Doing Our Part

Black Gold  ink and watercolor by Meera Rao

Smithsonian Engagement Calendar Week 17 2022

The COP28 going on in UAE has been in the news these past few days and it is by chance that my long delayed posts on earth day found an opportune time to see the light of the day! We do try to practice 'reduce, reuse and recycle'  as the playful illustration in the commemorative poster in poster for Earth Day in New York  April 22 1990 shows. My husband is always very proud and happy to use the 'black gold' from our compost bin in our garden. All the vegetable and plant waste from my kitchen and garden go to the bin to be composted-

 something we have done for many years now.  Serendipitously it  was also the week a batch was ready for the garden and I was happy to record it in my upcycled sketchbook : the Smithsonian Engagement calendar that became my covid diary !

The caption for the calendar photo credits Seymore Chwast for the poster which is now housed in Cooper Hewitt Design Museum.   Inscribed in her tablet are the words "Reduce, Reuse, Recycle" 

Iris Blooming  pen & ink  and watercolor by Meera Rao 

Smithsonian Engagement Calendar Week 17 2021

Last week for the first time we went into the Ripley Building of the Smithsonian Museums and saw a print of the painting of Julie E Packard by Hope Gangloff hanging in the hallway.  I recognized the painting from using the 'Smithsonian engagement Calendar 2021' as my upcycled covid diary :) It reminded me that I was behind in my blogging and posting even though I have been busy painting and sketching regularly. 

 The write up in the calendar notes :" Julie Packard (b 1952) has dedicated her career to preserving ocean life. In 1984, she helped found the world -renowned Monterey Bay Aquarium."  This portrait is hanging in the National Portrait Gallery.  

Backyard Bird Bulletin

Camouflaged Baby Birds in the Nest watercolor and ink by Meera Rao

I have to catch up with my postings - I am a year and some months behind with posting the 2021 sketches and about 20 weeks late with 2022 sketches! But I am sketching :)  

I always get excited when the sketch of the week serendipitously matches the concept shown in the Smithsonian Engagement Calendar that I have repurposed for sketching the ongoing pandemic years!! For this week it is birds and nests.  It is not a surprise that spring days means I will find a nest or two tucked away in the trees and bushes in the yard.  I am not sure if the four baby birds I saw in this nest in the holly tree are Carolina wrens or Northern Mockingbirds - both were near by chirping away. So I am sure there was another nest near by as well.   I was being very careful not to disturb the chicks or alarm the parents but hearing the birds call insistently I guess that did not work!  

Smithsonian Engagement Calendar 2021 week 12 March 14-20 

The hand colored lithograph shown in the Calendar is by John Gould(1804-1881) from Smithsonian Libraries and Archives: Campylopterus delattrei  Plate 42 from A Monograph of the Trochilidae, or Family of  hummingbird, vol 2, 1849.

  

"The five volumes of Gould's 'A Monograph of Trochilidae feature breathtaking illustrations of hundreds of hummingbird species. Gould was a prolific British ornithologist known for identifying 'Darwin's finches.'  For this book Gould drew and lithographed all the plates with British printer Henry Constantine Richter (1821-1902)"

I hope some day I will be able to check out the lithographs in person! 

The Osprey Returns!  Ink and watercolor by Meera Rao 

I had marked on my calendar to check for Ospreys' arrival and they migrated up north a week earlier in March. They started work on their nest right away, finishing it within two days. They nest on the same post in the river every year.  They had to build the nest from scratch this year as the nest from past years had been blown away in one of the storms earlier in the year.  I was delighted to find the Osprey in its perch on the pine tree in yard where they regularly enjoy their meal of freshly caught still alive wriggly fish held securely in the claws.  (Unfortunately, we lost that tree couple of weeks ago in a storm and now his/her new perch can't be seen from my kitchen window.) 

Smithsonian Engagement Calendar 2022 week 12 March 13-19 

The Red eyed tree frog Agalychnis callidryas , digital photograph by Steve Paton,  November 2019 is from the collection of Republic of Panama Smithsonian Tropical Research Institute.  "Red-eyed tree frogs distract predators by flashing their bright red eyes, orange webbed feet, and blue and yellow racing stripes. whether they survive habitat destruction is another story, one in which Smithsonian research plays a leading role."  I doubt though that the fish the osprey catch get any kind of warning signs before they are scooped up!

The Power of Words and Images

Jaume Plensa’s Silver Adagio at Planet Word  pen&I know and watercolor by Meera Rao 

We went to the Planet Word museum with our 8 year old granddaughter who was excited to show off the place. It’s a really fun ‘museum where language comes to life’ and is perfect for language/book nerds :) There are unique interactive exhibits on various topics like history of English, languages around the world, language of humor, poetry, advertising, music, children’s first words, and more!  There is playful poetry written on the bathroom walls ! Our granddaughter‘s favorite was a ‘secret book room’ in the museum that is ‘hidden’ behind a wall of shelf :) 

At the entrance is a sculpture ‘Silver Adagio’  by Jaume Plensa.  It is made up of stainless steel symbols from ‘9 different language systems : Latin, Greek, Cyrillic, Hebrew, Arabic, Hindi, Tamil, Chinese and Assamese’.  I was impressed there were three languages from India in that sculpture! It was fun to find them ! I read that Plensa’s sculptures often focuses on what it means to be a human ‘particularly in an increasingly globalized world. The meditative pose of the figure reminds us that we are not merely bodies but spirits that use languages to express themselves and connect to others.’ 

Smithsonian Engagement Calendar 2022 week 9 Feb 20-26

 

The photo of the pin back button ‘Black Lives Matter’ is from the ‘Million Man March 2015’  that commemorated the 20th anniversary of the first Million Man March on the National Mall in Washington DC.  It is from the collection of National Museum of African American History and Culture. Thousands gathered and marched demanding an end to violence against black Americans. The button “features the phrase ‘Black Lives Matter’ which has become a movement and a rallying cry against racial violence and injustice. Plensa’s sculpture ‘speaks’ to the very same issue. I could not have planned the pairing for the week - pure serendipity! 

Palm Tree Brings Nostalgia  watercolor by Meera Rao 

Sheltering at home during the pandemic has meant that I looked out the windows and door at various times during the day and saw my own yard with new eyes ! Watching the way the sun shines and wind rustles the palm fronds on the tree near our front door brings back memories of areca nut and palm trees near my childhood home. On this particular day I felt an acute tinge of nostalgia. 

Smithsonian Engagement Calendar 2021 week 9 February 21-27

In the Smithsonian Engagement Calendar 2021 for week 9, is the ‘Portrait of the Artist’  an etching by Shahzia Sikander. It is from the collection at the National Portrait gallery.  That etching spoke to me differently than the explanation given ! 

 

Colors in the Sky and Garden

Flying Colors watercolor by Meera Rao

The Great Backyard Bird count  this year was on February 18-21 and the website says 'the world comes together to watch, learn about, count and celebrate birds.'  I observed, counted and reported the birds I saw in our backyard. Over the course of four days, armed with a binoculars, I was lucky to see herons(great blue and night), an egret, ducks, ospreys, bald eagles, northern mockingbirds, cardinals, finches(purple, golden/yellow and house), pine warblers, mourning doves, Carolina wrens, sparrows, pelicans, cormorants, tufted titmouse, chickadees, woodpecker, red winged black birds and many crows. And I also heard one owl at night! I feel fortunate to have so many different kinds around our neighborhood. The birds I painted in the repurposed Smithsonian Engagement Calendar 2022 though, are not true to what I observed - but mainly my experiments with painting them in direct watercolor without prior sketching. I am pleased how they turned out :) 

Smithsonian Engagement Calendar 2022 Week 8 February 13-19

It is indeed a fantastic coincidence that the photo opposite is a different kind of colorful flyer : Boeing Stearman N2S-5 Kaydet at the Steven F Udvar-Hazy Center, National Air and space museum. "More than 10,000 Stearman trainers were built by Boing, which had purchased the Stearman company in the late 1930s- Kaydets, along with Fairchilds and Ryans served as the backbone of US army and Navy primary flight training in World War-II. This Kaydet was used to train naval aviation cadets until 1946. 

Tasty Beauty Watercolor by Meera Rao

The 'Beautification of America' 6c block of four stamps January 16, 1969 on display at the National Postal Museum  matched well with the beautiful yellow mustard flowers from our garden during this week in February 2021. But then we grow them also for the tasty leaves for cooking :)  It is always exciting to get fresh greens in February from the backyard! 

"The stamp block, designed by Walter Dubois Richards, was part of a commemorative set in recognition of First Lady Lady Bird Johnson's 'Natural Beauty' campaign. These stamps honored the accomplishments of Mrs. Johnson's initiatives which encouraged involvement from government and local community organizations. They proved popular with the general public and the initial printing of 120 million stamps had to be increased to 170 million."

Smithsonian Engagement Calendar 2021 Week 8 February 14-20

 

Paradise on Earth

Bird of Paradise  watercolor by Meera Rao 

These stunning beauties belonging to genus Sterlitzia bloom every February in our sun room bringing joy and color in the middle of winter !  They look like birds in flight as their name suggests. As a matter of fact, they are also known as ‘crane flower.’ They symbolize in loyalty, success, royalty, and of course, paradise on earth in various cultures around the globe. 

 As luck would have it, in the Smithsonian Engagement Calendar that has been up-cycled into a sketch book / art journal chronicling my images of these pandemic times, the photo for the week is the equally colorful ‘Earth Spirit Tomb Guardian -zhenmushou.’   It is a late 7th to mid 8th century Earthenware from Tang Dynesty in China with three color lead glaze.

Smithsonian Engagement Calendar 2022 week 6 January 30-February 5 2022

According to the write up : ‘During the Tang Dynasty (618-907), pairs of these fearsome composite creatures known as earth spirits were interned in tombs of elites. Charged with preventing the deceased’s soul from leaving the tomb to wander among the living, these ceramic beasts also warded off tomb robbers  and evil spirits. Chinese potters exploited the random patterns of the runny glazes in cream, brown and green to accentuate an aura of supernatural energy and crafted the plinth to resemble a mountain top, the abode of protective deities.’ 

Winter Lines  watercolor by Meera Rao 

Week 6 photo in the Smithsonian Engagement Calendar 2021 was an untitled work by Avery Singer. ‘Pushing the limits of painting Avery builds compositions with 3-D modeling software and then uses computer-controlled, industrial-scale printers to airbrush them on to canvas.’  After checking the photograph, I went through my camera roll for the week zeroed in on a shot. When I looked up, outside my window was the same image: beautiful lines created by the winter branches of the trees. 

Smithsonian Engagement Calendar 2021 week 6 :January 31-February 6 2021 

 

Sketching the Pandemic Year 2020 week 11

Sketching the Pandemic Year week 11 March 8-14

We had made it back home safe and healthy.  But the world over the magnitude of the health crisis was just starting to show.  Having dodged the virus while traveling, our instinct then was to  stay home just to be on the safe side. That meant observing nature in our back yard more closely and there is always something to watch, wonder and learn.  The finches, cardinals and sparrows were happily feasting on the crepe myrtle seed pods. We have a table and chairs under that tree where we often lunch or sip tea. I saw these seed pods that fell from the tree - may be dropped by the birds on to the table - with the long  dramatic shadows. Researching I found out that crepe myrtles are not native to USA but were introduced from Asia in 1700s. And it is an acquired taste for these birds :) 

The seed pods sketches were perfect against the coconut that is from the National Postal Museum- a coconut that was mailed from Hawaii by Raymond Boulder to his wife in Springfield, Massachusetts in 1944 during WWll ! He carved the address on the coconut shell and affixed the postage to a piece of cardboard that was attached to the coconut by a wire !! According to an article in Smithsonian June 2019, apparently there is such a thing as mailing a coconut - at the Hoolehua post office in Hawaii, ‘The coconuts are free, all customers have to do is payoff shipping and the USPS will mail their decorated coconuts to addresses around the world!’  Right now the question is when will we be able to check that out ? 

Crepe myrtle seed pods in the sun. Sepia Ink and watercolor by Meera Rao 

 

Sketching the Pandemic Year 2020 week 9

Sketching the Pandemic year 2020  February 23-29 week 9

Something about the colorful cables running on the long red brick wall, the green door,  the train tracks and a warning on the platform to ‘mind the gap’ grabbed my attention at the Paddington station, London.  We were on our way back from a short trip to Bath. Little did we know then how lucky we were to not have encountered the virus !!! And that it was to be the last of a holiday trip for quite sometime to come! I have photos of old fashioned pharmacy shop windows in Bath with handwritten signs that said ‘Face masks hand gels/wipes Forehead thermometers in stock’. I puzzled over the signs as I captured them with my camera. Those words were not yet in our everyday vocabulary! There were even a few tourists wearing masks in Bath.  But we were oblivious/ignorant of the pandemic in the making! 

The Lamina wallpaper in the Smithsonian Engagement 2020 is designed and produced by Assemblage, Witter, Arkansas and is at the Cooper Hewitt Smithsonian Design Museum. It is made by hand applied marble dust, mica plaster,  gold leaf and waterborne resin. The museum website describes it as : “Lamina is dark and  dramatic with horizontal lines with bold metallic stripes, creating a nice contrast between the dark indigo and metal leaf. Sporadic bands of mica and resin add a subtle sheen.’  I feel the industrial looking wall is a work of art itself - a tribute to ingenuity of man and science and has paired well with the photo on the opposite page! 

Mind the Gap  February 23-29 watercolor and ink by Meera Rao 

 

Sketching the Pandemic Year 2020 Week 8

Sketching the Pandemic year 2020 Week 8

So what do the Apollo Lunar Module LM-2 and an Indian Autoriksha have in common ? They both are adept in dodging craters ;)  I just made that up for this post ! 

I sketched the autoriksha because of the hanging Lord Hanuman motif.  I saw them in many rickshas  and thought the drivers must feel the need for blessings of Lord Hanuman who could leap over mountains and oceans to help them navigate the pot holes and other road obstacles ! The night time caretaker for my Dad drives an autoriksha. I ran down one early morning before he left to check if he too had an Hanuman hanging in his vehicle and he did ! The sketch of humble autoriksha against photo of the technically advanced moon lander in the Smithsonian Engagement Calendar 2020 is why now there is a joke about it ;). 

February 16-22, 2020 sketch by Meera Rao 

 

Sketching the Pandemic Year 2020 week 5

Week 5 Jan 26-Feb 1 2020. Brahminy kite by Meera Rao

We enjoyed our short stay in London. In late January 2020 there were hardly any obvious signs of covid 19 there.  We did see a few travelers  with masks at Heathrow international on our way to India but it didn’t mean much to us. Once in Bengaluru, we stayed close to home spending much of our time with family. Fighting jet lag by not succumbing to afternoon naps, I sat most afternoons in the balcony reading, watching, studying the birds busily flying around the trees and bushes in the yard and beyond. The Indian raptor Brahminy kite (Haliastur indus) circling and soaring high above but occasionally landing on the high branches of the coconut tree fascinated me. Considered a contemporary representation of Garuda, the sacred bird of Lord Vishnu, Brahminy Kite symbolizes bravery, swift action, precision, elegance and efficiency. The Northern Inuaina (Arapaho) man’s ceremonial shirt pictured for the week in the calendar,   identified the wearer as  high ranking in his society recognized for his bravery, generosity, wisdom and fortitude. I am glad I  sketched the kite for this week in the Smithsonian Engagement calendar 2020.  

 

Sketching the Pandemic Year 2020 week 3

Bat watercolor, ink and color pencils by Meera Rao

At the  monthly meetings of the Peninsula Chapter of Virginia Master Naturalists,  the second hour is devoted to continuing education.  In January 2020 the guest speaker introduced us to Bats.  She even brought Bats for the show and tell.  Looking back, even though Covid-19 whose origins were suspected to have ‘jumped’ from bats to humans was raging in China and the first cases had already shown up in the US - we were not aware of what lay ahead. When I chose to sketch a bat for that week,  I also did not realize it was juxtapositioned against ‘Sheridan’s cavalry condition powder’ that promised to prevent and cure cattle plague, anthrax, and hog cholera...! What irony !! 

Week 3 2020 Smithsonian Engagement calendar and my sketch