Friday, April 1, 2022

Paradise on Earth

Bird of Paradise  watercolor by Meera Rao 

These stunning beauties belonging to genus Sterlitzia bloom every February in our sun room bringing joy and color in the middle of winter !  They look like birds in flight as their name suggests. As a matter of fact, they are also known as ‘crane flower.’ They symbolize in loyalty, success, royalty, and of course, paradise on earth in various cultures around the globe. 

 As luck would have it, in the Smithsonian Engagement Calendar that has been up-cycled into a sketch book / art journal chronicling my images of these pandemic times, the photo for the week is the equally colorful ‘Earth Spirit Tomb Guardian -zhenmushou.’   It is a late 7th to mid 8th century Earthenware from Tang Dynesty in China with three color lead glaze.

Smithsonian Engagement Calendar 2022 week 6 January 30-February 5 2022

According to the write up : ‘During the Tang Dynasty (618-907), pairs of these fearsome composite creatures known as earth spirits were interned in tombs of elites. Charged with preventing the deceased’s soul from leaving the tomb to wander among the living, these ceramic beasts also warded off tomb robbers  and evil spirits. Chinese potters exploited the random patterns of the runny glazes in cream, brown and green to accentuate an aura of supernatural energy and crafted the plinth to resemble a mountain top, the abode of protective deities.’ 

Winter Lines  watercolor by Meera Rao 

Week 6 photo in the Smithsonian Engagement Calendar 2021 was an untitled work by Avery Singer. ‘Pushing the limits of painting Avery builds compositions with 3-D modeling software and then uses computer-controlled, industrial-scale printers to airbrush them on to canvas.’  After checking the photograph, I went through my camera roll for the week zeroed in on a shot. When I looked up, outside my window was the same image: beautiful lines created by the winter branches of the trees. 

Smithsonian Engagement Calendar 2021 week 6 :January 31-February 6 2021 

 

2 comments:

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