Introspection and New Beginnings

One Vain Line pencil by Meera Rao

These sketches and photos are from my Smithsonian Engagement Calendar upcycled to pandemic diary year 2 (2021) and year 3(2022). I am way behind in posting and now determined to pick up and continue!   

 'One Vain Line'  is a self portrait sketch done in one continuous line for a challenge in 2020 which then was in a show at the Charles Taylor Visual Arts Center in Hampton.  I decided to frame it with the torn edge of page showing.  That was the week I was assembling the matt and the frame for the show. I took the above photo to check and see if framing it like that will work - I think it does :)  For the art journal I did a reduced size photocopy of the original sketch and glued it to the page.

Smithsonian Engagement Calendar Week 16, 2022

April 10-16 2022

The photo in the Smithsonian Engagement Calendar 2022 is "Guardian" 1990 Silver Gelatin print by Earlie Hudnall Jr. Its from Smithsonian American Art Museum.  "In 'the Guardian' a father enfolds his young daughter as they stand along a street reflected in the mirrored lenses of his glasses. The American flag tucked behind his ear suggests that in addition to warmth and affection, he is passing on a sense of community and patriotic pride."

'Visu kani"  in watercolor, ink  and silver pen By Meera Rao 

April 14th is 'Visu' celebration of the start of the 'New year' in many communities in India that follow the solar calendar.  A 'kani' is assembled in the puja room near the alter, the night before with seasonal fruits and vegetables, fresh flowers on a plate with dry uncooked rice and a mirror in the middle that is decorated with jewelry. First thing on the morning of Visu after waking up, we light the lamps and look at our own face surrounded by the abundance from nature. This is to symbolize the wealth, prosperity and health we wish upon our selves in the coming year. Looking at our face in the mirror surrounded by the fruits, flowers, vegetables and jewelry is also a reminder that we are all part of the same nature and are one with the universe.  It is also to affirm that we need to be good stewards of the nature to prosper.    

Smithsonian Engagement Calendar Week 16 2021

April 11-17, 2021

The work on the opposite side is the page 'Bound Console' is by Rachael David- from the Smithsonian Craft Show.  

I am hoping this post will reset a new beginning for my routines and I get back to blogging regularly !

Star And Warrior

Brand New Baby Grand Daughter watercolor by Meera Rao

The baby is a year & half and finally I get around to post this little sketch from 2021!!  At least I did sketch it more than a year ago. I love it that this is being posted on the 14th Blog Anniversary! I wish I had a better image. I hope I will sketch many more as she grows up to fully realize her wonderful potential. 

Smithsonian Engagement Calendar Week 15 2021

The Kiowa Battle dress c 2000 by Vanessa Jennings (Kiowa/Pima) is "similar to those worn by female relatives of the warrior members of the Ton-Won-Gah, or the Kiowa Black Leggings Society. The yellow patches with the horse heads indicate a Vietnam War veteran from the US Army's first cavalry." I actually had not paid any attention to this photo on the opposite page in the upcycled sketchbook - the Smithsonian Engagement calendar 2021- while I sketched my grandbaby. It is one of the very few times I totally ignored the image in the engagement Calendar until it was time for me write about it in the blog :)

  

Star Magnolia from Japan At the national mall 

We planned the visit to DC to coincide the cherry blossoms in full glory. As we were walking around checking out various pockets of cherry blossoms around the National Mall area, I came across this marker on on of the star magnolia tree marking the gift from Japan many many years ago! 

Smithsonian Engagement Calendar Week 15 2022

"The strappy petals of Magnoliastellata's flowers give this tree its common name- the star magnolia. Endangered in its native Japanese range, it is commonly planted in gardens for its beauty." And I found this one near the Capitol grounds.   

Backyard Bird Bulletin

Camouflaged Baby Birds in the Nest watercolor and ink by Meera Rao

I have to catch up with my postings - I am a year and some months behind with posting the 2021 sketches and about 20 weeks late with 2022 sketches! But I am sketching :)  

I always get excited when the sketch of the week serendipitously matches the concept shown in the Smithsonian Engagement Calendar that I have repurposed for sketching the ongoing pandemic years!! For this week it is birds and nests.  It is not a surprise that spring days means I will find a nest or two tucked away in the trees and bushes in the yard.  I am not sure if the four baby birds I saw in this nest in the holly tree are Carolina wrens or Northern Mockingbirds - both were near by chirping away. So I am sure there was another nest near by as well.   I was being very careful not to disturb the chicks or alarm the parents but hearing the birds call insistently I guess that did not work!  

Smithsonian Engagement Calendar 2021 week 12 March 14-20 

The hand colored lithograph shown in the Calendar is by John Gould(1804-1881) from Smithsonian Libraries and Archives: Campylopterus delattrei  Plate 42 from A Monograph of the Trochilidae, or Family of  hummingbird, vol 2, 1849.

  

"The five volumes of Gould's 'A Monograph of Trochilidae feature breathtaking illustrations of hundreds of hummingbird species. Gould was a prolific British ornithologist known for identifying 'Darwin's finches.'  For this book Gould drew and lithographed all the plates with British printer Henry Constantine Richter (1821-1902)"

I hope some day I will be able to check out the lithographs in person! 

The Osprey Returns!  Ink and watercolor by Meera Rao 

I had marked on my calendar to check for Ospreys' arrival and they migrated up north a week earlier in March. They started work on their nest right away, finishing it within two days. They nest on the same post in the river every year.  They had to build the nest from scratch this year as the nest from past years had been blown away in one of the storms earlier in the year.  I was delighted to find the Osprey in its perch on the pine tree in yard where they regularly enjoy their meal of freshly caught still alive wriggly fish held securely in the claws.  (Unfortunately, we lost that tree couple of weeks ago in a storm and now his/her new perch can't be seen from my kitchen window.) 

Smithsonian Engagement Calendar 2022 week 12 March 13-19 

The Red eyed tree frog Agalychnis callidryas , digital photograph by Steve Paton,  November 2019 is from the collection of Republic of Panama Smithsonian Tropical Research Institute.  "Red-eyed tree frogs distract predators by flashing their bright red eyes, orange webbed feet, and blue and yellow racing stripes. whether they survive habitat destruction is another story, one in which Smithsonian research plays a leading role."  I doubt though that the fish the osprey catch get any kind of warning signs before they are scooped up!

The Power of Words and Images

Jaume Plensa’s Silver Adagio at Planet Word  pen&I know and watercolor by Meera Rao 

We went to the Planet Word museum with our 8 year old granddaughter who was excited to show off the place. It’s a really fun ‘museum where language comes to life’ and is perfect for language/book nerds :) There are unique interactive exhibits on various topics like history of English, languages around the world, language of humor, poetry, advertising, music, children’s first words, and more!  There is playful poetry written on the bathroom walls ! Our granddaughter‘s favorite was a ‘secret book room’ in the museum that is ‘hidden’ behind a wall of shelf :) 

At the entrance is a sculpture ‘Silver Adagio’  by Jaume Plensa.  It is made up of stainless steel symbols from ‘9 different language systems : Latin, Greek, Cyrillic, Hebrew, Arabic, Hindi, Tamil, Chinese and Assamese’.  I was impressed there were three languages from India in that sculpture! It was fun to find them ! I read that Plensa’s sculptures often focuses on what it means to be a human ‘particularly in an increasingly globalized world. The meditative pose of the figure reminds us that we are not merely bodies but spirits that use languages to express themselves and connect to others.’ 

Smithsonian Engagement Calendar 2022 week 9 Feb 20-26

 

The photo of the pin back button ‘Black Lives Matter’ is from the ‘Million Man March 2015’  that commemorated the 20th anniversary of the first Million Man March on the National Mall in Washington DC.  It is from the collection of National Museum of African American History and Culture. Thousands gathered and marched demanding an end to violence against black Americans. The button “features the phrase ‘Black Lives Matter’ which has become a movement and a rallying cry against racial violence and injustice. Plensa’s sculpture ‘speaks’ to the very same issue. I could not have planned the pairing for the week - pure serendipity! 

Palm Tree Brings Nostalgia  watercolor by Meera Rao 

Sheltering at home during the pandemic has meant that I looked out the windows and door at various times during the day and saw my own yard with new eyes ! Watching the way the sun shines and wind rustles the palm fronds on the tree near our front door brings back memories of areca nut and palm trees near my childhood home. On this particular day I felt an acute tinge of nostalgia. 

Smithsonian Engagement Calendar 2021 week 9 February 21-27

In the Smithsonian Engagement Calendar 2021 for week 9, is the ‘Portrait of the Artist’  an etching by Shahzia Sikander. It is from the collection at the National Portrait gallery.  That etching spoke to me differently than the explanation given ! 

 

Changing Dance of the Universe

Changing Dance of the Universe watercolor on Yupo 

My Dad breathed his last on January 21. I know death is inevitable but letting go is never easy.  The pandemic fears meant I was not with him in person. But the marvel of video call technology and my dear brother's intuition made it possible for me to be there just minutes before he slipped away.  My swirling emotions later poured out in "Changing Dance of The Universe." 

Smithsonian Engagement Calendar 2022 week 4

The photograph for that week in the Smithsonian Engagement Calendar 2022 - 'Untitled Female Dancer with Mirrors' c1950 is attributed to Robert S. Scurlock. "The Scurlock Studio was an African American family photographic business that flourished in the Shaw area of Washington, DC., from 1911-1994. Among thousands of photographs in the Archives Center of the National Museum of American History, dancers represent a frequent subject, including professional performers, Howard U students, and private dance school clients. The identity of this dancer, shown rehearsing is unknown" 

Wearing Pearls and Celebrating Kamala  watercolor on Yupo

On January 20th 2021, Kamala Harris became the first woman, first Indian American, first black and Asian American to be sworn in as the Vice President of the United States of America! I wore pearls, a bright blue top that day as I watched the ceremony on TV and celebrated the historic moment. 

Smithsonian Engagement Calendar 2021 week 4

Minnijean Brown-Trickey's graduation dress,1959 graces the opposite page in the Smithsonian Engagement Calendar 2021: "Minnijean Brown-Trickey (b1941)made history by simply going to school and claiming her right to belong. In 1957, four years after 'Brown v Board of Education', she and eight classmates integrated the all white Central High School in Little Rock, Arkansas. Bullied and eventually expelled, Brown graduated from Lincoln High School in New York city wearing this dress, which she designed. She later remembered 'I felt perfectly beautiful in it'." 

Folds and Craters

A Leporello In Celebration of Life color pencils by Meera Rao

Smithsonian Engagement Calendar 2022 -Week 3

During the the past two years because of the pandemic closings, the National Museum for the Women in the Arts has offered an Art Chat every Friday introducing women artists from their collection. I have thoroughly enjoyed attending those online chats rarely missing any. On Friday January 14th, during the art chat we were introduced to book art in Leporello binding and encouraged to fold a sheet of paper and draw along during the event. I took bits and parts, a color or form from each of the artworks from the three artists of the day and filled my page.  In book binding, Leporello binding is a concertina folded pages with front and back boards.   Leporella fibriata, I learned later because of a lucky spelling error  is a hinged orchid from Australia. While contemplating the page for week 3 in the Smithsonian Engagement Calender 2022,  I decided to fold my artwork and hinge my leporello like a leporella to the page.  Perfect for my 'upcycled'  dairy and art journal for sketching the pandemic years! 

The painting 'Luck Lines' on the opposite page in the Smithsonian engagement Calendar is by Nicole Eisenman. "Often steeped in allegory yet resistant to easy interpretation, Eisenman's paintings acknowledge the complex social and political structures that shape contemporary identity. 'Luck Lines' foregrounds the line believed by palm readers to reveal one's destiny encouraging us to consider whether our lives are predetermined or shaped by individual will."  

My page before folding

A Glorious Sunset  watercolor by Meera Rao 

Smithsonian Engagement Calendar 2021 Week 3

The photo in the Smithsonian Engagement Calendar 2021 for week 3 was a photograph of the Greek village of Oia, Santorini by LucVI.  The caption on the photo reads "Part of the Cyclades, a Greek island chain in the Aegean, Santoni is also renowned for the important archaeological site of the Akrotiri, once a Minoan Bronze Age city buried in volcanic ash in the 16th century BCE."  As luck would have it, in my camera roll for that week in 2021 was a glorious sunset from my own backyard :) We may not have a volcano near by, but we have the Chesapeake Bay Meteor Impact Crater - 'worlds best preserved wet-target impact crater.' formed around 35.5 + 0.3 Million years ago in the late Eocene epoch era.  Scientists have proof that the continued slumping of the sediments over the rubble of the crater has helped shape the Chesapeake Bay

New year and the Theme Continues !

Hydrangea in December from our garden watercolor by Meera Rao 

Smithsonian Engagement Calendar 2021 week1 

Happy New Year !! Wishing all a happy, healthy, creative year ahead!

I am back at it again - sketching simultaneously in my 2021(retroactive) and 2022 Smithsonian Engagement Calendar as a continuation of my 2020 theme of ‘Sketching the Pandemic Year!’  I haven’t come up with any other project to keep me ‘engaged’ and had these two beautiful books on hand. So I  continue to record something for each week while still mulling over other ideas ! This way I will have at least 106 sketches done this year :) 

“The ‘Dyber Amertrine’ photographed in the 2021 Smithsonian Engagement Calendar is a quartz variety mined in Anahi Mine, Bolivia, that is part amethyst and part citrine, accounting for the unique purple and yellow orange color combination seen in theses gems. Although faceted and carved by hand, the ‘Dyber Ametrine’ also represents the state-of-the-art cutting techniques used by gem artist Michael Dyber , including ‘Dyberotic Optic Dishes’ that create optical illusions.”

The fading, drying hydrangea is from our garden photographed last December. It mirrored the colors and beauty  of the ametrine and was the motivation for me to continue sketch-journaling in these Engagement calendars! 

Cooper’s Hawk  watercolor by Meera Rao 

Smithsonian Engagement Calendar 2022 week1 

As with the owl in the previous post, I identified Cooper’s hawk calls I heard on my daily walk last week using the Merlin Bird App from Cornell Ornithology Lab. Two days later I saw three of them again in the same area circling above.  Using bird guides and my own blurry photographs I sketched it in watercolor. 

The explanation in the 2022 Smithsonian Engagement Calendar about the dove photographed on that page : ‘Artis Pablo Cano created this card for Helen Kohen, a noted art historian and critic, to thank her for a gift she had given him and to tell her how he was using it. The front of the card features a drawing of a dove and the back includes a sketch of a design for a telephone booth shaped like a women’s head.’  I guess now that page has a dove and hawk :)