Repurposed

Repurposed 12x16" watermedia by Meera Rao 

One day in April while on my daily walk (before the fractured foot!) I came across a lush green plant growing inside an abandoned and marooned falling apart boat . I just loved the resilience of the plant and the colors still hanging on to the boat.  There was so much drama  and beauty! Nature never hesitates to creatively repurpose  :) 

I used transparent watercolors, casein, and watercolor pencils. 

Seeing and Drawing

India Art Journal  Oct 6-9 2012 by Meera Rao 

"The good drawings I do are hardly mine. Only the bad ones are mine for they are the ones where I can't let go, am caught in the Me-cramp"

~Frederick Franck in 'The Zen of Seeing - seeing/drawing as meditation' ~

I came across the book "The Zen of Seeing" a few days ago in an used book shop in DC.  I sat and read it for a while at the store totally fascinated by how he saw drawing as meditation and ended up buying it so I could read it slowly and digest the philosophy.  The book  published in 1973 is handwritten "....because in a way it is a love letter, and love letters should not be typt- set by compositors  or computers. It may be a little slower to read, but there is no hurry, for what I want to share with you took a long time to experience."   I needed to hear that "A drawing is not a thing but an act."  - especially when a  sketch or two or more in my journal seem to taunt me with its misread proportions and perspective! 

India Art Journal Oct 6 2012 by Meera Rao 

There are vendors walking the streets calling and selling any number of things in the course of a day -every day.  This particular vendor definitely was special in the way he balanced a wedge of watermelon on top a whole round one ! There is a sense of zen in the scene. 

 India Art Journal Oct 7 2012 by Meera Rao 

This huge water tank is right around the corner and I passed this everyday running my errands. When I finished the sketch I realized that lopsidedness in a way shows how I saw it -looking up, my head tilted as I sketched :) Somewhere in the book Frederick Franck says : In seeing/drawing that which matters can be perceived through the senses, not denied but maximally affirmed." 

 India Art Journal Oct 8 2012 by Meera Rao 

Coral wood or Manjhati tree (Adenanthera pavonina)is spectacular whether it is laden with the yellow delicate blooms or the curved spiraly split open hanging pods with its bright beautiful shiny red bead like seeds.  Being in the presence of these magnificent trees brings to mind a line from Tagore poem : "Be still my heart, these great trees are prayers."

India Art Journal Oct 9 2012 by Meera Rao  

The last sketch in this page from my journal celebrates life! I was fortunate to participate in the joyous occasion of 'cradling ceremony' of my cousin's 10 day old grand daughter.  The cradle was decorated with gorgeous bright beautiful silk and gold brocade sarees and colorful flowers. The ladies sang melodious songs, made sure to ward off all evil eyes and everyone gathered showered blessings on the baby who slept peacefully through the noisy bustling ceremony!  

The following are sketches from the page that were done aug 7-10. As in the beginning I was posting only the full page and not individual sketches,  I am here giving them the attention they deserve :) I wrote about them  on sept 1 2012 in the post : Vibrant and Compelling. 

India Art Journal Aug 7 2012 by Meera Rao 

India Art Journal Aug 8 2012 by Meera Rao 

 India Art Journal Aug 9 2012 by Meera Rao  

Try And Try Again Differently

Lunch Break again mixed media by Meera Rao

This painting was the result of playing with an abandoned piece.  When I painted Lunch Break  (check out that post for variation1) about two years ago it was my second attempt.  Earlier this year I pulled out the first discarded try.  I like to have something to keep my hands and brushes busy while I am waiting for washes or paints on a piece I am working is drying.  This, I hope, keeps me from muddying the work but that does not always happen! I have been trying to remember to take photos of my playing around to see where it takes me. Below is the piece when I first abandoned it. 

w-i-p

 I used a black Prismacolor pen to outline the various shapes. May be I should have stopped long before I outlined every shape!!! 

w-i-p 

I went on to darken some parts and then cropped the painting( - see the top most photo).  I had always underestimated what a tremendous learning experience it is to paint variations. I see now how very interesting it is to see the two paintings side by side now.  

And as this quote by Bob Brendle says so eloquently, "There can be no failure in an art experiment excepting that of vision."

The Power of Choice

Garuda Puppet  watermedia  22x30

So how long does it take me to complete a painting? - I started Garuda fifteen some years ago at the very first workshop I had signed up for.  We went to an antique shop and I sketched an Indonesian puppet in pen on a full sheet of Arches watercolor paper! Each participant then picked three colors from a basket to use as underpainting.  I ended up with Opera, Phthalo(more like acid)green and Aureolin yellow :)  Too meek to protest or cheat with tamer colors, I tried to do my best by really diluting the paints but still ended up with a very garish start. I remember very well trying to save the whites around the face of the puppet! But I never even attempted to complete the piece. Over the years, I could not discard it --the paper was too expensive, and I did not want to admit defeat! 

Yesterday I pulled out the piece. All my reference photos were lost somewhere in my studio. I decided to plunge by boldly covering the space and underpainting behind the puppet with opaque blue gouache. Things already looked better! Except for the face, the arm, and the hands, I glazed the background designs with a thin wash of ultramarine blue --that subdued the colors and pushed it back. I then defined some of the shapes with indigo violet, some with yellow ochre, remembering the  batik textile designs from the Indonesian island of Bali. Feeling a bit adventurous, I defined the eyebrow and the beak with a mix of opera and phthalo green. I finished by glazing the arm with yellow ochre and one last thin glaze of ultramarine blue on everything but the face and arms. I am pretty pleased with the rescue - mainly because I learnt so much in the process! Funny thing is that, all this took about 4 hours! And I really wish I had a 'before' photograph.

This painting session was the exact boost I needed desperately yesterday.  During the past month I had received one too many rejection notices for shows and someone from the artworld even questioned my commitment as an artist. As I thought through my experiences, I suddenly realized how far I had come in the fifteen years and how much I enjoy what I do. And talk about serendipity, I came across the wise words about 'social validation and false merit metric of prestige' at Brainpickings :What you should not do, I think, is worry about the opinion of anyone beyond your friends. You shouldn’t worry about prestige. Prestige is the opinion of the rest of the world.[…]Prestige is like a powerful magnet that warps even your beliefs about what you enjoy. It causes you to work not on what you like, but what you’d like to like. - (Paul Graham on How to do what You Love). Tucked in the same site, TED talk by Alain de Botton about 'ideological fallacies of success.' was also just what I needed :)

So, I would like to really thank all of you who visit my blog and validate what I do here! I also  especially want to thank Aparna from Warli Soul for the 'Liebester Award' she gave me. Liebster is German for dearest, beloved or favorite. This award is bestowed on blogs with less than 200 followers but deserve more attention (-Serendipity again!) In my next post, I shall pass this along :) Meanwhile, do check out her beautiful 'Warli' art. 

Cheers to Potential and Possibilities!

Hofbrauhaus at Dusk  watermedia 12x9"

Sixty posts, twenty plus paintings, thirty some pages of color pencil 'sketches' and narrative to go with  them  for my sketchbook-fiction project  "A Day In The Life -In Blue Jeans with Gold Embroidery" and more on-the-go pencil sketches than any previous years makes me content with 2011 art-wise :)  This surely has been a year of experimenting for me with finishing an illustrated sketch/fiction book, yupo, deliberate washes and paint mixing, water brushes, field kits and working on patience! 

I am pleased to post this painting - done mostly with watercolors except the sky part where I used acrylics mixed with watercolor. The watercolor paper  was a 'test-paper' for colors by a young friend of mine who wanted to paint with me sometime ago. I pulled this paper out waiting for washes to dry on couple of Yupo paintings I was working on. I needed to keep my hands busy and away from the wet yupo. Using Masquepen Supernib I sketched free hand and then proceeded to play mostly with transparent watercolors in between the washes on Yupo. The reference was a photograph I took in Munich years ago.  The underpainting worked quite well, and I felt little stress since I was really  only 'playing' around. I am totally ignoring any problem areas in the painting and enjoying the smug feeling of rescuing a good paper :) 

 before

So, here is to a brand New Year full of potential and possibilities ! 

The Seven Links Project

Hanging Fire watercolor 16x12 

Here it is, 'Hanging Fire' selected by my husband as my most beautiful  painting for my Seven Links Project. As mentioned in my previous post,  The Seven Links Project is courtesy of Crystal Cook who tagged me to post seven links in my blog for

Your most beautiful post

Your most popular post

Your most controversial post

Your most helpful post

A post whose success surprised you

A post you feel didn't get the attention it deserved

The post you are most proud of

The idea behind the project is "to unite bloggers(from all sectors) in a joint endeavor to share lessons learned and create a bank of long but not forgotten blog posts that deserve to see the light of the day again"  

I could never settle on any of my paintings as my most beautiful one (being partial to all of them (-: ), so,  I finally asked my husband for his pick.  I agree with him that the peppers in Hanging Fire look gorgeous in their luscious red. Please let me know what you think is my most beautiful painting -- I know that is  a very subjective selection !

Resplendent  Watercolor on Yupo 11x14"

Resplendent on Yupo is definitely my choice for 'your most popular post'  if going by the number of hits it gets every single day.  The blogger picked it as my most popular post for the side bar! This painting gave me confidence to continue my experiments on Yupo paper.

Ignorance mixed media 12x15" 

'The post you are most proudest of '  has to be my mixed media painting  Ignorance.  That particular day I had picked up one of my failed paintings of a street scene of a town in India to see if I could salvage it.  Listening to the news about wars in various parts of the world, I started  a collage  on it from torn pieces of rice paper from another failed calligraphy attempt about "Truth alone triumphs.' I was guided by a photograph from one of the newspapers from couple of months before that had etched in my memory - even today I see clearly in my mind's eye the dark figures in a chaotic city scape with blue smoke from a bomb blast.  I am proud of how I channeled my frustration with the violent world out there, my failed paintings and brought together various mediums and styles to express myself.  I am also proud that my daughter within minutes of my posting the painting e-mailed me to ask me if she could have it!

Collateral Damage  water media 9x12 

'Collateral Damage'  surely qualifies for  the 'your most controversial post'.  I consider it controversial for the artistic liberties I took in painting the  disaster caused by the Gulf oil spill. The scene is from my imagination and I closed that post with the thought :  'My hope is that the message doesn't get swept away in the debate about realistic depiction'.

Sketch of a sculpture, white Prismacolor pencil on black paper

The honor for 'A post whose success surprised you' goes to Negative Drawing  showing the sketch of a sculpture done with white Prismacolor pencil on black paper.  I am pleased that I was successful in sketching the sculpture from Chrysler Museum in Norfolk, VA  as well as how according to Stats it has become the second most popular post on my blog!

'A post you feel didn't get the attention it deserved'  goes to Show-off time :

Bangle Pedlar  color pencils 14x10" 

I wavered between Bangle Pedlar and Mandala Meditation - both color pencil portraits. I settled on Bangle Pedlar  from my second blog post but very first post of a painting  -a portrait in color pencils. I guess it is understandable that I never got any feedback on the painting as my blog was still very new :) The painting hangs in my living room and always elicits a happy reaction from all who see it.

At the Art Institute of Chicago digital Photography

As for the 'most helpful post', I would like to think that all my posts are helpful in some way as I strive to include a link or two or some information that one might find useful or worthy of contemplation :)  I consider  my post on 'Universal Acceptance' most helpful - as my attempt at shining a light on how important it is to accept one and all and find  unity in all our diversity.

Now, I pass the Seven Links Project challenge on to :

Teresa Sheeran Houstan

Padmaja

Heera

Shalini

Cathy

I really enjoyed doing this challenge - wonderful way to go back and see how my blog and my artistic abilities have evolved  :) 

Moral Function of Art

                                  Last off the Vine  watermedia sketch

Artists make pictorial records of events, emotions, feelings. Some of us try to sketch the simple beauty of mundane, everyday things. But today, I read an article and saw a slide show of something that moved me beyond words. "When he was only in his 20s Ernest Cole, a black photographer who stood barely five feet tall, created one of the most harrowing pictorial records of what it was like to be black in apartheid South Africa. He went into exile in 1966, and the next year his work was published in the United States in a book, “House of Bondage,” but his photographs were banned in his homeland where he and his work have remained little known." Thus began a article in New York Times :  Homecoming For Stark Record of Apartheid.  The accompanying slide show of Mr. Cole's black and white photographs are so very powerful- they  shock, anger  and deeply distress the viewer.  And as the author Celia W Dugger writes, 'Mr. Cole’s captions and photographs are imbued with wrenching emotions.'  On checking his biography I discovered that he  dedicated his life to record and show the world the injustices and exploitation of segregation. But he paid a heavy price for his work and died young, a homeless man and in exile.  

If and when there is an American tour of Cole's photographs, I hope to be able to view it in person.    Coincidentally, over at Katherine A Cartwright's blog, there is a lively debate going on the 'moral function of art.'  She has been reviewing John Dewey's 1934 book "Art as Experience."  She writes that 'it all began with a statement by John Dewey: the moral function of art itself is to remove prejudice, do away with the scales that keep the eye from seeing, tear away the veils due to wont and custom, and perfect the power to perceive.'  I think Ernest Cole's photographs do all that and much more.  

Collateral Damage

Collateral Damage water media 9x12"

The Gulf oil disaster needs no explanation. Recently I read the delicate plovers are migrating back right into the mess which prompted me to paint this piece. I have only seen photographs of pelicans dripping in oil and I don't know how much oil the plovers will get on them since they are shore /wading birds. So this is done purely from my imagination. As an artist how much license should I take ? Does it take away from the message if I decide to be faithful to the spirit of the idea, to the emotional content and go with my imagination? Recently there was a story on NPR about Michelangelo drawing a brain in God's neck in the Sistine Chapel ceiling and the discussion centered upon why there and what did he want to convey? Artists have always wanted to make philosophical and political statements. My hope is that, the messages doesn't get swept away in the debate about realistic depiction.

Masterful Storytelling

Kathakali is a beautiful form of dance-drama from the state of Kerala in India. In very expressive body language and precise hand movements called mudras, with extremely elaborate costumes and make up that enhances facial expressions, tales from the great Indian epics are told to melodious music and spirited percussion beats. For years these were usually all night performances, with the exciting climax coming at the wee hours of the morning.

I painted this face using some photographs and lots of memories as reference on a sheet of cold press watercolor paper on which I had done some calligraphy and rangoli painting. The colored words in this blog entry are links to various picture galleries and more information on Kathakali.

Face of a story watermedia 12x9"

Lunch Break

I finished this painting yesterday. In most cities, there is at least one place like this where office workers take a break, reflect and enjoy the outdoors. I painted this in my head a few times before plunging into sketching and painting it using different water media on cold press watercolor paper. I am still wrestling with detailed vs loose and less is more. I am hoping some day soon my technical skills will catch up with my mental image of the finished piece :)

Speaking of 'reflecting,' I just watched an amazing video on TED on the 'uniqueness' of being a 'human.' Primatologist Robert Sapolsky offers an informative and hilarious look at human and animal behavior, ending the inspiring talk given at Stanford University by urging the new graduates with what resonates as Gandhiji's quote "Be the change you wish to see in the world." It is also interesting that he looks like the 16th century artist Albrecht Durer and peppers his talk with illustrations from the art world.

Lunch Break watermedia 9x12"