Cycle of Life

 

Studying Skull Anatomy drawing pen and ink by Meera Rao 

I did not realize that I had been away from my blog for more than a month. I have been busy though with various projects and sketching almost daily. Some of it I post on Instagram as @artbymeera. Please send me a request in Instagram if you would like to follow and check my posts :) This month I am participating in the Inktober challenge. 

I am still plugging away at my sketching the pandemic years project! It just happened that this particular week  in March/April, I was watching various videos and studying the anatomy of human skull to help me improve my portrait drawing and painting skills.  For this sketch, the reference was by Vladimir London.  It definitely pairs well with the mask pictured for the week in my Smithsonian Engagement Calendar 2022 upcycled to 'Sketching the Pandemic' art journal. It is 'Bo nun amuin' mask helmet c1960 from Baule people Cote d'Ivori, Africa. The caption reads:  "The mask, carved from a single block of wood, combines a forest buffalo's massive horns, a snake, and crocodile's menacing and toothy maw to represent a powerful bush spirit. Meant to be worn horizontally on the head, these masks were donned by costumed dancers while performing at the funerals of elder men. 

 

Smithsonian Engagement Calendar 2022 Week 14 March 27-April 2

Cherry Blossoms at Washington DC. ink and watercolor by Meera Rao

Every year we try to visit Washington DC to admire the cherry blossoms around the Tidal basin and all over the city. Last year  we were there during the peak blooming time. I was surprised to see the all the people who ventured out (including us) ! Most wore masks where there was a crowd and  enjoyed the outdoors. The profusion of delicate pink blossoms is a sight that is awe inspiring. 

Smithsonian Engagement Calendar 2021 Week 14 March 28-April 3

 'Little Hills in April' c1923 -Color aquatint etching on the opposite page of the Smithsonian Engagement Calendar 2021 week 14 is by Beatrice Levy.  The Smithsonian coordinated a 1932 exhibition of her art that included this artwork prepared using three color intaglio plate printing system. It is now in the collection of National Museum of American History.