Showing posts with label Chicago. Show all posts
Showing posts with label Chicago. Show all posts

Wednesday, December 7, 2016

Moved by Compassion

Bodhisatva  sketched at the Chicago Institute of Art by Meera Rao 

calm
 peace 
grace
on the path 
to Awakening
a merciful guide
moved by compassion
~Meera Rao~


Information about the statue of Bodhisatva 

I have badly sprained my ankles and on my trip to Chicago in a way it was a blessing in disguise. Normally I spend hours in various galleries trying to catch a glimpse of all the wonderful art. But this time I did not walk around the museum ( I know I missed some fabulous exhibits).  I decided instead to sit and sketch something at the museum. 

I had always been attracted to this statue which is close to the entrance of the museum leading to the exhibits on art from India, Tibet, Korea, Japan and China etc.  I slowly hobbled over and sat on a bench across the statue and took my time sketching with pencil and eraser.  The guard came around a few times to ask if I was ok and if he could help me find anything - I am sure he was checking my progress and making sure I was doing what I said I was doing! None of the visitors stopped and chatted though I noticed some paused close and long enough to satisfy their curiosity :)   

While I sketched it sitting down, the photo of the statue was taken standing up just before I left.  I gave the red wash to the background later - did not dare take my water brush or the small watercolor box in the museum. 

Bodhisatva sketch in pencil and watercolor 5x5" by  Meera Rao

Friday, March 14, 2014

Making Art and Viewing Art

Art Institute of Chicago -watercolor sketch on Arches postcard by Meera Rao

"Making art and viewing art are different at their core. The sane human being is satisfied that the best he/she can do at any given moment is the best he/she can do at any given moment........Making art provides uncomfortably accurate feedback about the gap that inevitably exists between what you intended to do, and what you did. In fact, if artmaking did not tell you(the maker) so enormously much about yourself, then making art that matters to you would be impossible. To all viewers but yourself, what matters is the product: the finished art work. to you, and you alone, what matters is the process: the experience of shaping that artwork. The viewer's concerns are not your concerns (although it's dangerously easy to adopt their attitudes.) Their job is whatever it is: to be moved by art, to be entertained by it, to make a killing off it, whatever. Your job is to learn to work on your work "
~Davie Bayles & Ted Orland in "Art and Fear" 

"Art & Fear - Observations On The Perils (and Rewards) of ARTMAKING"  is a book I read often. Today as I am trying to get comfortable and not let the shingles that showed up on my abdomen consume me, I am reading it again. The book always inspires me and motivates me to keep on working. I am convinced in the end to give my best shot -as the very last sentences in the book declares: "It becomes a choice between certainty and uncertainty. And curiously, uncertainty is the comforting choice. "

Co-incidentally, I sketched the Art Institute of Chicago building while waiting for the exhibits to open one cold morning in Dec, looking out the glass window of a coffee-shop right across the road.  I was hesitant to take out my sketch kit in the crowded shop but the desire to sketch to kill time till the doors opened won over my fear.  And I am glad I gave in to the urge to draw. 

"Life is short, art long, opportunity fleeting, experience treacherous, judgement difficult" - Hippocrates (460-400B.C) 

Wednesday, November 30, 2011

The Mirror never Changes


Near Anish Kapoor's 'Cloud Gate' Chicago Millenium Park Digital Photography

The mirror never changes, but everybody who looks at it sees something different.

-Harold Kushner

Monday, May 16, 2011

In Search of Beauty

A Day In The Life - page 8 color pencils

"Though we travel the world over to find the beautiful, we must carry it with us or we find it not." Ralph Waldo Emerson's words ring in my mind quite often, especially when my wants and needs rear up their heads! This past week in Chicago was no exception. These days though, finally, more often than not, I use my camera to bring home the beauty. (The airline luggage restrictions help too!) And, more importantly, I understand what he meant. 

In the past couple of days there have been two stories on NPR about art, beauty and collecting-  'World's  Richest Man Opens Flashy Museum in Mexico' and 'Chasing Aphrodite and Other Dirty Art World Deals.'  The stories mentioned 'object lust', 'because they wanted it', 'they lose reason', 'minor and mediocre pieces by big name artists.'  When I finished listening, I was quite disillusioned by the elitist  mindset of some of the museum directors, curators, professors and one reporter whose tone I definitely did not care for.  I realized how easy it is to judge another or lose one's way when dealing with issues of ethics, art, culture, and greed.   I love going to the museums, admire the collections, but, I was once again wondering about the ethics, pros and cons of collecting, standards of beauty, value of art pieces etc.  

On a much simpler note, having just completed my sketchbook Fiction Project for Art House Co-op, A day in the Life, I was also very excited to see on display,  "Color and Rhythm: Henri Matisse's Jazz " at the Art institute of Chicago. 

  



As I had mentioned before, working on my book has given me a new appreciation for others' efforts and I marvel at the end results! 

Thursday, December 30, 2010

Universal Acceptance

At the Art Institute of Chicago, digital Photography by Meera Rao

Newly opened in May 1893 as the Permanent Art Palace, now known as the Art Institute Chicago was used as the World's Congress during 1893 World's Columbian Exposition. The World Parliament of Religions opened on September 11, 1893 with Swami Vivekananda from India giving one of the inaugural addresses in the Hall of Columbus. In the next two weeks Swami Vivekananda drew the largest crowds of the World Congress 's meetings.  108 years later, on September 11, 2001 another key historical moment shook the world.  Jitish Kallat's Public Notice 3  a site specific installation at the Art Institute of Chicago connects the two historical events.  The Art Institute web site explains : With Public Notice 3, Kallat converts Vivekananda’s text to LED displays on each of the 118 risers of the historic Woman’s Board Grand Staircase of the Art Institute of Chicago, adjacent to the site of Vivekananda’s original address. Drawing attention to the great chasm between this speech of tolerance and the very different events of September 11, 2001, the text of the speech will be displayed in the colors of the United States’ Department of Homeland Security alert system. Opening on September 11, Public Notice 3 explores the possibility of revisiting the historical speech as a site of contemplation, symbolically refracting it with threat codes devised by a government to deal with this terror-infected era of religious factionalism and fanaticism. 

I shot the photograph above showing the staircase as I walked away  from it towards the Asian Gallaries -- I loved how the words and statues of Buddha reflected on the glass doors.  Below is Swami Vivekananda's speech that Jitish Kallat converted to LED display on the stairs: 

Sisters and Brothers of America,
It fills my heart with joy unspeakable to rise in response to the warm and cordial welcome which you have given us. I thank you in the name of the most ancient order of monks in the world; I thank you in the name of the mother of religions, and I thank you in the name of millions and millions of Hindu people of all classes and sects.
My thanks, also, to some of the speakers on this platform who, referring to the delegates from the Orient, have told you that these men from far-off nations may well claim the honor of bearing to different lands the idea of toleration. I am proud to belong to a religion which has taught the world both tolerance and universal acceptance. We believe not only in universal toleration, but we accept all religions as true. I am proud to belong to a nation which has sheltered the persecuted and the refugees of all religions and all nations of the earth. I am proud to tell you that we have gathered in our bosom the purest remnant of the Israelites, who came to Southern India and took refuge with us in the very year in which their holy temple was shattered to pieces by Roman tyranny. I am proud to belong to the religion which has sheltered and is still fostering the remnant of the grand Zoroastrian nation. I will quote to you, brethren, a few lines from a hymn which I remember to have repeated from my earliest boyhood, which is every day repeated by millions of human beings: "As the different streams having their sources in different paths which men take through different tendencies, various though they appear, crooked or straight, all lead to Thee."
The present convention, which is one of the most august assemblies ever held, is in itself a vindication, a declaration to the world of the wonderful doctrine preached in the Gita: "Whosoever comes to Me, through whatsoever form, I reach him; all men are struggling through paths which in the end lead to me." Sectarianism, bigotry, and its horrible descendant, fanaticism, have long possessed this beautiful earth. They have filled the earth with violence, drenched it often and often with human blood, destroyed civilization and sent whole nations to despair. Had it not been for these horrible demons, human society would be far more advanced than it is now. But their time is come; and I fervently hope that the bell that tolled this morning in honor of this convention may be the death-knell of all fanaticism, of all persecutions with the sword or with the pen, and of all uncharitable feelings between persons wending their way to the same goal.

I pray for  peace, tolerance and universal acceptance in 2011 and beyond.  Happy New Year !

Wednesday, December 22, 2010

Grand Spaces


Sketches from a lunch time concert in Chicago
 The Tiffany Dome at Chicago cultural Center
Chicago Cultural Center interior

I had ducked into the Chicago Cultural Center to warm myself up on my way to the Chicago Art Institute from my hotel on that bitterly cold morning last month but ended up spending most of the day there exploring the art that hung in the galleries and corridors and stayed on to listen to a lunch time concert of Jazz songs. The impressive building completed in 1897 was originally the public library as well as a memorial to Civil War Union Army Veterans. The rare imported marbles, polished brass, gorgeous hardwoods, and sparkling mosaics of Favrile glass, mother of pearl, gold leaf, and colored precious stones bring to mind palaces but themes relating to books, printing and authors in various vast light filled spacious rooms remind you that this was really built as a temple of knowledge! I was also dazzled by the third floor - most dramatic place with walls covered by sparkling mosaics and topped with the world's largest  Tiffany Dome of 30,000 pieces of glass! 

The exhibits that were showcased there for December were impressive too. Polaridad Complementaria: Recent works from Cuba had cutting edge paintings, drawings, sculptures, video etc from Cuba's contemporary artscene. Another exhibit by Chicago artist  Jeff Zimmermann : God particle   was large scale murals of pop culture and dramatic portraits. The artist had spent a month publicly painting the murals on the walls of the Gallery!   

It doesn't take much for me to plunge into existential angst about my art and after seeing all the creativity there I had a hard time opening my sketch book but I did and filled a few pages with my humble drawings.

Monday, November 30, 2009

Art and Life

Yesterday started out as a foggy morning in Chicago and I captured the skyline as I walked to the Art Institute of Chicago. I spent most of the day wandering through their collection of Indian Art, before venturing to check out the new "Modern Wing" building and art work there. The contrast in the individual works in the two sections had me musing about 'art' in general, and about creativity, skill, aesthetics, and emotions. Definition and evaluation of art is definitely neither easy nor clear cut!

I am always in awe of the skill, talent, beauty and spirituality expressed in the sculptures from ancient India and yesterday was no different. Its interesting that the oldest part of this current museum complex was opened in 1893 in conjunction with the World's Columbian Exposition, to host the World's Congress of Religions. A century later, Swami Vivekananda's inspirational speeches during that conference on tolerance and universal acceptance are still very relevant.

I also enjoyed Caravaggio's stunning painting Supper at Emmaus on loan from National Gallery of London. The special exhibit Apostles of Beauty: Arts and Crafts from Britain to Chicago had innovative designs of Morris, Ashbee, Strickley, Wright and others and was fun to see. In the modern wing, I admired the impressive collection of art by Dali, Kandinsky, Matisse, Miro, O'keef and Picasso. I left feeling humbled but inspired and determined to continue my meager attempts at creating my kind of art!

S. Michigan Ave, Chicago. Digital Photography

Friday, December 5, 2008

Beauty and Wonder

Another day in the City and my senses are in a state of surrender..  The beauty of the snow flurries, reflections in the puddles, the  science and intelligence in the CT, MRI images of the inside of the body at RSNA, dancing waters at the McCormick Place, Space-Time show on the elegance and wisdom of the Universe  at the Adler Planetarium, feast for the eyes, tongue and stomach at the Green Zebra with 'old' friends all attest to the fact that we are all spiritual beings in a material world and the whole of life is art.  I feel totally overwhelmed, utterly inadequate, deeply satisfied and completely spiritual.  I sound sappy but I hope I can hold on to this feeling of wonder for a while. 


Wednesday, December 3, 2008

Stark Beauty

The dark long shadows are so beautiful on the sparkling white snow.  I walked across the road to the Grant Park and spent a good part of the morning trying to capture the beautiful shapes. Above is one of my attempts. 
Chicago is also famous for public art -  Agora   by Magdalena Abakanowicz is a sight to see and I trekked on the snow to take a few more photographs.   By then, having been gloveless for a while for the sake of art, I had to escape from the cold! I spent the rest of the day at Spertus Museum. The museum building is unique and has won awards for its architecture. They had a special commisioned art Consider by Ranbir Kaleka. Its a very untraditional and hauntingly beautiful 'video painting' memorial on the holocaust.  On their changing gallery Twisted Into Recognition Cliches of Jews and Others explores the ways images, expressions and objects depict stereotypes. Its a multimedia exhibit by various artists - on the whole very powerful.  Now I have one more book to read - a memoir  The Girl From Foreign by Sadia Shepard.  It promises to be an interesting story about mingling of religions and cultures. 
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