Sketching Life

 Construction sketch  watercolor by Meera Rao 

There was much traveling in the past few days.  And unfortunately I also sprained my leg while walking around and had to spend some time looking out of my hotel window.  One morning I sketched the hard hat wearing construction workers across the road from my 9th floor room window.  

When in NYC I got a chance to visit my sketch book "A Day In The Life"  at the Brooklyn Art Library :)  I spent the morning there looking through many of the sketchbooks in the library -- what an inspiration! The library has beautiful, very creative and completely unique sketch books  from all over the world! 

Brooklyn Art Library  Photography by Meera Rao

Visiting My Sketch Book  "A Day In the Life"  at Brooklyn Art Library 

iPhotography by Meera Rao

Order From Chaos

A Day in the Life Sketchbook project 2011 page 26  G-2 pen

I realized that I had forgotten to post the last few pages of my sketchbook project for Art House Co-op from 2011- A Day in the Life -In Blue Jeans with Gold Embroidery.    One thing that came to be clear during the writing/illustrating of that project was that as in painting I found myself wrestling with wrapping up the narrative  - ending that neither stops short of a resolution or overdone :)  Eventually I followed  Frank Herbert's advice : “There is no real ending. It’s just the place where you stop the story.”  

A Day in the Life Sketchbook project 2011 page 27  color pencils & G-2 pen

I hope to make a page in this blog for  the book so it can be read from front to back. Now clicking on this link gives all the posts on the sketchbook that I have posted - from most recent to the oldest making you read it backwards :) - unless you go the oldest post first and scroll up! Meanwhile, let me know what you think of my project - the illustrations, the writings.

Spicing Up the Sketch Book

A Day in the Life - Sketchbook project page 25 color pencils 

The spice box has a place of honor in an Indian Kitchen and I treasure mine :) I knew from the beginning that I wanted to include it in my sketchbook project. 

I approached the subject with lots of anxiety but  really loved sketching my special shiny Indian Spice Box, its contents as well as the red peppers, tomatoes, lemons, chilies etc.  The different textures, colors, sizes and shapes were fun and a huge challenge to sketch.  The decision to just sketch the objects and not worry about background was freeing.  I learned that paying attention to  the mass of each variety of spice and hinting about the space between most individual mustard/cumin/coriander/dal gave the finished image more unified look. Spraying the finished sketch with Krylon Kamar varnish was a good idea too. Even though better  quality paper might have made a difference,  I am glad I put forth a lot of effort and time into this particular sketch :) 

Shifting Perspective

A Day in the Life -sketchbook project page 24 color pencils 

All the good ideas I ever had came to me while I was milking a cow 

-Grant Wood, painter. 

From the book 'The Creative Spirit' by Daniel Goleman, Paul Kaufman and Michael Ray ( companion book to the PBS special from early 1990s with the same title) on the importance of being 'open to insights from the unconscious mind in moments of reverie, when we are not thinking of anything in particular' :  

News of the Creative Past: Well, the creative spirit has struck again, this time on a cool evening in 1865. The chemist Friedrich Kekule has just discovered the elusive structure of the benzene molecule, a major breakthrough in organic chemistry.  Kekule credits his breakthrough - and we will have to take his word on this- to a day dream.

Mr. Kekule reports that after a long day of thinking, he was relaxing in front of the fire, just watching embers fly up in a circular patterns. He says he then became transfixed and fell into a reverie, and as he half dozed, he began to see the sparks dance in a snakelike way. Suddenly, the sparks formed a whirling circle as if it were a snake biting its own tail. Kekule says he then awoke in a flash with a new, accurate picture of the structure of a benzene molecule: a ring! 

So, is there a better way to solve my problem than stretch on the sofa, put my feet up and daydream? 

Incubation Of An Idea

A Day in the Life   page 23 Sketch Book Project color pencils

Another sketchbook page to the rescue for this post. Picking up on the text of that page - how do you solve problems?  When do you get your best ideas? 

I read today about 'Bed, Bath and Bus Theory'  -" ....it’s the notion that the best ideas come when you least expect it, such as in the bath/shower, lying in bed or waiting for a bus." The article further stated that "we need two characteristics in particular to make incubation successful: patience and belief. Both of these are necessary for you to walk away from a problem that means a lot to you, that you really want to solve or that has a deadline."   The author of that article  Lucretia Torva concludes "One last thing to do. Assign this project to your subconscious. Literally tell your mind to take care of, then let it go. " 

I am glad to know that my coping mechanism of moving away is in a way looked upon as 'incubation of an idea' :) 

Inadvertently Omitted...

A Day in the Life..... page 22 Sketchbook Project color pencils 

'not intentional, not on purpose, not conscious'  -- it is the definition 'not conscious' that stings! And it is not the first time this has happened - and not just in art either. I felt so very disheartened.  It truly represented a 'Day in The Life'.  I decided to  force  myself to consider this as a set up for a new twist in my Sketchbook Project ! This time my 'inadvertent omission' had created three empty pages right in the middle of a book with a planned narrative and a challenge for me to somehow resolve it and to incorporate  new ideas into the story line.  I did not want to just tear the pages - a self imposed constraint to be a bit creative to compensate for my slip; to be grateful that it is a small mistake in the scheme of things,  a way to assuage my guilt for not being mindful....

What do you do when mistakes 'happen' in your work? Do you despair and scrap the whole project? Do you change it? Do you cover it up? Do you start over? Do you call it divine intervention and move on?  

Playful Art

A Day in the Life -sketchbook project page 21 color pencils

I always wonder how and who came up with original recipes and cooking methods for various dishes.  How and who concocted the very first delicacies? or the herbal remedies? The cough syrup herbal remedy that my aunt made for me was a wonderfully powerful one that relieved me of my incessant hacking  during my trip to India in January.  I do hope that these recipes and knowledge don't get lost as the world moves towards new and improved technology.

Speaking of innovations and creations, I watched  TED fellow Aparana Rao talk about her unique interactive art projects that are steeped in surprising, playful and humorous ideas.  Check it out and see why I want one of her high tech art installation 'shy pygmies' ! I am totally fascinated by her mix of art and technology - her fun 'uncle phone',   delightful 'drunken man', the intimidating expanding cube, and cute tired oil blob. Actually I am in awe of her imagination and innovation! What a wonderful way to infuse art with 'humanity' that begs one to respond and interact. 

Stash and Search

A Day in the Life - Page 20 Sketchbook Project Color Pencils  

"The great question is not whether you have the best nut, but whether you are content with your nut." (Bill Squirrelspeare)  

I hoard  quotes and am so ecstatic when I can pull out a perfect one from my stash :) I also have over 15,000 photos in my newest laptop, similar amounts an older  desk top and too many prints from 'film' years. With a digital camera I take way too many photographs with abandon and am very hesitant to delete the so-so ones.  Quite often I know I have a reference photo I have clicked for what I want to paint. But when the best cataloging system I have is  'I know I took a picture....' ,  I think I am like the squirrel who finds something wherever she looks :) Usually, in my photo-album searches, I stumble across something else I like and the next thing I know I am off with a new idea.

By the way, check here and here  if you are curious about squirrels and nuts  :) 

Bobbing colors and Shadows

A Day in the Life - Sketchbook Project page 19 color pencils 5x7"

I see this little shed with these colorful buoys behind a high fence everyday as I drive or walk by it near the end of our street.  The arrangement and number  of buoys keeps changing - yesterday there were only a few but this past winter when I was on my walk, the sun was at just the right angle on the full display of vivid objects.  Through the seasons, I observed how the number of buoys, angle of light, the time of day changes the shadows making for exciting shapes and colors. All this helped me change the arrangement the way I felt comfortable with as I sketched. 

I had an 'ah-ha' moment when I realized that I 'draw' outlines of the objects  but I have to 'paint' shapes and values! Shapes in right color & value with lost and found edges essentially complete a painting save for a few accents! So now I know to focus my efforts in future paintings on the refinement of interlocking shapes in my composition, making highlights blend, anchoring the shadows so objects pop out.  Most of writing and painting is observing and thinking and seeing the relationships :) 

Poetry of Lines of Shapes

A Day in The Life.... Sketchbook Project page 18 Color pencils 

Our little town still has above ground telephone and electric lines and there are always mourning doves or purple matins etc. sitting on the wires - quite often a conference of them! I love to watch them as they fly away and come back following some private code of their own.  I was very pleased to draw a simple sketch of those birds and incorporate them into my Art House Co-Op Sketchbook-Fiction project narrative.  While working on the project  I really learned the poetry of lines, forms, shapes and colors in sketches. And I realized that to be a true artist I need to follow Irwin Greenberg's advice, " Draw everywhere and all the time. An artist is a sketchbook with a person attached. "   :) 

Summer Dreams

The Day In The Life...sketchbook project page 17 color pencils

My Fiction/sketchbook project  The Day In the Life -In Blue Jeans with gold Embroidery is digitized and online  at the Art House Co-op website :)  I will still slowly put the pages on this blog too but this lets you look/read the whole thing with one click. 

Now, looking at all the scanned pages in one place, I really long for another goal to work towards! These days I find between catching up on housework,  some garden tending, getting the house repaired, repainted and rearranged, my art time has really eroded. I also have a few wonderful new art books that I am thumbing through that have ideas and techniques that I can't wait to try! And then there is the new Adobe Photoshop that I just purchased and waiting to be mastered. I have to find some extra time - any ideas and tips for me? 

Messages for Life

A Day In the Life -sketchbook project page 16 color pencils 

Once again, I am given a new perspective on life - life that is exceedingly fragile, unpredictable and where change is the only constant. We were away in India coping with the untimely, unexpected loss of my  husband's beloved brother when we read about the earthquake that shook our area. Two days later, it was hurricane warnings and evacuation orders for our area as we landed back in USA, hours before the airport closed  due to inclement weather. 

We were lucky to wait out Hurricane Irene at our son's house just far enough from the dreaded path. I fretted and watched the Weather Channel with memories of Hurricane Isabel's destruction too clear in my mind, bracing for the worst but hoping and praying for a miracle. I am thankful for our wonderful neighbors and friends who generously secured our house and yard as Irene furiously spiraled her way up the Eastern seaboard. In the end, Irene spared us - our town, our house and our yard is intact. We drove back home on bright beautiful dayafter and  now only have to clear a bit of debris. And we did not loose power, water or gas service.

For days, sorrow, worry and fear has gripped my heart as I struggled with the uncertainties of life. Now, I am forced to learn to appreciate every single moment; to not take anything or anyone for granted; to be just grateful.

Foliage for a Dream

A Day in the Life... Sketchbook Project page 15 color pencil

In the peak of summer if trees look like these, it is definitely cause for worry!  When I was working on my Art House Sketchbook Fiction Project earlier in the year, the trees were still bare and looked nothing like the lush green ones I see outside now.  From my first Fall and Winter in the USA many many moons ago, I have never ceased to be amazed by the bareness of the trees when the temperatures dip and seasons change. I still wonder if the very first people ever knew that the trees would burst back into life in a few months.  

'The place is all awave with trees,

Limes, myrtles, purple-beaded,

Acacias having drunk the lees

Of the night-dew, fain headed,

And wan, grey olive-woods, which seem

The fittest foliage for a dream. '

-Elizabeth Barrett Browning 

Unexpected Pleasures!

A Day In The Life... sketchbook project  page 14 color pencil

I had a pleasant surprise last week when the talented artist Crystal Cook tagged me in her post The Seven Links Project , which is "to unite bloggers from all sectors in a joint endeavor to share lessons learned and create a bank of long but not forgotten blog posts that deserve the light of the day."  As a result, my Seven Links Project - which is in the making right now - will be revealed in my next post :) In the mean time, please do check out her project  and admire her beautiful sensitive paintings!

Regarding page 14 of my Art House Co-op's Sketchbook project "A Day In the Life - in Blue Jeans with Gold Embroidery" :  it is the first time I had sketched a heron in color.  I always hesitated to paint the big beautiful birds because I didn't think I could do justice to their grace and elegance.  The surprising reward of the sketch book project is that it has been wonderful for my skills and self confidence. It forced me to tackle subject matters that I kept putting aside and pushed me beyond my comfort zone just so I could fill the book up!! Now, my newest resolve is to just sketch everyday without regard to subject matter and to paint some of those sketches from my book "A Day in the Life -in Blue Jeans with Gold Embroidery " on bigger sheets of watercolor paper :)

Want or Need?

A Day In the Life ..in Blue Jeans with Gold Embroidery  - Page 13 (Sketchbook/fiction Project )color pencils

Do I call this co-incidence? This page done months ago was next in line to be posted. And as it happens,  I just returned from a week of retreat at the Arsha Vidya Gurukulam where the teaching is all about how to deal with desires, aversions, dispassion, work with the attitude of worship and to accept everything in the spirit of blessing.  This teaching more than anything reinforces how I should put forth my best effort, enjoy the process of painting and not get hung up on the final product. Over the years I have realized that it really frees up the creative process when I do the preparatory work,  trust my instincts and let things just be. I read and hear again and again that meditation and mindfulness will take  creativity and life to a different level - hope to be able to follow that advice consistently one of these days! 

What philosophy nourishes your artistic endeavors? 

Artistic Impulse

A Day in The Life   page 12 color pencils

As an artist you are always told to develop your own style. Well, I just watched a TED talk by Shea Hembrey  -- he became 100 artists with hundred different styles for his own 'International Biennial Show!'  He made up artists from different counties, invented bios, wrote one hundred different artist statements and created different styles, forms of art in all different sizes too - paintings, sculptures, performance arts, installations, movies/documentaries. He was even his own curator, Gallery director --but of course, you know by now that he came up with names and positions and bios for them too.

There is a huge debate going on in TED site about what all this means.  I am impressed with his audacity, creativity and sense of humor. It tickled me that he has hundred different artists in him and now I feel comfortable to carry on with my varied styles and  choice of mediums without feeling compelled to choose one or the other. Does this mean I may end up not mastering any one style or medium? Probably so but I may never grow as an artist if I don't keep experimenting and pushing my limits. When it comes to creativity, I think it is a fine line between being focused and spreading yourself thin! Check out the hilarious and creative talk and a sample of his hundred of artists in the TED-video. Please leave a comment and let me know your opinion about it. 

Spectacular Images

A Day In the Life..Full of Surprises  page11 color pencils

I am waiting for The Art House Co Op to finish revamping their website and for my project A Day in the Life -in Blue Jeans With Gold Embroidery  to be added to their digital library. I am also hoping their scanned online versions are better than mine :).  

Even as I am pleased to have completed writing and illustrating  a small book for the Fiction Project, I am fascinated by what I read and see on their site about how some artists challenged themselves to take their art to new level by changing the paper in the moleskine journals or turning it into an accordion book etc., transforming the materials they were given. I just watched a TED talk by artist Janet Echelman on 'Taking Imagination Seriously.' I am in awe of her creativity and drive to pursue her unbelievably big imagination! I also really like how she combines science and art in her work. Having just returned from Chicago last month, where Anish Kapoor has his sculpture the Bean/cloud, I wonder how does one come up with work of art that scale and magnitude that boggles the mind? Is it a different level of risk taking, resourcefulness, determination, tenacity  combined with  the serendipity of being in the right place at the right time and to know to seize upon the opportunity presented?  And does it have to be  really spectacular or it is not imagination taken to the edge?  

Shadow Play

A Day in the Life   page 10 color pencils

At the rate I am posting the sketchbook pages from my book A Day In The Life  for The Fiction Project, I will have fodder for my blog for a couple months :)  As with the reflections, shadows also intrigue me.  A Conrad Hall quote says it eloquently: There are infinite shadings of light and shadows and colors... it's an extraordinarily subtle language. Figuring out how to speak that language is a lifetime job. 

I came across some beautiful shadows that were artistically created by manipulating various objects and light.  The creativity behind these shadows is mindbogging! These are a long way from the wall shadows my brother and I did as  children with flashlight and fingers on our hands on rainy mansoon nights when  there was no electricity and we were looking for entertainment! 

Growing Art

A Day in The Life. Page 9 color pencils

One of the things that fascinates me is how ideas and creativity come about. I especially like the instances where science and art collide to produce the most wonderful discoveries and artwork.  More than ever this illustrates that we can all learn techniques- be it scientific methodology or how to lay down paint but to have a breakthrough, to make big discoveries seems to require something almost magical! I came across three  different stories about Alexander Fleming and his discovery of penicillin. There is much more there than simply happenstance. 

A Smithsonian article explained that long before Alexander Fleming discovered the antibiotics, he was a painter, a member of the Chelsea Arts Club. He used watercolors, but that was not his favored medium.  He painted ballerinas, houses, stick figures fighting and other subjects by using bacteria! The  article says :"He produced these paintings by growing microbes with different natural pigments in the places where he wanted different colors. He would fill a petri dish with agar, a gelatin-like substance, and then use a wire lab tool called a loop to inoculate sections of the plate with different species. The paintings were technically very difficult to make. Fleming had to find microbes with different pigments and then time his inoculations such that the different species all matured at the same time. These works existed only as long as it took one species to grow into the others. When that happened, the lines between, say, a hat and a face were blurred; so too were the lines between art and science."  Further down the article is the revelation :"On that fateful morning, what Fleming actually discovered was, in a way, a version of one of his paintings. Each of the colonies of Staphylococci bacteria that he had inoculated on the plate had grown into a small shape resembling a planet or a star in a night sky. But there among his wild planets was something else, a larger, lighter body at the top of the dish, the Penicillin fungus. Around it the sky was dark, where the bacteria were dying. It was his masterpiece, his “rising sun,” the painting that would save more lives than any other discovery."

Read the Smithsonian article: Painting with Penicillin: Alexander Fleming's Germ Art  and then listen to PRI's Studio 360 story : Godfather of Bacteria.  On PRI's link Painting with E.Coli,  there is also a photo of one of Flemings paintings :) 

A blog Growing Impressions-Gulden/Baldwin records the collaboration between artist Amy Gulden and scientist Dr. Kristin Baldwin :"...we have enlisted a natural organism, E. coli bacteria, to generate images that resemble paintings or prints, but that have a unique set of patterns that could not be generated using non living materials. We hoped that by letting nature generate its own patterns we would trigger the interest of the eye and the visual brain, which has evolved to pay attention to the irregular patterns generated by natural growing objects."  There is an amazing collection of 'paintings' in that site!

This goes to show that we definitely need to nurture curiosity. Arts and science is a very artificial seperation of  knowledge!

In Search of Beauty

A Day In The Life - page 8 color pencils

"Though we travel the world over to find the beautiful, we must carry it with us or we find it not." Ralph Waldo Emerson's words ring in my mind quite often, especially when my wants and needs rear up their heads! This past week in Chicago was no exception. These days though, finally, more often than not, I use my camera to bring home the beauty. (The airline luggage restrictions help too!) And, more importantly, I understand what he meant. 

In the past couple of days there have been two stories on NPR about art, beauty and collecting-  'World's  Richest Man Opens Flashy Museum in Mexico' and 'Chasing Aphrodite and Other Dirty Art World Deals.'  The stories mentioned 'object lust', 'because they wanted it', 'they lose reason', 'minor and mediocre pieces by big name artists.'  When I finished listening, I was quite disillusioned by the elitist  mindset of some of the museum directors, curators, professors and one reporter whose tone I definitely did not care for.  I realized how easy it is to judge another or lose one's way when dealing with issues of ethics, art, culture, and greed.   I love going to the museums, admire the collections, but, I was once again wondering about the ethics, pros and cons of collecting, standards of beauty, value of art pieces etc.  

On a much simpler note, having just completed my sketchbook Fiction Project for Art House Co-op, A day in the Life, I was also very excited to see on display,  "Color and Rhythm: Henri Matisse's Jazz " at the Art institute of Chicago. 

  

As I had mentioned before, working on my book has given me a new appreciation for others' efforts and I marvel at the end results!