Play of Light

Play of light  digital photography by Meera Rao 

Art has a double face, of expression and illusion, just like science has a double face: the reality of error and the phantom of truth.

Publilius Syrus

Collateral Damage

Collateral Damage water media 9x12"

The Gulf oil disaster needs no explanation. Recently I read the delicate plovers are migrating back right into the mess which prompted me to paint this piece. I have only seen photographs of pelicans dripping in oil and I don't know how much oil the plovers will get on them since they are shore /wading birds. So this is done purely from my imagination. As an artist how much license should I take ? Does it take away from the message if I decide to be faithful to the spirit of the idea, to the emotional content and go with my imagination? Recently there was a story on NPR about Michelangelo drawing a brain in God's neck in the Sistine Chapel ceiling and the discussion centered upon why there and what did he want to convey? Artists have always wanted to make philosophical and political statements. My hope is that, the messages doesn't get swept away in the debate about realistic depiction.

Brain and Art

Planting Paddy watercolor 6"x8"

I am experimenting with painting fast and loose as well as challenging myself not to fill my painting with pattern and color, leaving some white of the paper untouched. Earlier I had painted the same scene from rural India in Another Season. Here, I further simplified it. I don't know if I like one better than the other.

What makes us like one painting better than another? And what happens in the brain when we see a painting that we really like? NYU's Neural Science and English Department's Dr. Edward Vessel, Nava Rubin and G Gabrielle Starr's poster presentation This is your Brain on Art shows which parts of the brain light up when there is an aesthetic response (strong liking) vs a simple preference to a painting and to what extent is an aesthetic reaction mediated by specific emotional response. Dr. Vessel found there was strong response in multiple areas of the brain when subjects saw a painting they really liked. The responses were triggered in left medial prefrontal cortex, left substantia nigra and left hippocampus. Even as the subjects picked different paintings as their most liked painting, the same set of areas in the brain responded to their varied selections. 'Beauty' in art seems to engage cognitive, memory and emotional circuits in the brain. Check here if you like an easy to understand explanation of the poster.