Sketching the Pandemic Year 2020 week 29

Sketching the Pandemic Year 2020 Week 29 :July 12-18 

The egg and Moon on this page have more in common than meets the eye ! I read in NASA website that even though from our planet’s vantage point the Moon appears perfectly round, it is actually egg shaped ! According to the study, “ The lopsided shape of the Moon is one result of its gravitational tug-of-war with Earth. The mutual pulling of the two bodies is powerful enough to stretch them both, so they wind up shaped a little like two eggs with their ends pointing toward one another. On Earth, the tension has an especially strong effect on the oceans, because water moves so freely, and is the driving force behind the tides. Earth’s distorting effect on the moon, called the lunar body tide, is more difficult to detect, because the Moon is solid except for its small core. Even so, there is enough force to raise a bulge about 20 inches (51 centimeters) high on the near side of the Moon and similar one on the far side. The position of the bulge actually shifts a few inches over time. Although the same side of the moon constantly faces Earth, because of the tilt and shape of the moon’s orbit, the side facing Earth appears to wobble. From the moon’s viewpoint, Earth doesn’t sit motionless but moves around within a small patch of sky. The bulge responds to Earth’s movements like a dance partner, following wherever the lead goes.” 

And once again my pairing for this page has connections I could not have imagined when I selected the nest and egg to sketch for the week. I had been wandering in our garden and came across a few eggs broken and scattered by our shed. Upon investigation I found a damaged nest hidden in barrel of leftover mulch.  It still had one intact speckled egg which I identified as belonging to Carolina wrens.  I never figured out who raided the nest. After checking it for a few days, it was clear the birds had abandoned the nest. I  made sure the birds were not coming back before bringing the egg indoors to add to my basket of curiosities to show my grandkids. (The egg is still intact a year later ! ) I am pleased how the watercolor with pen & ink sketch of the nest with egg turned out. 

A little more about the ‘High Noon On the Moon’ Wide angle camera mosaic by the Lunar Reconnaissance Orbiter in the Smithsonian Engagement 2020 : “The sunlight on the Moon at noon, minimizes shadows but enhances subtle differences in surface brightness. The dark material is volcanic rock that formed when lava erupted and flooded large impact basins early in the Moon’s history. The brightest features here are evidence of relatively recent impact craters.”

Carolina wren nest with one egg watercolor, pen&ink by Meera Rao. 

 

Sketching the Pandemic Year 2020 Week 28

Sketching the Pandemic Year 2020 week 28 July5-11

Although not considered true lilies, Calla lilies are beautiful. We get to enjoy the yellow and pink blooms  only for a few days. Before long, the plants - leaves and blooms end up as tasty meals for the shiny Japanese beetles, caterpillars and other creatures! Seems like these bugs create their own art work of lacey design on the leaves and flowers as they raid and devour the plants. I was moaning over the tattered plants even as I took a photo of the hole ridden flower - seeing a different kind of beauty in its altered state.  Later, it occurred to me that the  bug eaten flower was the perfect subject for the week’s sketch :) 

The China white Porcelain with the cobalt under colorless glaze Ming dynasty vase pictured in the Smithsonian Engagement Calendar 2020 dates back to 1400. :  ‘Here the motifs of lotus and grain stalks form a visual pun : the Chinese words for lotus and grain are homophones for the words for peace and year, respectively. Thus the imagery on this bottle expresses a wish for “peace year after year” 

For the calla lillies though it’s ‘piece year after year’ :( 

 

Sketching the Pandemic Year 2020 : Week 27

Sketching the Pandemic Year 2020 Week 27 June 28-July 4

I was out with the Water Quality Testing team - of course,  masked, social distancing.  I missed the car pooling from site to site, exchanging news and laughs as now we drove separately in our own vehicles. We went down from testing seven sites to just four to accommodate quarantine regulations. But being out in the nature, by waterside was just the thing I needed during sheltering at home. When I saw this boat, I knew what I wanted to sketch for the week. It is serendipity when it paired so well with the photo in the Smithsonian Engagement Calendar 2020. Sonya Pencheva’s ‘Human-tower builders(castellers)’  was taken on the National Mall in 2018. 

Anchored by Meera Rao 

 

Sketching the Pandemic Year 2020 week 26

 

Beach : Best Escape Anyone Can Have by Meera Rao 

I don’t know who came up with this expansion for Beach: Best Escape Anyone Can Have but the week my grandkids came to visit  after carefully taking all the precautions was the best escape from the pandemic blues ! For me, that visit was more precious than the 1927 baseball signed by NY Yankees pictured in the Smithsonian Engagement Calendar 2020.

Sketching the Pandemic Year 2020 week 26 June 21-27

'Sketching the Pandemic Year 2020 week 25

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Sketching the Pandemic Year 2020 Week 25 June14-20

About 40 years ago, Osprey was considered an endangered species but is now on the rebound protected under the Migratory Bird Treaty Act. I am grateful to be able to watch an Osprey nest from my backyard. The Osprey pair have been using that nest for many years now. I eagerly await their return in March/April every year.  Once they return, they waste no time in rebuilding/ reinforcing the nest. The male brings the sticks to the female who makes it just right. After that, nature takes over and once again we wait to see when the egg/eggs will hatch.  Hectic feeding activity ensues when the eggs hatch and then we hear the unmistakable insistent chick calls for food as the babies grow! Ospreys only feed on fish. They hover, dive and plunge into the water catch their prey.  It’s exciting to see the chicks on the dock poles or on the tree branches once they start to fly (about 55 days after hatching) and slowly learn to be independent while still under parental supervision.  Adults leave the area and migrate back south around end of July once fledglings can feed themselves. The juveniles fly later in August.  My binoculars get a lot of use as I try to catch the Ospreys in their nest. The past two years there is a Bald eagle family living close by and often they clash in the airspace, each defending their territory. 

The Orangutan pictured in the Smithsonian Engagement Calendar 2020 is a critically endangered species.   I hope just like Osprey and Bald Eagle these great apes too will be saved and thrive in their natural habitat in Indonesia and Malaysia - not just in zoos like the baby photographed at the National Zoo in DC. 

The Osprey In Nest with Chicks by Meera Rao 

 

Sketching the Pandemic Year 2020 Week 24

Sketching the Pandemic Year 2020 week 24  June 7-13 

“…..Because none of us are free

Until all of us break our chains.

We owe it to the fallen to fight, 

But we owe it to ourselves 

To never stay kneeling 

When the day calls us to stand together.

We envision a land 

That is liberated, not lawless;

We create a future 

That is free not flawless.

Over and over, again and again,

We will stride up every mountain side,

Magnanimous and modest.

We will be protected and served 

By a force that is honored and honest.

This is more than a protest—

It’s a promise!”

~ Faith And Fury by Amanda Gorman 

The nation and the world have been rocked by the Black Lives Matter protests after video of George Floyd’s death/murder went viral. Amanda Gorman wrote the poem in response to the protests that erupted all over the world. She read/performed the poem Faith and Fury at the Bach Virtuosi Festival’s Virtuosi Virtual on Aug 16, 2020. To watch and listen to the full moving performance and poem, click here.

The bridal ornament with chains and pendants photographed in the Smithsonian Engagement Calendar 2020 is Diadem (taounza) from the Southern Morocco and is a symbol of honesty and purity.  

‘Black Lives Matter’  sketch by Meera Rao

 

Window to the world : Sketching the Pandemic 2020 week 23

Sketching the Pandemic Year 2020 week 23: May 31-June6

When my Dad turned 95 we held Zoom gatherings on 2 days to celebrate the occasion- to accommodate his kids, grandkids, siblings, nieces and nephews and more ( we counted over a hundred!) who are spread out all over the globe:) The sketch is a composite of few ‘windows’ I sketched as we chatted excitedly and in some cases met each other for the first  time :)  Because of the pandemic lockdown,  the Zoom meetings made it possible for many to be part of the celebration who otherwise would not have been able attend in person. My Dad was very happy to see, talk to all near and dear and celebrate his big day. 

The window featured in the Smithsonian Engagement Calendar 2020 for week 23 tells a different story - an important piece of recent history.  It is the cover of the sheet music from 1916 composed by Alfred Bryan and Herman Paley from the collection of National Museum of American History. The write up on the page goes on to say : ‘the decades-long effort to secure women’s right to vote in the United States began at the 1848 Women’s Rights Convention in Seneca Falls, New York. It finally succeeded with the passage of the 19th Amendment to the constitution in August 1920, which granted American citizens the right vote regardless of Gender’ 

Zoom celebration By Meera Rao 

 

Sketching the Pandemic Year 2020 week 22

Sketching the Pandemic Year 2020 week 22 : May 24-30

It’s nesting and incubation time for this little flyer -soon the mama will be grounded for a few weeks! Carolina Wren Thryothorus ludovicianus couple built a nest in our thyme pot - right by the kitchen window.  That gave me a great spot to watch the birds gather sticks and build the nest ( well hidden at first glance), the male feeding the female while the eggs were being incubated, and then the hectic activity by the parents bringing in worms & insects for their babies. It was indeed amazing to watch the dedication of the parent birds and the steady growth of chicks to maturity. The competing beaks of the chicks were a sight to see! They kept me entertained and in awe for days.  In the end I really missed them once the chicks learned to fly. I only saw them a few times after that while the parents still fed them as the chicks perched on near by branches with practically their mouth open as they waited for the parents. By the time the birds were done and the babies flew the nest though the thyme plant was long dead !!!

That flight jacket in the photo for Smithsonian Engagement Calendar 2020 week of May 24-30 belonged to Sally Ride, who in 1983 became the first American Woman in space when she flew on the STS-7 shuttle mission.  The caption for the photo explains : ‘Shuttle astronauts wore flight jackets to work and for public appearances, and the decorations told the wearer’s story. The round patch on the right side of the jacket signifies that Ride was one of 35 astronauts selected for the first space shuttle program in 1978. The patch on the right arm is the mission patch for Ride’s second trip to space STS-410 in 1984, the first mission to include two women:Ride and Kathryn D Sullivan.’

Carolina wren building a nest by Meera Rao 

To The Possible Limit : Sketching the Pandemic Year 2020 week 21

Sketching the Pandemic Year 2020 Week 21: May 17-23 

In June, I plunged into the #30x30DirectWatercolor challenge (please check my Instagram or Facebook posts) and could not keep up with my blog :) So already late postings of my sketches in the Smithsonian Engagement Calendar 2020 are now very late.  The excitement of that week in May 2020 was the anticipation of the cocoon/chrysalis changing to butterfly and completing the cycle.  Amazingly, the sketches paired wonderfully with the photo of Jose Bedia’s art work in the calendar:)  Titled ‘To the Possible limit’  in acrylic and conte crayon the artwork pays homage to the balseros -Cubans who take the perilous ocean journey in homemade rafts looking for a better life and yet feel a bond to their homeland.  

I found dot like Swallowtail butterfly caterpillars on the leaves of the parsley I had asked my husband to bring in from the garden to garnish the sandwich for lunch.  I put those cut branches in a  bottle with a bit of water and decided to nurture the caterpillars providing them fresh leaves everyday :) A few weeks later,  I was rewarded handsomely as the caterpillars grew and eventually turned into chrysalis. I waited and watched them closely until one night I saw the chrysalis turning darker and the dots on it beginning to glow a bit. Next early morning I sat next to it with my cup of coffee and camera waiting eagerly. I had read the butterfly emerges as the rays of sun warm the chrysalis. The emergence took less than a minute but the butterfly took about 2 hours to open the wings and warm up before flying off.  For a couple of the caterpillars that were in my dill plant I even had to buy organic dill from the grocery store as they had demolished the plant in no time ! But this was an amazing experience to see the butterfly emerge ! 

Parsley Seallowtail Butterfly and Chrysalis by Meera Rao 

 

Sketching the Pandemic Year 2020 Week 20

Sketching the Pandemic Year 2020 Week 20 May 10-16 

In Lynette Yiadom-Boakye’s Womanology 12 - the photograph for May 10-16 in the Smithsonian Engagement Calendar 2020, a woman is looking through a binoculars. During the sheltering at home days, I have spent countless hours everyday watching birds in the backyard with my Binoculars. Many different kinds of birds visit our backyard throughout the year, species varying with the season.  But then I also use my Binoculars to check on the blueberry bushes from my kitchen window especially when I happen upon few cardinals or other birds lingering near the patch. The birds don’t leave us many berries but I love watching them feast on fruits! There were even a few parasol mushrooms near the bushes that I was able to see clearly with my trusty binoculars.