Meandering Lines

A Day in The Life - Rangoli doodle pilot G-2 pen

I am not sure  cleaning up my doodle when I transfered it to the Fiction Project sketchbook was a good idea.  After tearing off a couple of pages (now I have fewer pages to fill!) because my freehand doodle was not going the way I wanted, I realised forced doodling is not going to have a free flowing feeling to it!!! I have a weakness for rangoli doodles so I can free hand a rangoli when I have to and not check any rangoli design books.  Rangoli with these continuous lines are my favorite - I try to see how long I can go on with the line before it meets the starting point.  Some traditional rangoli start with even or odd numbered dots and you weave the lines around it. How you place the dots, how many  dots  in each subsequent rows, and how many rows of dots all lead to different designs. With regard to the sketchbook, I have decided to draw only on the right hand side of the book, not fight the thin papers and just accept imperfections.

Did you know Google has special doodles of its logo to celebrate important dates in a calender year. Check out their Google doodle art! 

Amazing World

Sunset by the Pier digital photography

With the Labor Day behind us, summer is officially over. Luckily for us, hurricane Earl hurled by last week without causing much damage or rain. As I watched the scenes of fierce wind and rain battered Outer Banks of N. Carolina, I didn't mind one bit that we had spent a couple of days preparing for the onslaught that fortunately didn't materialize. Now, the temperatures are down with a slight chill in the air and color on leaves.  As  we walked past the pier one evening by the beach, I caught the setting sun at the end of the pilings, happy to see the calm sea. My photographs probably fall in the category what David Griffin, photo director for National Geographic calls 'nothing more than isn't it an amazing world.' In a TED talk, he shows how photo journalists for National Geographic strive to create a visual narrative and often tell a powerful story in photographs that connect us to the rest of the world, move the rest of us to take action, and not just marvel the underlying soul and spirit. I think we need both kinds and I will continue to add to my collection of the 'isn't it an amazing world' section :) 

After being somewhat slack in terms of sketching, painting and posting during the summer and I am eager to pick up the pace a bit in the next few months. Right now, I am pleased to  have my painting Mandala Meditation in the show "Portrait of the Artist: Self Portraits and Portraits by Hampton Roads Artists"  through oct 17 at The Charles Taylor Arts Center in Hampton, VA.  

Celebrating the Impermanence

Celebrating the Impermanence  Digital Photography

The Monks from Drepung Loseling Monestery in south India have been visiting every year for the past eleven years and this year I needed the timely reminder about the big picture, the  impermanence of life and not to sweat the series of  incidents that seemed to have piled on in my life this past month with no regard to the inconvenience and stress they caused :) Watching the monks take days to construct a beautiful mandala with a meditative concentration and then sweep it up only hours after completing it by pouring the sand from the mandala into a nearby river is indeed a very healing experience.  They always inspire me to look at my creativity with new eyes. I am now eager to get back to sketching and painting with a fresh perspective on art and life.  On a lighter vein, but sharing the same big picture philosophy, check out  Stefan Sagmeister's talk about happiness and design.

Painting A Prayer

To witness the concentration, reverence and the skill with which the Buddhist monks construct a Mandala is a mystical experience. For the past ten years, every summer, we have had the privilege of looking into the Tibetan Buddhism and culture as the Monks spend a week paint and then ritually deconstruct a mandala. 'Rangoli' from India, Buddhist Mandala, Native American sand paintings all speak of yearning of the soul for enlightenment and I feel, are really painted prayers. Mandala Meditation is one of my attempts to capture that spiritual language. I originally posted this as one of the paintings in a slide show of my paintings last November, but decided this week, in honor of the Monks who are back in town, to post it by itself. You may check my other posts and paintings on this topic here. I am looking forward to watching the prayers unfold this week all over again.

Mandala Meditation, color pencils 11x14"

Gift of Vision

I encountered these goats on our last trip to India while visiting my Uncle in the countryside. We had to wait for the herd to cross a very country road. It was a hot summer day with the sun blazing in full glory. In this painting  I have tried to simplify the scene and show the heat, sun and the docile goats on their daily walk. Now it is framed and stays leaning against other paintings in my dining room waiting for a chance to hang somewhere. 

I need a still life set up, a photograph or two, a landscape or a model to look at so I can draw or paint. I do an abstract every now and then but mostly I use some kind of physical reference to paint from. None of my paintings are larger than 40" though most are much smaller.  I still have most of the paintings I have created.  When I was younger, many mornings we did a  fresh  but simple 'rangoli' on the front yard by the door with the rice flour or chalk. I didn't think twice about sweeping it off the next morning. Every 'navaratri' festival, my grandmother had us all help her make a big rangoli with colorful flower petals. We were a bit more attached to these elaborate creations wanting it to last longer. Now, every August, I admire the Buddhist monks diligently paint a sand mandala slowly, taking a full week to finish it- only to deconstruct it couple of hours later. Check this link to watch Peter Donnaly in Christ Church, New Zealand create beautiful masterpiece on sand every  day by the beach and and offer it to the ocean as tide comes in.  All this has me reflecting - what does it mean to create, share, hold on or let go? 

Best Seats

A group of Tibetan Buddhist monks are invited by The Hampton Arts Commission/American Theater to town every August to create a sand Mandala. They start on a monday or tuesday, and  complete  it usually on the following saturday morning. On saturday around noon, to illustrate the Buddhist principle of impermanence of everything, the mandala is then ritually deconstructed, the sand gathered into a container, taken with fanfare in procession to the river where prayers are offered for peace and prosperity as the sand is released into the water.  It usually attracts a good crowd, and there are always many children.  The Monks also set up a table for a 'community mandala' where visitors  use the traditional instrument chakpu and participate in creating a mandala too as the monks continue to work on their intricate creation.  Its a wonderful week filled with cultural and spiritual programs -lectures, ritual dances and entertainment etc.   And I have hundreds of photographs taken over the years documenting their visits.  Since most of the monks are from my home state Karnataka in India, I do visit them often during the week and host a dinner one evening along with two my of my friends.  Its a treat as well as a meditation to watch them patiently and diligently 'paint' delicate, elaborately detailed, colorful mandala.  What serenity and discipline the monks exude as they construct the symbol rich mandala. 

Over the years,  I have been inspired to paint various scenes of mandala creation.  This past week I completed painting the children watching the monks pour the sand into the water. I used a bunch of photographs to sketch this scene. The only thing I really worried about when sketching and composing the scene two months ago was to get the proportions right.  Little did I realize that the scene was full of various textures to tackle! It turned out to be a meditative process for me as I figured out slowly over the past two months to use watercolors to paint hair (three kinds!), cloth, wood, siding, glass, shoe, reflection etc.  If I had been aware of the difficulties I would be facing as I sketched and planned the composition,  I would have never tried to paint it!  I am grateful that I persevered and completed "Best Seats" (20x15")

My Paintings in the art show

Here it is.