Oyster Parade

Oyster Parade watercolor 11x14” by Meera Rao 

I started this last November and finally got around to completing yesterday.  I used many photographs that I took of  oysters by the River bank and hours of observation to cobble together a composition. I decided to capture the oysters in the glowing early morning light.  Due to sundry reasons, the painting took me a while to complete but so far I am satisfied it.  

Meanwhile, I discovered some interesting things about Oysters: 

• Oysters have three-chambered hears that pump colorless blood throughout their bodies. They breathe with the gills, just like fish. Wild oysters can live 25 to 30 years but typically most dońt live past six years.  
• A healthy adult oyster an filter the amount of water it takes to fill a small bathtub every day.  oysters feed by pumping water through their gills and I. The process capture algae and other particles, sort of like a strainer. So by cleaning the water, oysters help maintain the balance of their ecosystems. 
• Oysters change gender. Most start out as males, but some change to female after they spawn once or twice ! 

“So have heard about the oyster who went to disco and pulled a mussel”  ~ Billy Connolly  :) 

Tempest In A Tea Cup

 Tempest in a Tea Cup watercolor, gouache and Ink  N.Y. Meera Rao 

A few years ago when a friend was visiting me,  I was removing a metal pin from tea bag after making my tea to put into compost. She asked ‘Did you know the tea bags are not compostable ?’  Since then I have been trying to use up tea bags I still had and buy loose tea. I have also been saving the bags and hoping to use it for some kind of eco art but never could figure out. As my stash grew bigger in a box labeled ‘tea bags for painting?’ I had to do something.  Yesterday the idea came to me to combine Hokusai’s waves coming out a Japanese teacup and title it  ‘Tempest in a tea cup’. The teabag seemed to be just right size canvas to illustrate the concept :)  So this is one of those long incubation ideas joining  my NYC metrocard art, mint tin altars, altered throwaway print photo art, upcycled Smithsonian Engagement Calendars, etc ! 

Preservation of History and Nature

Upcycled Smithsonian Engagement Calendar Pandemic Sketchbook week 23 

Parthenos sylvia Butterfly on Zinnia ink and watercolor by Meera Rao 

We visited the Lewis Ginter Botanical Garden in Richmond, VA with friends visiting from India. The highlight of that trip was the enclosed butterfly garden with hundreds of butterflies from all over the world. This particular butterfly is Parthenos sylvia a species from Asia and South Asia on zinnia. Seeing the beautiful creatures up close as they come and even land on your head or shoulder, definitely makes you care and want to save them from extinction! It really paired well with photo for the week in the upcycle Smithsonian Engagement Calender - ‘Front cover from 29th Annaual Catalogue, 1899 Iowa Seed co., Desmoines, IA. This lithograph print is from Smithsonian Libraries and Archives. The Libraries and archives has a unique trade catalog collection that includes about 10,000 seed and nursery catalogs. These publications document the history of the seed business and horticulture in the United States. Through their bold text and exuberant illustrations, they also provide a fascinating window into the history of graphic arts and advertising. 

Upcycled Smithsonian Engagement calendar pandemic sketchbook 2021 week 23

Colonial Williamsburg colonial horse and buggy pen and ink by Meera Rao

At first glance the photo in the calendar and the record of a day in my life that week looks like a big contrast - and yet both are preserving the history of our country! Apollo 11 spacesuits transferred from NASA are on display at the Steven F. Unvarnished-Hazy Center, National Air and Space Museum.  The caption for the spacesuits reads: ‘Shown here at the Emil Buehler Conservation Lab at the Steven F Udvar-Hazy Center are 3 spacesuits worn by the Apollo 11 astronauts on their historic 1969 mission to the moon. From left to right are the suits of Edwin R Aldrin, Michael Collin’s, and Neil Armstrong.’ 

The quest to find different walking trails took us to Colonial Williamsburg that morning. The horses were also on a walk ! 

 

Lessons from History and Nature

Up-cycled Smithsonian Engagement Calendar  Pandemic sketchbook 2022 week 22 

Nautical Mailbox Post Pen & ink, watercolor By Meera Rao 

I did not realize how much pleasure I would get revisiting my up-cycled Smithsonian Engagement Calendar and being reminded about how our days and weeks were spent noticing little things around us. I was always looking for new places then to do our daily walks for a change in routine. The experience and novelty of that has continued through and we still have not rejoined the gym but walk on various trails. I noticed this nautical themed mail post and many others like this walking around our little town by the water. It made the postal theme with the photo of the week from the calendar: Schermack stamp vending machine c. 1955 now on exhibit at the National Postal Museum in DC.  The coincidences of what was in the photo of the week matching with at least one of incidences from my week was always a fun project to check ! 

Orchid Bloom Pen &ink and water color by Meera Rao 

Up-cycled Smithsonian Engagement Calendar Pandemic sketchbook 2021 Week 22

 

We have a couple of orchid plants that are gifts given to us a few years ago. They still bloom almost every year but I can’t seem to figure out their cycle. I remember going on search on the web trying to figure out the cycle when I saw that it finally bloomed during week 22 in 2021.  The note I made on the calendar says that orchids  ‘symbolize the bravery of Harry and Harriette Moore - pictured on the locket shown in facing page. ‘On Christmas night 1951, Ku Klux Klan members bombed the home of Florida NAACP leaders  Harry T and Harriette Moore, killing them both. The Moores were the first NAACP members to be murdered for their civil rights activism. The locket shown belonging to Harriette, features photographs of the couple when they were young.’  Their daughter,  grandson and great-grandson donated the locket to National Museum of African American History and Culture in DC.  It was sobering to see it in person later when we visited the museum. 

Always Watchful

Watchful watercolor by Meera Rao

 

'Watchful' is coming back home after four months gracing the wall at the Hill Center Galleries at the Old Naval Hospital in Washington DC.  This was a direct watercolor painting with no sketch done ahead of the time. I was pleased to be able to paint the likeness without a sketch :)  Once again in June will be the month long challenge on direct watercolor painting! Hope to participate and sharpen my skills. I also force myself to paint larger than in my usual small sketchbook. I can only fit a small sketch book in my handbag.  

Friendship Blooms

Floral friendship Cards  watercolor By Meera Rao 

I painted these cards back in January during my trip to India/London. They were for my friends whose almost lifelong association has been a bright spot in my life. All four of us met and spent the day together once again in person after almost fifty years. These flowers were all in bloom in the garden in Bengaluru. I feel a part of me is always in my paintings and it felt just right to paint these for my friends as a token of my appreciation. 

 

The past few months, though sketching regularly, I have been remiss about  posting on my blog. The trip changed my routine and getting back to it is something I need to work on! I do post often on Instagram @artbymeera.  But I like posting on my blog as it makes me write down my thoughts.

Oleander watercolor by Meera Rao

Fuchsia watercolor by Meera Rao

Gazania watercolor by Meera Rao 

Beauty, Death, Time and Recipes !!

Red Bench at the Cemetery  watercolor by Meera Rao 

Smithsonian Engagement Calendar 2022 Week 2 

A winter storm blanketed Washington DC the first Monday of the year. At the Congressional Cemetery in Washington DC, the beauty of a snow covered red bench sitting amidst snow capped tombstones was very unsettling in a way. The photograph of the watch on the opposite page seemed to further that feeling reminding me of the ticking clock of life.

When I read that it is an uncommon watch and belonged to Helen Keller, I was intrigued. The touch watch by Rossellini & Fils c.1865 Geneva, Switzerland, designed to tell time in the dark, with pins around the edge that correspond to the hours on the dial, was a gift to teenaged Helen Keller.  ‘A revolving hand on the back of the watch stops at a point between the pins that corresponds to the hour and approximate minute. With the hand and pins as locators, it is possible to feel the approximate time.’   

While I was mulling over the concepts of beauty, death and ticking clock, I stumbled across this quote written by Albert Einstein on the passing of his friend Michele Besso : ‘Now he has departed from this strange world a little ahead of me.  That means nothing. People like us, who believe in Physics, know that the distinction between the past, present and future, is a stubbornly persistent illusion.’ Sounds like ‘Maya’ - something right out of Upanishads that I been reading and and trying to understand !!! 

Color mixing : greens. Watercolor Meera Rao 

Smithsonian Engagement Calendar 2021 week 2 

The photograph for the week in Smithsonian Engagement Calendar 2021 week 2 is of ‘cordial recipes from James Smithson’s  receipt book’  :  ‘Honor the Smithsonian’s 175th birthday by toasting the founding donor, James Smithsonian (1765-1829), with one of his cordials- aniseed, peppermint or cinnamon. Smithsonian, a chemist recorded formulas for a wide array of his favorite compounds that found use in tooth powder, boot black, and cough drops.’ 

Looking through my photographs and sketchbooks I discovered that ‘color recipes’ for green by mixing different yellows and blues was what I was working on during that week. :) 

Congressional Cemetery

 

Congressional Cemetery  Derwent Grahitint paints, watercolors and pen by Meera Rao 

This is a sketch of family vaults at the Congressional cemetery in Washington DC. When we visit DC, we often go for walks at the cemetery with our granddogs. Most days Congressional cemetery members’ dogs can roam around there leash free. ‘The Canine Corps’ and the folks who bring them form an important part in the running of the cemetery providing about 1/4th of the operating income. 

The website explains: ‘Congressional Cemetery is a 35-acre historic yet active burial ground located on Capitol Hill in Washington, DC. Initially known as the Washington Parish Burial Ground, Congressional Cemetery became the first truly national burial ground as Congress bought sites, buried noted civil servants, and funded the infrastructure.’ 

'Among the nearly 70,000 burials at Congressional are scores of noteworthy citizens who left their mark on the city and the nation.' 

While walking around reading the names on the gravestones, I recognize very few. But as I slowly learn the names, I am  getting a very special understanding of history of the city and the nation. The calm, quiet beauty of the place along with happy dogs strangely always makes visiting the cemetery a memorable experience. The last time we were there, the trees were in full fall color glory ! 

That Eventful Night

That Eventful Night  watercolor, pen and ink 5.5x3.5” by Meera Rao 

That night in July 2020 when the confederate monument in the neighboring town Portsmouth, Va came down, I sat glued to the TV.  I did a small sketch with a pen as I watched the events unfold. A huge crowd gathered around the monument with their cell phones in hand recording the historic event. Unfortunately the statue came down on one of the people involved and gravely injured him. Almost a year later when the anniversary came about, I watercolored my sketch.  Last couple of days, issues about removing the base of a toppled Lee statue in Richmond, Va has been in the news reminded me of the sketch  tucked away in my sketchbook. 

Fierce Colors

Fierce Colors watercolor Meera Rao 

Before covid put a stop to all travel, we had visited London and this watercolor is from my travel sketchbook. I realized  I had forgotten to share those sketches. This Lion etched in glass graced the doors of British Museum in London. I loved how colors outside the door shone through and it showed me a way to paint the glass lion:)  So it’s a full circle as illustrated by a quote from Leo Steinberg : “Whatever else art is good for, it’s chief effectiveness lies in propagating more art” 

 

A Promise

Creeping up the wall.watercolor by Meera Rao

Against the textured wall

Creeping up Moving sideways

Spreading

smooth green leaves

Swaying

Soft buttery petals

Absorbing

Reflecting 

Hot yellow of the Sun

Cool blue sky 

Memories of yesterday’s rain 

A Promise 

of tomorrow’s buds

Hopes for next years seeds

And secrets of 

Inspiration 

The Universe.

~ Meera Rao ~

Sacred Serenity

Sacred Serenity watercolor by Meera Rao 

Sacred sites and Temples dot the landscape in India. For Hindus Nature itself is a living goddess and Devine energy surrounds everything.  ‘Sacred Serenity’ shows a tiny glimpse of this beautiful concept. Traveling in India I see these sights every few minutes.  These small shrines hold as much awe and spirituality as any of the huge ornate temples. I hope these quiet places don’t get lost in the midst of fast moving modern encroachments.     

Behold the Universe in the glory of God:

And all that lives and moves on earth.

Leaving the transient, 

Find joy in the Eternal.

~ Isa Upanishad~

A Fleeting Moment

A Fleeting Moment Ink and watercolor by Meera Rao

A fleeting moment 

impermanent

transient 

suspended

in time

 a memory floating

in a watery image 

~Meera Rao~

We were early and not knowing how long the wait will be I took out my sketch book to keep me occupied. I was assessing the stained wall, the broom, two red and green lanterns and other miscellaneous items  on the low long storage shelf. And then, a person stopped right in the beam of sunlight at the far end to check his phone long enough for me to capture the moment on my phone.  I knew then what to sketch. I always find it challenging to balance the book and draw while standing but I managed to I sketched the scene in front of me. Months later I added the person using the reference photo and finished the sketch with watercolor! 

A Rock, A Temple, A Tree and A Wish

The Wishing Tree watercolor and pen by Meera Rao

After a morning spent at the Sri Rangam temple, we took an autoriksha to see the Rock Fort Temple in nearby Tiruchirapalli. This temple is visible for miles and is a landmark in the area.  As the name suggests the temple and the fort are on an 273' high ancient monolithic rock formation (according to my research about 3.8 billion years old!) A fort, three beautiful cave temples at different levels are cut away in the rock.  Temple at the foot is for Ganesha, the Ucchi Pillayar Temple is at the top,  and the Thayumanavar Temple between them. The Thayumanavar temple, the largest of the three, is  for Goddess Amman as well as Shiva. There are around 350-400 steep steps to climb to visit all the temples and reach the top most Ganesha Temple.  A marvel in construction, the temple complex was originally built more than 1000 years ago by the Pallavas. It was later reconstructed by the Madurai Nayaks and Vijayanagara rulers. The major complex in the temple are believed to be built during the 8th century by the Pandyan Empire.  

I was amazed to find this huge tree on top of the huge barren rock! A few feet below the entrance to the top most Ganesha Puliyar Temple, this tree is a wonder in itself.  The tree has many colorful cradles in wood or cloth hanging from it. There were many towers of bricks too. The story goes that an ardent devotee of Lord Shiva could not have her mother come to help her during pregnancy and delivery due to heavy rains and flood. Lord Shiva took pity on her, came down disguised as her mother and  she of course, had a safe and painless delivery.  So the devotees now come, tie the cradles and pray for an easy, safe pregnancy and delivery. I was impressed by the many pregnant and new mothers who were climbing all the way up either to pray or thank and show gratitude to the Lord. 

Needless to say the view from the top is breathtaking.  

Entering the Gate of Blessed Space

 Passing Thru the Temple Gates, SriRangam by Meera Rao

watercolor 

The many gates in the Temple Complex at Sri Rangam are massive, ornate, tall and wide. Lot goes on under the beautiful arches. Venders crowd the space by the walls, a few temple offices are tucked between the walls and gate. People, two wheelers and animals pass thru freely. Every single building and object in the temple complex harps on the beauty, majesty, creativity, talent that is beyond awe inspiring. It is indeed a tribute to the Universe and transports one to the spiritual realm.

Sketching and painting the scene is a challenge. It is daunting to show in a few lines and colors on 10x7" paper the beautiful sculptures on the wall, the engineering wizardry in the majestic arches and the very high walls, doors, as well as  all who pass thru those gates. And the morning light was streaming in from both ends of the gate. I was glad I was there early in the day when it was relatively empty and quiet with time and space to admire the surroundings. . 

There Was Quiet In His World

In His Own World  watercolor by Meera Rao

This sketch from my travel art journal is also from Sri Rangam. The scene is from the Vaiyali Feastival.  Right in the midst of the loud lively procession that I wrote about in two posts ago, I noticed this devotee (priest?) standing in a clearing in front of the palanquin that carried the image of the Goddess. His hands  clasped, still, calm and lost in his own world, may be he was waiting for the next surge of movement. The elaborate green and gold head gear seems to indicate he is an official of importance at the temple. He though seemed to be oblivious to the people, the exuberant noisy chants of the devotees and the lighted torches around him. 

 

Virginia Watercolor Society 41st Annual Show

Tropical Heart  watercolor by Meera Rao

Today is the 12th Anniversary of my blog !  554 posts and over 4.2K  comments :) This has been a wonderful place to show my art and I am grateful for all the support I have received over the years. 

I am also happy to share that my painting Tropical Heart is selected by Juror Fred Graff AWS-DR, NWS, TWSA-MS, an internationally-recognized watercolorist in his own right to be part of the 2020 Virginia Watercolor Society 41st Annual show. Thank you, Mr. Graff for choosing my painting as one of about 80 pieces for the show. The Virginia Museum of History and Culture in Richmond is hosting the show this year till Dec 31 2020 .  Please visit their web site to secure timed tickets to the museum and show - courtesy of these covid days!!!  I am looking forward to visit and see the show soon  :) 

An Unforgettable Procession

Procession  watercolor and ink by Meera Rao

There is always much excitement when there is any religious procession. But this particular Vaiyali utsavam at the Sri Rangam Temple on Feb 6th 2020 was the first time for us. My cousin had urged us to be at the temple premises by 6pm for the Thai Thaer /Goddess Car Festival. 

Beautifully decked Goddess rides on Kuthurai Vahanam - a golden horse. Both are carried around on long poles shouldered by many devotees. The Goddess was out that evening, before the big festival for her beloved the next day -to oversee that all preparations were in order. She had come to check that it would indeed be safe for Him to take part in the festival.  And She was not merely carried by the devotees --it was a challenging choreographed procession with all the fanfare. The whole premise was so romantic and beautiful.  Here is a link to a video of a similar procession at the temple (I had trouble uploading my video). I was thrilled that we had arrived early enough to stake out a good spot and were able to witness it at close range.  This was indeed an unforgettable procession. 

 

Rooftop Sanctuary

Rooftop Sanctuary watercolor and ink by Meera Rao

There was someone else on the next rooftop - reading, enjoying the scenery, the peace and quiet of the morning as we were exploring the Sri Rangam temple complex.  This was definitely the place to be as the hubbub down below picked up. Looking around at the scene with almost a bird's eye view, I felt exhilarated and energized. It made me wonder if the lone reader had also found a respite from the throngs of devotees, shopkeepers, tourists  that were starting to congregate in the sprawling temple complex below. Did he do this everyday and if this different vantage point helped him gain a better understanding of any situation he encountered? Did he come up there to tap into higher awareness? I am pleased that this sketch brings back the wonderful memories of that morning to me

Meditation on Beauty

Sri Rangam Temple courtyard -ink and watercolor 9x7”  by Meera Rao 

 Early morning at the temple waiting for our guide, I soaked in the sunlight, and the serene quiet before the hustle and bustle of devotees and tourists took over.  I was mesmerized by the awe inspiring elaborate carvings on the massive temple structures and the bright colorful painted embellishments.  

Not knowing where to start, I spent time admiring the details, and figuring out what I wanted to sketch- there was so much beauty all around!  The guide was late in arriving and I was able to sketch out a few pillars and one of the many many smaller temples within the Temple complex,  saving the watercolor wash for later.