Shaping that Artwork

Strewn watercolor and ink on Yupo 8x8 by Meera Rao 

See with one eye 

Feel with the other 

~Paul Klee~

I am always amazed how often during the painting process I feel my work is on the brink of collapse. And that often gives me the freedom to try out new possibilities. I feel I have nothing to loose.  I take on the challenge of seeing if there is a way out of the hole I have painted myself into ! In Art and Fear the authors David Bayles and Ted Orland write: "Look at your art and it tells you how it is when you hold back or when you embrace. When you are lazy, your art is lazy; when you hold back, it holds back; when you hesitate, it stands there staring, hands in its pockets. But when you commit, it comes on like blazes"  

Of course, I have a long way to go! Meanwhile, with brush in hand I explore - balancing my feelings of competency and inadequacy, fear and courage, passion and desire. It is a special moment indeed when I discover a different ending.

In A Fog

In a Fog casein  7x9.5" by Meera Rao 

"One of the things I like about music is, it is an abstract art,

 totally abstract, where you can convey an emotion 

which I find amazing" 

~Bernard  Sumner~

I loved working in casein, teasing out emotions from its unique texture. Trying out new mediums and styles is simultaneously very exciting and unsettling for me. But then, it is also the same mixing bowl of emotions I find myself in as I paint, draw, and sketch everyday- the joy, the uncertainty, the fear, the expectation. And always wondering, worrying if I stopped too early or went on on too long ! Amazingly though I find my self fully immersed and lost in the process of creating. That is totally satisfying :)  

Explorations and Expressions

Abstract watercolor  4x6" by Meera Rao

In 'Art and Fear' the authors David Bayles and Ted Orland write : "The dilemma every artist confronts, again and again, is when to stick with familiar tools and materials, and when to reach out and embrace those that offer new possibilities"   They then conclude:  " In time exploration gives way to expression"  And I find that I thrive on explorations.  I love the journey that the different paths - the various materials, methods and styles take me on.  When I am working without being trapped by a desire for perfection, I discover a different expression of my art. As I proceed on this long journey I strive to find the right balance :) 

This art work is available at the fundraiser auction  Maury at the Market  for Maury Elementary School in Washington DC.  Mobile bidding: April 13-19; Live and Silent Auction on April 21 at Eastern Market, North Hall. 

"Life is short, art long, opportunity fleeting,

experience treacherous, judgement difficult"

~Hippocrates(460-400BC)~

Distance From Origin

A Stone of Hope watercolor and Ink 5x8 by Meera Rao

It is funny how I have inventory anxiety and then feel pangs of separation as I let go a painting that finds a new home!  I am a jumble of emotions feeling grateful and excited that someone else liked the painting enough to want it and a twinge of apprehension that I might never see it again :) Last month, A Stone of Hope, a sketch of the Martin Luther King Jr. memorial at Washington DC  was auctioned off at a fundraiser for my granddaughter's school PTA.  I am grateful to be able to give back to the community in my own small way. 

Distance From Origin  colorpencils  by Meera Rao

I was honored to be invited by Katherine Thomas, an artist friend by way of the cyber world, to participate in doing a page in the Sketchbook Project "Distance From Origin"  via the Brooklyn Art Library. The sketchbook had already traveled to :Ohio, USA; Kent, England; Colorado, USA; and Nasum, Sweden.  I used color pencils to sketch a view of the NASA Langley (Lunar)Landing Impact Structure from my backyard.  It was my interpretation of the theme 'Distance From Origin' -man exploring the universe, the light and heat from Distant Sun burning up the early morning fog. And all this captured by me, who was of course quite a distance from my origins :) I wished the sketchbook happy travels and sent it back. Check out talented Katherine Thomas's FaceBook page and also the special page she created for the project 'Distance from Origin' to see where in the world that sketchbook traveling to!  

Altered States TAA Portfolio show Mixed Media By Meera Rao

My mixed media paintings on photographs have been juried into the TAA Portfolio show at the Suffolk Art Gallery in Virginia.  The theme of my portfolio is "Altered States."  The  show will be up from April 29-June 4.  At the opening, I was pleasantly surprised to see that two paintings already had red dots :) My wish for all my paintings is for them to give happiness and pleasure from whatever walls they grace ! 

Evening Shadows

Evening Shadows watercolor and ink by Meera Rao

India Art Journal 2015 

Sunday evenings the roads are relatively empty and I was fortunate to come across this scene on my daily walk.  The beauty of this play of light and shadow will remain etched in my memory even if I may not have done justice to the original scenery.   

I have realized over the years that, my vision is always ahead of what really ends up on the paper ! Here is a story from the book Art and Fear by David Bayles and Ted Orland :  More often, though, fears rise in those entirely appropriate (and frequently recurring) moments when vision races ahead of execution. Consider the story of the young student – well, David Bayles, to be exact – who began piano studies with a Master. After a few months’ practice, David lamented to his teacher, “But I can hear the music so much better in my head than I can get out of my fingers.”

To which the Master replied, “What makes you think that ever changes?”

That’s why they’re called Masters. When he raised David’s discovery from an expression of self-doubt to a simple observation of reality, uncertainty became an asset. Lesson for the day: vision is always ahead of execution — and it should be. Vision, Uncertainty, and Knowledge of Materials are inevitabilities that all artists must acknowledge and learn from: vision is always ahead of execution, knowledge of materials is your contact with reality, and uncertainty is a virtue.

To quote Ira Glass about the 'gap' in taste and skill:  It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. 

So on to marching towards my 10,000 sketches...... 

Evening Shadows 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Making Art and Viewing Art

Art Institute of Chicago -watercolor sketch on Arches postcard by Meera Rao

"Making art and viewing art are different at their core. The sane human being is satisfied that the best he/she can do at any given moment is the best he/she can do at any given moment........Making art provides uncomfortably accurate feedback about the gap that inevitably exists between what you intended to do, and what you did. In fact, if artmaking did not tell you(the maker) so enormously much about yourself, then making art that matters to you would be impossible. To all viewers but yourself, what matters is the product: the finished art work. to you, and you alone, what matters is the process: the experience of shaping that artwork. The viewer's concerns are not your concerns (although it's dangerously easy to adopt their attitudes.) Their job is whatever it is: to be moved by art, to be entertained by it, to make a killing off it, whatever. Your job is to learn to work on your work "

~Davie Bayles & Ted Orland in "Art and Fear" 

"Art & Fear - Observations On The Perils (and Rewards) of ARTMAKING"  is a book I read often. Today as I am trying to get comfortable and not let the shingles that showed up on my abdomen consume me, I am reading it again. The book always inspires me and motivates me to keep on working. I am convinced in the end to give my best shot -as the very last sentences in the book declares: "It becomes a choice between certainty and uncertainty. And curiously, uncertainty is the comforting choice. "

Co-incidentally, I sketched the Art Institute of Chicago building while waiting for the exhibits to open one cold morning in Dec, looking out the glass window of a coffee-shop right across the road.  I was hesitant to take out my sketch kit in the crowded shop but the desire to sketch to kill time till the doors opened won over my fear.  And I am glad I gave in to the urge to draw. 

"Life is short, art long, opportunity fleeting, experience treacherous, judgement difficult" - Hippocrates (460-400B.C) 

Art is a Verb

Memories of a bloom 3 watercolor on Yupo 7x5"by Meera Rao 

Memories of a bloom 2 watercolor on Yupo 5x7" by Meera Rao

Memories of a Bloom  watercolor on Yupo  7x5" by Meera Rao

Three paintings so far with the theme: 'Memories of a Bloom.'  I posted all three here just to see how they look as a group. It felt strange to paint #3 just as fresh spring blooms were popping up in the yard! Memories of a Bloom  and Memories of a Bloom2 were painted earlier. Yupo as I have mentioned so many times before, is a great medium to play with to see how to work out compositions, color and values without much hesitation - it is so easy to wipe off part or all of the painting and start over when things don't quite work out!  And as I rework my paintings I see that there is much truth in the quote from one of my favorite books - Art and Fear - Observations On the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland : “To the critic, art is a noun. To the artist, art is a verb.”  

As promised in an earlier post, it is time to tag blogs for the Liebester Award which Aparna from Warli Soul generously passed on to me. Liebster is German for dearest, beloved or favorite. This award is bestowed on blogs with less than 200 followers but deserve more attention :) Please check out these wonderful artists! : 

Rajeev Mohan's Spalsh of Color  

Lisa Graham's Lisa Graham Art

Kathy Staicer at Katsart