched resist. "

This page spread is dedicated to 'one of a kind' :) 

Smithsonian Engagement Calendar 2022 week 10 Feb 27-March 5

Bald Eagle Silhouetted on Pine Tree

There is a bald eagle family in our area and the birds regularly visit our yard. They sit on the branch and eat the fish caught from the river or just take a break. That tree is in east/south east section of our yard and from my kitchen window I always see the birds in the mornings as silhouettes. The painting on the opposite page for the week in the Smithsonian Engagement Calendar 2021 prompted me to paint the scene with black brush pen. That hanging scroll, ink on paper painting is by Tomioka Tessai (1836-1924)  Su Dongpo in a borrowed hat 1912, Meiji era.

Smithsonian Engagement Calendar 2021 week 10 Feb 28-March 6

Water, Earth and Sky

Watermen  watercolor by Meera Rao 

Late post! This is from February - week 7.  We see watermen in the river early morning. My research says they are harvesting oysters during February. Later it will be blue crabs and fish. As I am a vegan, until now I never bothered to look up what they were harvesting!   Their bright orange and blue outfits and yellow boat are easy to spot even when its foggy and misty. I love to watch them working and moving about in the waters. 

Smithsonian Engagement Calendar 2022 Week 7 February 6-12

The photo in the  Smithsonian Engagement Calendar 2022 Week 7 February 6-12 shows "Raft used by Cuban 'balseros' in 1992" now at the Anacostia Community Museum. 'This small craft, handcrafted from scavenged materials, buoyed two men on their journey from Cuba to the US in 1992. Styrofoam blocks are adhered to a wooden substructure with tar and held together by the Tarred cloth that wraps around the hull. the two men in the raft were spotted by a Florida based non-profit during a flyover of the ocean and then rescued by the US Coast Guard.'

Discarded Fish Heads watercolor by Meera Rao

There are about 5 bald eagles and a pair of Ospreys that have claimed our backyard as a part of their territory. The bald eagles are year round residents but the Ospreys usually migrate around mid March to nest in the Chesapeake Bay area  and fly south for winter in September. The bald eagles don't eat the whole fish - they usually drop the fish heads to the ground and its feast time for the fish crows and turkey vultures that always show up as soon as the Eagles or Osprey land on the pine tree branch lunch spot with their catch. With osprey though, the crows have to contend with bits that fly off while tearing into the fish. There is always lots of drama as the crows try to steal from the Eagles or the Ospreys and the Eagles go after Osprey with the fresh wiggly fish in its talons!

Smithsonian Engagement Calendar 2021 Week 7 February 7-13

The pottery shown in the Smithsonian Engagement Calendar 2021 Week 7 February 7-13, is by Jeri Redcorn (Caddo/Potawatani) and is at the National Museum of the American Indian. "Like her ancestors, Jeri Redcorn(Caddo/Potawatani) gathers clay, makes her pottery by hand, and rather than using a kiln, fires it in a pit using wood for fuel. Though many of her designs and forms draw inspiration from those her ancestors used hundreds of years ago, they are, in themselves, unique works of contemporary art."  I learned that the art of Caddo pots were lost for more than a century until Jeri Redcorn revived them after seeing the pottery exhibited in museums. These pots were used  ceremonially and may have been used to accompanied the dead to the next world.  Seems appropriate to pair them the fish heads I find in the ground around the pine tree in my backyard! 

 

Icicles and Blooms

Icicles watercolor by Meera Rao

In the last week of January this year, we saw some heavy snow fall and with it very interesting icicle formations as the snow melted slowly from the roof top.  It is indeed serendipity when I paired it with the photo of the week in the Smithsonian Engagement Calendar 2022.  Debra Baxter's Devils Horns Crystal Brass Knuckles(Lefty) 2015 made with Quartz crystals and sterling silver was exhibited at the Renwick Gallery, Washington DC. 

Smithsonian Engagement Calendar 2022 week 5 

Relief in Full Bloom  Faber Castell PITT Artist pen by Meera Rao 

Spring came early for us last year on January 27, when we received our first shot of Covid-19 vaccine! It was indeed relief in full bloom! We then waited eagerly for the second shot scheduled in three weeks :) 

Smithsonian Engagement Calendar 2021 week 5 

Japanese flowering apricot Prunus mume 'Peggy Clarke' in the Smithsonian Engagement calendar 2021 is a digital image  by Hannele Lahti from March 2019 at the National air and space Museum, Washington DC Smithsonian Gardens. 'This deep pink, double flowered cultivar of the Japanese apricot is easily mistaken for its botanical cousin the Japanese flowering cherry. Flowering apricots are the first sign of spring, blooming before cherry blossoms have even begun to open.' 

Changing Dance of the Universe

Changing Dance of the Universe watercolor on Yupo 

My Dad breathed his last on January 21. I know death is inevitable but letting go is never easy.  The pandemic fears meant I was not with him in person. But the marvel of video call technology and my dear brother's intuition made it possible for me to be there just minutes before he slipped away.  My swirling emotions later poured out in "Changing Dance of The Universe." 

Smithsonian Engagement Calendar 2022 week 4

The photograph for that week in the Smithsonian Engagement Calendar 2022 - 'Untitled Female Dancer with Mirrors' c1950 is attributed to Robert S. Scurlock. "The Scurlock Studio was an African American family photographic business that flourished in the Shaw area of Washington, DC., from 1911-1994. Among thousands of photographs in the Archives Center of the National Museum of American History, dancers represent a frequent subject, including professional performers, Howard U students, and private dance school clients. The identity of this dancer, shown rehearsing is unknown" 

Wearing Pearls and Celebrating Kamala  watercolor on Yupo

On January 20th 2021, Kamala Harris became the first woman, first Indian American, first black and Asian American to be sworn in as the Vice President of the United States of America! I wore pearls, a bright blue top that day as I watched the ceremony on TV and celebrated the historic moment. 

Smithsonian Engagement Calendar 2021 week 4

Minnijean Brown-Trickey's graduation dress,1959 graces the opposite page in the Smithsonian Engagement Calendar 2021: "Minnijean Brown-Trickey (b1941)made history by simply going to school and claiming her right to belong. In 1957, four years after 'Brown v Board of Education', she and eight classmates integrated the all white Central High School in Little Rock, Arkansas. Bullied and eventually expelled, Brown graduated from Lincoln High School in New York city wearing this dress, which she designed. She later remembered 'I felt perfectly beautiful in it'." 

Folds and Craters

A Leporello In Celebration of Life color pencils by Meera Rao

Smithsonian Engagement Calendar 2022 -Week 3

During the the past two years because of the pandemic closings, the National Museum for the Women in the Arts has offered an Art Chat every Friday introducing women artists from their collection. I have thoroughly enjoyed attending those online chats rarely missing any. On Friday January 14th, during the art chat we were introduced to book art in Leporello binding and encouraged to fold a sheet of paper and draw along during the event. I took bits and parts, a color or form from each of the artworks from the three artists of the day and filled my page.  In book binding, Leporello binding is a concertina folded pages with front and back boards.   Leporella fibriata, I learned later because of a lucky spelling error  is a hinged orchid from Australia. While contemplating the page for week 3 in the Smithsonian Engagement Calender 2022,  I decided to fold my artwork and hinge my leporello like a leporella to the page.  Perfect for my 'upcycled'  dairy and art journal for sketching the pandemic years! 

The painting 'Luck Lines' on the opposite page in the Smithsonian engagement Calendar is by Nicole Eisenman. "Often steeped in allegory yet resistant to easy interpretation, Eisenman's paintings acknowledge the complex social and political structures that shape contemporary identity. 'Luck Lines' foregrounds the line believed by palm readers to reveal one's destiny encouraging us to consider whether our lives are predetermined or shaped by individual will."  

My page before folding

A Glorious Sunset  watercolor by Meera Rao 

Smithsonian Engagement Calendar 2021 Week 3

The photo in the Smithsonian Engagement Calendar 2021 for week 3 was a photograph of the Greek village of Oia, Santorini by LucVI.  The caption on the photo reads "Part of the Cyclades, a Greek island chain in the Aegean, Santoni is also renowned for the important archaeological site of the Akrotiri, once a Minoan Bronze Age city buried in volcanic ash in the 16th century BCE."  As luck would have it, in my camera roll for that week in 2021 was a glorious sunset from my own backyard :) We may not have a volcano near by, but we have the Chesapeake Bay Meteor Impact Crater - 'worlds best preserved wet-target impact crater.' formed around 35.5 + 0.3 Million years ago in the late Eocene epoch era.  Scientists have proof that the continued slumping of the sediments over the rubble of the crater has helped shape the Chesapeake Bay

Beauty, Death, Time and Recipes !!

Red Bench at the Cemetery  watercolor by Meera Rao 

Smithsonian Engagement Calendar 2022 Week 2 

A winter storm blanketed Washington DC the first Monday of the year. At the Congressional Cemetery in Washington DC, the beauty of a snow covered red bench sitting amidst snow capped tombstones was very unsettling in a way. The photograph of the watch on the opposite page seemed to further that feeling reminding me of the ticking clock of life.

When I read that it is an uncommon watch and belonged to Helen Keller, I was intrigued. The touch watch by Rossellini & Fils c.1865 Geneva, Switzerland, designed to tell time in the dark, with pins around the edge that correspond to the hours on the dial, was a gift to teenaged Helen Keller.  ‘A revolving hand on the back of the watch stops at a point between the pins that corresponds to the hour and approximate minute. With the hand and pins as locators, it is possible to feel the approximate time.’   

While I was mulling over the concepts of beauty, death and ticking clock, I stumbled across this quote written by Albert Einstein on the passing of his friend Michele Besso : ‘Now he has departed from this strange world a little ahead of me.  That means nothing. People like us, who believe in Physics, know that the distinction between the past, present and future, is a stubbornly persistent illusion.’ Sounds like ‘Maya’ - something right out of Upanishads that I been reading and and trying to understand !!! 

Color mixing : greens. Watercolor Meera Rao 

Smithsonian Engagement Calendar 2021 week 2 

The photograph for the week in Smithsonian Engagement Calendar 2021 week 2 is of ‘cordial recipes from James Smithson’s  receipt book’  :  ‘Honor the Smithsonian’s 175th birthday by toasting the founding donor, James Smithsonian (1765-1829), with one of his cordials- aniseed, peppermint or cinnamon. Smithsonian, a chemist recorded formulas for a wide array of his favorite compounds that found use in tooth powder, boot black, and cough drops.’ 

Looking through my photographs and sketchbooks I discovered that ‘color recipes’ for green by mixing different yellows and blues was what I was working on during that week. :)