Ni Hao Part 13 Shanghai By Night

Shanghai Skyline Financial District At Night View from the River  Watercolor&Ink by Meera Rao  

 

Bund Old Shanghai Skyline Night view from River  Watercolor and Ink by Meera Rao

The 2-page spread of Night View 

The Night River Cruise was a wonderful light show! Our guide informed us that all the buildings are required to participate and show their loyalty. It is a big tourist draw and thousands fill hundreds of  lavishly decorated cruise boats.  The ride started at dusk and lasted close to two hours. We oohed and ahed at the magic of millions of colored blinking and dancing lights that changed and morphed every other second ! 

Buddhist monks checking their  phones at the Financial district  Sketch by Meera Rao 

Earlier in the evening we walked around the area where I saw many buddhist monks enjoying the city lights and scenes just like us.  A couple of chefs taking a break down an alley near the Food Mall caught my eye as we were searching for a place to eat. 

Pause In The Day #DirectWatercolor #nosketching by Meera Rao 

Below is a straggler sketch of an Incense burner from Imperial city at Beijing- one of our very first stops during this china trip. I painted it much later as a part of the #30x30directwatercolor challenge and therefore got left out of the earlier post on Beijing. I decided to include it in this last post on my  travel sketchbook.  

Incense Burner At The Imperial city, Beijing #30x30directwatercolor #nosketching By Meera Rao 

I had a couple of really beautiful ticket stubs that I decided were the just the right thing to grace the front and back covers of my sketchbook.  The front cover is the part of the ticket to the silk museum in Shanghai.  I used gold gel pen to write the title. 

Cover of China Travel Sketchbook Journal By Meera Rao 

The outside back cover is the ticket stub from the Sun Moon Temple at Guillin. 

Back Cover of China Travel Sketchbook Journal  by Meera Rao 

I decorated the back  inside cover with the business card for the resturant where we enjoyed delicious fresh hot Dim sums and a couple of beautiful wrappers from some chocolates I bought and enjoyed :)  

Inside Back Cover of Sketchbook Journal.  By Meera Rao 

Thats the end of my journal sketches but I hope to paint a few more full scale paintings in the next few months :) 

再見中國  Zaijian zhongguo- bye bye China  for now!!

Ironing The Wrinkles Out

Ironing the Wrinkles Out watercolor and ink by Meera Rao

India Art Journal 2015 

I have sketched a neighbourhood ironing lady before in 2013 and a young boy ironing in 2012.  This man had his 'shop' in a tiny little structure with a board to iron on and a shelf to stack up the finished items. There was a small tin box outside the shack where he was tending coals for the iron. All are enterprising people who fill a heavy iron with hot coals and iron out the wrinkles from shirts, pants, kids uniforms and ladies sarees to make a living. They pick up the laundered clothes from their customers and drop them off later crisply ironed, folded and ready to wear. Most of the vendors keep a rotating schedule of certain days and times during the week in a couple different neighborhoods. They have bare bones set up and work diligently. The young lady had proudly told me how careful she is to avoid any burn holes from hot coals in the clothes she is ironing.   

For many among us ironing is a dreaded chore but it is 'work' for these people. And to Pablo Naruda, it is poetry  :

In Praise of Ironing

by Pablo Neruda

translated by Alastair Reid

Poetry is pure white.

It emerges from water covered with drops,

is wrinkled, all in a heap.

It has to be spread out, the skin of this planet,

has to be ironed out, the sea's whiteness;

and the hands keep moving, moving,

the holy surfaces are smoothed out,

and that is how things are accomplished.

Every day, hands are creating the world,

fire is married to steel,

and canvas, linen, and cotton come back

from the skirmishings of the laundries,

and out of light a dove is born -

pure innocence returns out of the swirl.

Ironing the Wrinkles Out 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Daily Chores

Daily Chore  watercolor and ink by Meera Rao

India Art Journal 2015 

This is the story of many women all around the world - gathering water is a daily chore.  The technological advances are in the background but have not fully touched the daily life yet for these two girls. They are part of migrant worker families that lived by the street in illegally propped up tents. To get a candid shot I photographed this from a distance when I happened on the scene while out on my daily errands.  I liked how the streaming light and bright colors highlight the beauty in this mundane activity. I loved the movement of the fabric  billowing in the wind, the motorcycles zooming away as ladies carefully made their way across the street. 

I got curious as to how much water do we need to survive and how much water we actually use. Here are some facts I discovered in my search :

From www.waterinfo.org : Three-quarters of the Earth's surface is covered with water, yet 98 percent is salt water and not fit for consumption.

Less than one percent of all the water on Earth is freshwater available for human consumption.

The human body is more than 60 percent water. Blood is 92 percent water, the brain and muscles are 75 percent water, and bones are about 22 percent water.

A human can survive for a month or more without eating food, but only a week or so without drinking water.

From http://water.usgs.gov/edu/qa-home-percapita.html : An average person in US uses about 80-100 gallons a day, largest use is for flushing the toilets!  On average a bath can use around 36 gallons while showers need 2-5 gallons/minute. So showers are better only if you take short ones!  Please check out the table in the link to see the water consumption for daily chores like brushing teeth, washing dishes, clothes, and watering lawns etc and tips for water conservation. 

http://wecalc.org/calc/#  This website WECalc, has a Water-Energy-Climate Calculator that you can check out to estimate your average consumption. 

Daily Chores 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Showing Tricolor Pride

Showing Tricolor Pride watercolor and ink by Meera Rao

India Art Journal 2015 

Come festival or national holiday, the tiny Mom and Pop stores that line the narrow roads near the local market come to life with the colors of nick knacks and sundry items for the occasion.  On this particular day the tricolor flags and banners and streamers were flapping in the wind in this little store in anticipation of the Independence Day celebrations. The little girl was looking at the items for a long time - I am not sure if she bought anything in the end! Cars, buses, motorcycles, bicycles, tiny tricycles, rickshaws  doorways and storefronts are all decorated with flags or banners celebrating the day. Even though a holiday, this store was open for business for last minute shoppers !

Showing the Tricolor Pride 8x5.5" watercolor and ink on 140 lb Strathmore visual Journal

Threads that Connect

Threads that Connect watercolor and ink by Meera Rao

India Art Journal 2015 

I was attracted to the orange cloth glowing in the sunlight and all the shadow play I encountered at the top of the Chamundi Hill (Mysuru) near temple premises.  There were a few others who were also selling these threads(Mauli) but only one was in the traditional sacred orange clothing and working diligently organizing his threads of different colors. Each color sacred thread has significance of its own in Hinduism. They are usually tied to right wrist (usually for both genders) or left(certain occasions for women) to ward off evil eye or for prosperity and good health and for smooth completion or progression of any important ceremony.  The threads are used during pooja by the devotees, by bride and groom during wedding, and for "rakhi bandan' by sister on brother's wrist  as a talisman - for protection and well being. The threads tether us to other humans, to the sacred spirits; to the yearning for a universal connection. 

In my research I discovered that this custom is followed by others as well - around the globe, across cultures and religions: From wikipedia : Wearing a thin scarlet or crimson string (Hebrew: חוט השני) as a type of talisman is a Jewish folk custom as a way to ward off misfortune brought about by the "evil eye" (Hebrew: עין הרע). The tradition is popularly thought to be associated with Kabbalah and religious forms of Judaism.

More interesting information from Sean Doyle's article on Sacred Thread: 

"Throughout Indian history the exchange of a thin cotton, wool or silk thread tied kingdoms together and sealed political alliances.  In one recount of the Battle of the Hydaspes River, it is said that the King Porus refrained from striking Alexander the Great, because the Alexander’s wife had tied a scared thread to Porus’ hand, urging him not to hurt her husband.

A scarlet or red thread runs through many cultures.

The red string of fate or the thread of destiny appears in both Chinese and Japanese legends. According to myth, the gods tie an invisible red string around the ankles of those that are destined to meet each other or help each other in a certain way.  In one myth, two people connected by the red thread are destined to be lovers, regardless of time, place, or circumstance. The cord may stretch or tangle across the years, but it will never break.

In traditional Tibetan Buddhist ceremonies, the tying on of holy cotton threads restores the natural order of things and brings people closer together. The red thread is specifically associated with bravery.

And this sacred tie is not limited to East Asia.

In Greek mythology, Theseus rescued himself out from the labyrinth of the Minotaur by following a red thread that was given to him by Ariadne.  Nikos Kazantzakis, in making myths modern again, points to the scarlet tread that runs through and connects all people, friends and strangers, regardless of culture.  It is our common humanity.

In Judaism, wearing a thin red string on the left wrist is an old custom thought to ward off misfortune brought about by the “evil eye”.  Rahab tied scarlet rope to two scouts so they could enter Jericho unseen.  Jabob’s wife Rachel, the mother of Joseph and Benjamin, wrapped a red thread around her son’s wrist to protect him from evil.  Still today, we tie a long red string around her burial stone.  This sacred symbol recalls Rachel’s selflessness, reminding us to emulate her modest ways of consideration and compassion for others, while giving charity to the poor and needy.  More than a way to protect one from evil or harm, the crimson thread is an internal reflection that inspires good deeds and kindness."

Measuring and Selling 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Water Break

Water Break watercolor and ink by Meera Rao

India Art Journal 2015 

Selling fresh betel leaves directly to the customers at the street market, this lady seems to have a good business sense for displaying her goods and controlling her expenses. All she needed was a small blue stool to sit on and a big basket  of fresh leaves stacked in neat piles! Behind her were clay pots balanced carefully and the rickety table held small clay pots etc. The Betel leaves are important in Hindu religious ceremonies, a main ingredient in 'pan' for chewing pleasure, and also used for medicinal purposes. So the business is usually brisk for leaves and the pots as it’s much simpler to stop by a stand while commuting to work or running errands than to plan a special trip to the store.   

Water Break  5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Dance of Life

She Moved Like A Dancer watercolor and ink by Meera Rao

India Art Journal 2015 

She was a vegetable vendor.  Everyday she sat by the roadside with a few crates of produce. She always dressed in simple though beautiful sarees with matching stylish blouses, bangles,  flowers in her hair, and eyes rimmed with kohl. She also had a ready smile for her customers.  This particular evening she was moving her crates to a storage area near by before calling it a day.  As she lifted and carried her crates she moved like a dancer, light bouncing off the folds of her saree, face and body. I was captivated by the beauty and grace of her movements.    

"I found I could say things with color and shapes that I couldn't say any other way 

- things I had no words for. "

~Georgia O'Keeffe~

She Moved Like a Dancer 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Neighborhood Klatsch

Neighborhood Klatsch  watercolor and ink by Meera Rao

India Art Journal 2015 

Most afternoons, these three neighbors sat on the varandah chatting away while waiting for their children to return from school. I could watch them from my balcony but could not hear their conversation.  They were always glad to see each other and have their thirty or so minutes together. I wonder if they noticed me and what they said to each other :)  

Neighborhood Klatsch 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Anticipation

Waiting - India Sketch Journal 2014-15 by Meera Rao

Quite often while the main streets are congested and busy, the side smaller streets are quieter and hold unexpected scenes! The 'jataka' - quaint very colorful, highly decorated horse drawn carriages can still be found in cities like Mysore and are loved by the tourists ! I love to photograph and sketch them.  The side streets are where they rest and recoup between rides. I have not ridden on one since I was a child and just might try again soon! This was a windy day and the two ladies were trying to hold on to their flying/flowing sarees and hair !

Anticipation - India Sketch Journal 2014-15 by Meera Rao

The lanterns for the festival of lights "Deepavali" were crammed into this tiny store.  There were all different sizes, colors, hanging, stacked one top of another, in boxes, bags, in every nook and corner of this store.  They were also a few traditional clay lamps in boxes as well, along with packets of sparklers or firecrackers.  There was so much color, shapes and textures,  I had a hard time deciding where to start - it was indeed a challenge to sketch it!  

This is the last panel of my second, larger accordion sketchbook - and the scene is from my unexpected short trip back to India last year. This is the only panel from that trip and it was a few long months before I picked up the sketchbook again to finish the coloring, tinting and lettering etc. (hence 2014-15). 

The sketches are done in Moleskine Japanese Album(large) in watercolors and pen. 

On the Road

Sketchbook India 2014 Panels 19-22 by Meera Rao

Sketchbook India 2014 Panels 23-25 by Meera Rao

Road scenes in India are always so very fascinating. Once I started sketching I began noticing all the little details and interesting things that take place. I am attracted to unique vignettes that tell a story. I have learned not to look for perfection in my sketches but hope to capture the emotions.

The scenes get etched in my mind once I start sketching like the time I saw the horse 'checking' out the autoriksha -his competition - while his owner was chatting with the riksha driver! Or the pleasure on the face of the tripple riding motorcyclists -living dangerously with no helmets! The Mother -son pair in the back of the little truck with all their possessions exuded the excitement of moving day.  This time I was pleased I was sketching on the accordion/ Japanese album sketch book :) It was a challenge to keep the sketches connected to one another. 

I needed a couple days to finish each of the sketches- drawing one day and then coloring them the next day. Drawing and sketching in a journal like this make me explore different styles as well as ways of seeing that I have not tried before :) 

Sculpting Devotion

Sketchbook India 2014 by Meera Rao panels 5, 6, 7, June 9-10

Tulasi Katte and Ratha (Festival Car)

The trip to Mysore from Bangaluru takes around 3-4 hours. When the taxi driver discovered that I had not seen a couple of beautiful temples along the way and that I did not have to be in Mysore by a certain time, he took it upon himself to make a few stops! (We still made it to Mysore by 3pm!) I took  photographs and during the next few days filled over dozen panels of my sketch book.   

Most every Hindu home, and all temples have a special place for the tulasi (sacred basil) plant. The 'pot' that holds the plant is sometimes very simple and most often very ornate.  

Ratha is a huge chariot used during festivals to take the temple deity on procession pulled manually with ropes.  It is decorated colorfully and towers over all the devotees assembled.  Check out Google images  to get a taste of the festival excitement!  

Sketchbook India 2014 by Meera Rao panels 8, 9, 10, June 12-16

Temple premises

Sketchbook India 2014 by Meera Rao panels 11,12, 13 June 18-19

Outside the temple

Sketchbook India 2014 by Meera Rao panels 14,15,16, June 19-22

Temple gopura, Utsava Murthy

Gopura is a towering gateway, entrance to southern Indian Temple. An architectural wonder, it is ornately carved, sculpted  and decorated with stories from Mythology connected to the main deity. There is also a massive and again beautifully decorated door through which one enters the temple complex. Check here to see images from google search of the gopurams.

The main temple deity  is never moved - so, for festivals special  'Utsava Murthy' are created by sculptors. After divine spirits are invoked in them, they are carried in a procession, either on the Ratha Festival cart, a palanquin or sometimes on the head of one of the priests. 

Sketchbook India 2014 by Meera Rao panels 15-18, June 22-27

garuda utsava murthy and stone wall in the back

Most of the temples are all ancient - several centuries old, some better maintained than others. It is  very common to find beautiful carvings, statues and walls in heaps covered in dirt around the premises.  Its heartening see that the citizens are beginning to understand the value of the art that surrounds them and efforts are being done to restore them.  

I think the beauty of the temples is a testimony to the creativity of the many anonymous  artists that sculpted and built them to make the ephemeral quality of spirituality and devotion more concrete, grand and immediate.  To visit a temple, to be surrounded by the beautiful statues, to take in the burning lamps, sounds of conchs, bells and invocation, the scents of the flowers, incense is a memorable and stirring experience. It did not matter that there were worldly business happening too. I really am awed by the incredible power of art that has lasted centuries! 

Everyday is a Celebration

2013 India Sketch Journal page 39 by Meera Rao 

"There are exactly as many special occasions in life as we choose to celebrate"

~ Robert Brault~ 

A small celebration as I post the last page of my 2013 India sketch journal. It was my second year of  doing the sketch book. I am amazed and tickled to see over 200 sketches of everyday scenes and incidences in the two years.  I hope some of them will end up as full paintings soon. The biggest lesson I learned is to just plunge in and draw rather than try for that perfect sketch. As I have mentioned before, the best thing I discovered is looking at everyday things with new sketching eyes as I look for ideas. I became adept at squeezing sketching time when I was in India.  Now to make that happen everyday the rest of the year ! 

2013 India Sketch Journal Aug 23 by Meera Rao

The wedding venues are usually a riot of colors elaborately decorated with fresh flowers and foliage. The creative and labor intensive designs are often awe inspiring - sometimes bordering on gaudy. I definitely did not do justice in design or perspective when I sketched this one and as I was finishing it by memory, my skills lagged behind :) 

2013 India Sketch Journal Aug 24 by Meera Rao

Basava - decorated bullocks and his master go house to house asking for alms in -between farming seasons. The bullock's bells and the woodwind instrument the master uses signals their arrival at the doorsteps.  Rice, money or old silk sarees are donated by most the householders.  Sometimes I think this has become a way of taking advantage of the sentiments towards holy cattle and make quick bucks - especially when I see the master curse when he is asked to just move on! The animals though, are decorated beautifully and it is a pleasure to look at the peaceful majestic beasts. 

Reading and Riding

India Sketch Journal 2013 Aug 20 by Meera Rao 

Drivers, maids, and gardeners are still somewhat affordable as household help by most middle class families in India.  Other than drivers, 'the help' usually work for multiple families. Drivers though chauffeur only one employer and end up spending a lot of time in the car waiting for instructions on the next pick up or drop off. They can be seen either chatting with other drivers, napping or most often reading in the cars while also making sure the car is safe and well guarded. I saw this driver whiling away his time reading in a car parked in the shade on a balmy afternoon making the most of the circumstance.  Reading the paper is still the most favorite activity even though smart phones are slowly displacing it! 

India Sketch Journal 2013 Aug 21 by Meera Rao 

When that ladder just has to be transported -- this pair found a creative way to handle the job :) During my outings, I delighted in noting all the things people would ferry around in a motorcycle, auto rickshaw, a bicycle or any other vehicle and was always surprised by the variety !

India Sketch Journal 2013 Page 38 by Meera Rao 

Women's Work

India sketch journal 2013 page 37 by Meera Rao 

I read just yesterday in the Indian newspaper  The Hindu: "On her arrival in India recently, the words of Gloria Steinem, American feminist and leader of the women’s liberation movement, sounded like bells tolling for all women in today’s modern Indian society. “I came [to India] and what was here a half-a-century ago is still here… and yet there is everything else.”   So true! India has come a long way yet there still a long way to go. 

I am always amazed how the old and new live side by side and these sketches give a glimpse of the hard work the women continue to do. But I also see a new confidence in the women too. I sense it the the neat, beautiful ways most dress in the colorful sarees, salwars, or pants and t-shirts, with fresh fragrant flowers in the hair and the purposeful strides. They do what they have to do and more often than not with a big smile too! I see that their lives are never easy but they go on day after and day.

India sketch Journal 2013 Aug 19 by Meera Rao

As this sketch shows, a woman's work is never done! - I saw this lady often on her way home at dusk - I am sure after a full day's work - carrying a load on her head and a bag on her shoulders. 

India Sketch Journal 2013 Aug 18 by Meera Rao

She was at the corner of the street almost every day doing the ironing for whoever dropped off a load of bundled clothes. She used hot coals in a heavy iron to press the clothes. She was very pleased when I stopped to chat with her and take her photograph. At the end of my stay I usually make it a point to make  copies of the photographs for most of them or show my sketches. Their reaction is always so rewarding! 

It is charming to see the old ways but I do hope we will soon see the status and lives of the women improve not just in India but all around globe. 

Transformations

India sketch Journal 2013 Page 36 by Meera Rao 

India sketch Journal 2013 Aug 16 by Meera Rao 

India sketch Journal 2013 Aug 17 by Meera Rao 

"The journey between what you once were and who you are now becoming is where the dance of life really takes place.

Barbara Deangelis"

I wondered long and hard as to if there was even a link between these two sketches on the same page and then suddenly I knew -- transformation :) 

Comfort In Rituals

India Sketch Journal 2013 Aug 14 by Meera Rao

Any event usually starts with a prayer to Lord Ganesha -the god who is the remover of all obstacles. This plate with clarified butter - ghee, and the special spoon was used in a ceremony, Homa, asking for blessings- at the start of the festivities, about a week before my niece's wedding. All the rituals are filled of symbolism and are beautiful --even though in this day and age they seem long! But it forces one to stop and give thanks as well as contemplate our role in the Universe. 

I loved the patterns, reflections in the plate, shapes and the colors and had to sketch it. I wish I could have captured the sound of the melodious chanting of the prayers too.

India Sketch Journal 2013 Aug 15 by Meera Rao

August 15 is India's Independence day and Jan 26 is Republic day when you see Indian flags flying everywhere.  Here, an autoriksha driver is attaching the  flag to his vehicle to show his patriotism.  The already colorful vehicles decorated with the tricolor flags are sight to behold. 

India Sketch Journal 2013 Page 35 by Meera Rao

Grace Under Pressure

India Sketch Journal 2013 Aug 12 by Meera Rao 

Speedy delivery by motorcycle of various things is nothing out of the ordinary  in India. I came upon this fellow with bags of flowers hanging off the motorcycle handle bars. The motorcycles weave through the heavy traffic and guarantee dropping off  of parcels faster than in a car or van! I saw his bike with flowers parked by the road and started taking a few pics when he returned from his delivery and posed for me for a quick second. He did have an helmet which he wore soon after and then drove off to the next stop. 

India Sketch Journal 2013 Aug 13 by Meera Rao 

Some days I have time only for a simple sketch -- but then, here it is the trusty pressure cooker - the most important equipment in a household in India! I used one everyday  for cooking - it is an art and a science to master!  At least three pots are stacked inside each cooker with dal/lentil/bean in one, rice in the second and a vegetable or two in the third :) This  saves time, cooking gas (which is very expensive) and is super efficient.  These come in many brands, sizes  and varieties. I had to constantly consult my Mom and sisters-in-law over the phone on the finer points of using a pressure cooker - so I would not end up with either mush or under-cooked food! I really appreciated the cooker when I could not use it for a day - somehow I had miscalculated the amount of water/time needed and the valve blew due to lack of liquid.  But no worries, just down the street, in a tiny tiny shop, it was fixed in no time at all :) 

Here is a short history lesson on pressure cooker :" In 1679, the French mathematician and physicist Denis Papin invented the first pressure cooker or steam digester as he called it. The story is whilst he was presenting his new steam digester to the Royal Society it exploded, leading him to invent the safety valve. Three years later he represented it to the Royal society and gained positive reviews.

The pressure cooker title was first seen in print in 1915. In 1927, the first pressure cookers were sold in Germany and in 1939 the world’s first commercial pressure cooker made by National Presto Industries was exhibited at the New York World’s Fair.

In these early days, there are accounts of people thinking pressure cookers were the results of witchcraft because of their continued hissing."

In my home in US I now have a electric pressure cooker with a timer which I absolutely love, along with a much used stove top cooker that I have had for over three decades. 

India Sketch Journal 2013 Page34 by Meera Rao 

Stacks of Creativity

India Sketch Journal 2013 Page 33 by Meera Rao 

India Sketch Journal 2013 Aug 11 by Meera Rao 

India Sketch Journal 2013 Aug 10 by Meera Rao 

As always, I am surprised how even if I have paid no attention to have a theme for each page when I sketched them in India earlier in the summer, as I start blogging about a page, I see the connection very clearly!!!

It never amazes me to see the many innovative ways things are stacked - like the bright blue rain water harvest barrels being transported here in a little tempo or the white eggs in colorful crates at the local provisions store. I love the designs and shapes I see in the ingenious solutions people come up with - sometimes even defying common sense and gravity ;)

Trial and Error

India Sketch Journal 2013  Page 32 by Meera Rao 

"Perspective is the rein and rudder of painting" said Leonardo da Vince. I think I lost both in these two sketches. I was really tempted to tear out the page and start over but had to remind myself that it is only a sketch book! 

India Sketch Journal 2013  Aug 8 by Meera Rao 

This father was a worker in a team of people fixing water pipes along the road by our building. He and his wife were both working and the kid was playing & running around near them for a while. Later, when the  child started fussing, the father checked with the house owner by the street and tied a cradle from their roof by the porch. The baby was settled inside the cradle and Dad swung it a few times - until the baby fell asleep and then he was back at work! I only had a a few minutes to sketch the father as he stood there. The rest of the sketch was done leisurely as the baby slept for a while. 

India Sketch Journal 2013  Aug 9 by Meera Rao 

There are always at least a couple of cows by this traffic circle and I watched them every day when I went on my errands. Cars, buses, bicycles, trucks just go around them.  I was so engrossed in getting the cows right, I did not realized in the end that the vehicle was a bit too small :) Sketching with pen means the lines cannot be erased and I leaned to a lesson I won't forget! 

Weaving a Way of Life

India Sketch Journal 2013 Aug 4 by Meera Rao

India Sketch Journal 2013 Aug 5 by Meera Rao

On one of my walks in the city, I came upon this amazing set up of a weaving stand right by the road side in front of a closed store. There was a ditch right there and a couple of bamboo poles were laid across to cross it.  There were bamboo ladders and poles tied around to help with the weaving as the screen/mat that was being woven got bigger! There was even a bright blue tarp for shade. The stones as weights on the weaving 'loom' are quite simple and innovative as well.  This link shows that the technique is an ancient one dating to BC!  I was so taken by the whole scene that I decided to devote two days of sketching and give the loom part with the stones its own little sketch :) 

India Sketch Journal 2013 Page 30by Meera Rao

“A weaver who has to direct and to interweave a great many little threads has no time to philosophize about it, rather, he is so absorbed in his work that he doesn't think, he acts: and it's nothing he can explain, he just feels how things should go.”

 Vincent van Gogh