The Seven Links Project

Hanging Fire watercolor 16x12 

Here it is, 'Hanging Fire' selected by my husband as my most beautiful  painting for my Seven Links Project. As mentioned in my previous post,  The Seven Links Project is courtesy of Crystal Cook who tagged me to post seven links in my blog for

Your most beautiful post

Your most popular post

Your most controversial post

Your most helpful post

A post whose success surprised you

A post you feel didn't get the attention it deserved

The post you are most proud of

The idea behind the project is "to unite bloggers(from all sectors) in a joint endeavor to share lessons learned and create a bank of long but not forgotten blog posts that deserve to see the light of the day again"  

I could never settle on any of my paintings as my most beautiful one (being partial to all of them (-: ), so,  I finally asked my husband for his pick.  I agree with him that the peppers in Hanging Fire look gorgeous in their luscious red. Please let me know what you think is my most beautiful painting -- I know that is  a very subjective selection !

Resplendent  Watercolor on Yupo 11x14"

Resplendent on Yupo is definitely my choice for 'your most popular post'  if going by the number of hits it gets every single day.  The blogger picked it as my most popular post for the side bar! This painting gave me confidence to continue my experiments on Yupo paper.

Ignorance mixed media 12x15" 

'The post you are most proudest of '  has to be my mixed media painting  Ignorance.  That particular day I had picked up one of my failed paintings of a street scene of a town in India to see if I could salvage it.  Listening to the news about wars in various parts of the world, I started  a collage  on it from torn pieces of rice paper from another failed calligraphy attempt about "Truth alone triumphs.' I was guided by a photograph from one of the newspapers from couple of months before that had etched in my memory - even today I see clearly in my mind's eye the dark figures in a chaotic city scape with blue smoke from a bomb blast.  I am proud of how I channeled my frustration with the violent world out there, my failed paintings and brought together various mediums and styles to express myself.  I am also proud that my daughter within minutes of my posting the painting e-mailed me to ask me if she could have it!

Collateral Damage  water media 9x12 

'Collateral Damage'  surely qualifies for  the 'your most controversial post'.  I consider it controversial for the artistic liberties I took in painting the  disaster caused by the Gulf oil spill. The scene is from my imagination and I closed that post with the thought :  'My hope is that the message doesn't get swept away in the debate about realistic depiction'.

Sketch of a sculpture, white Prismacolor pencil on black paper

The honor for 'A post whose success surprised you' goes to Negative Drawing  showing the sketch of a sculpture done with white Prismacolor pencil on black paper.  I am pleased that I was successful in sketching the sculpture from Chrysler Museum in Norfolk, VA  as well as how according to Stats it has become the second most popular post on my blog!

'A post you feel didn't get the attention it deserved'  goes to Show-off time :

Bangle Pedlar  color pencils 14x10" 

I wavered between Bangle Pedlar and Mandala Meditation - both color pencil portraits. I settled on Bangle Pedlar  from my second blog post but very first post of a painting  -a portrait in color pencils. I guess it is understandable that I never got any feedback on the painting as my blog was still very new :) The painting hangs in my living room and always elicits a happy reaction from all who see it.

At the Art Institute of Chicago digital Photography

As for the 'most helpful post', I would like to think that all my posts are helpful in some way as I strive to include a link or two or some information that one might find useful or worthy of contemplation :)  I consider  my post on 'Universal Acceptance' most helpful - as my attempt at shining a light on how important it is to accept one and all and find  unity in all our diversity.

Now, I pass the Seven Links Project challenge on to :

Teresa Sheeran Houstan

Padmaja

Heera

Shalini

Cathy

I really enjoyed doing this challenge - wonderful way to go back and see how my blog and my artistic abilities have evolved  :) 

Unexpected Pleasures!

A Day In The Life... sketchbook project  page 14 color pencil

I had a pleasant surprise last week when the talented artist Crystal Cook tagged me in her post The Seven Links Project , which is "to unite bloggers from all sectors in a joint endeavor to share lessons learned and create a bank of long but not forgotten blog posts that deserve the light of the day."  As a result, my Seven Links Project - which is in the making right now - will be revealed in my next post :) In the mean time, please do check out her project  and admire her beautiful sensitive paintings!

Regarding page 14 of my Art House Co-op's Sketchbook project "A Day In the Life - in Blue Jeans with Gold Embroidery" :  it is the first time I had sketched a heron in color.  I always hesitated to paint the big beautiful birds because I didn't think I could do justice to their grace and elegance.  The surprising reward of the sketch book project is that it has been wonderful for my skills and self confidence. It forced me to tackle subject matters that I kept putting aside and pushed me beyond my comfort zone just so I could fill the book up!! Now, my newest resolve is to just sketch everyday without regard to subject matter and to paint some of those sketches from my book "A Day in the Life -in Blue Jeans with Gold Embroidery " on bigger sheets of watercolor paper :)

Want or Need?

A Day In the Life ..in Blue Jeans with Gold Embroidery  - Page 13 (Sketchbook/fiction Project )color pencils

Do I call this co-incidence? This page done months ago was next in line to be posted. And as it happens,  I just returned from a week of retreat at the Arsha Vidya Gurukulam where the teaching is all about how to deal with desires, aversions, dispassion, work with the attitude of worship and to accept everything in the spirit of blessing.  This teaching more than anything reinforces how I should put forth my best effort, enjoy the process of painting and not get hung up on the final product. Over the years I have realized that it really frees up the creative process when I do the preparatory work,  trust my instincts and let things just be. I read and hear again and again that meditation and mindfulness will take  creativity and life to a different level - hope to be able to follow that advice consistently one of these days! 

What philosophy nourishes your artistic endeavors? 

Framing Nature

Framing Nature : A Window at San Antonio Museum of Art - digital photography 

I think most of the time it is hard to improve what nature has to offer.  Copying nature is challenging and I often feel humbled as I sketch and paint.  Nina Tandon in a TED talk experiences this in a completely different way in what she calls 'Biomimetic Paradigm" - as she copies nature in the lab. She engineers artificial tissues for transplants and therapies.  Watch her short video as she talks about this amazing process.  

Taking Liberties

Pause  watercolors 12x9"

Taking liberties with color  and composition is what I aimed for in this painting.  I had taken a photograph many years ago at Colonial Williamsburg of a costumed interpreter taking a break. As soon as I asked permission to take her photograph, she straightened up and posed in a stiff stance.

This past week I played around. I changed and simplified the background colors. I managed to give her  back the look I had wanted to capture on that particular day. I observed a few ladies carrying babies on their hips and chatting - that helped me to paint  her this way. I was pleased to be able to make the changes and complete the painting.  When I straddle between realistic and conjured depictions, I feel a different sense of accomplishment  as I finish the painting.  

Artistic Impulse

A Day in The Life   page 12 color pencils

As an artist you are always told to develop your own style. Well, I just watched a TED talk by Shea Hembrey  -- he became 100 artists with hundred different styles for his own 'International Biennial Show!'  He made up artists from different counties, invented bios, wrote one hundred different artist statements and created different styles, forms of art in all different sizes too - paintings, sculptures, performance arts, installations, movies/documentaries. He was even his own curator, Gallery director --but of course, you know by now that he came up with names and positions and bios for them too.

There is a huge debate going on in TED site about what all this means.  I am impressed with his audacity, creativity and sense of humor. It tickled me that he has hundred different artists in him and now I feel comfortable to carry on with my varied styles and  choice of mediums without feeling compelled to choose one or the other. Does this mean I may end up not mastering any one style or medium? Probably so but I may never grow as an artist if I don't keep experimenting and pushing my limits. When it comes to creativity, I think it is a fine line between being focused and spreading yourself thin! Check out the hilarious and creative talk and a sample of his hundred of artists in the TED-video. Please leave a comment and let me know your opinion about it. 

Perfect Patience

Perfect Patience  digital photography

We often think that it is impossible

to develop perfect patience; however

 if we know our nature and our qualities,

and if we train ourselves in them,

it is completely possible to do it.

-Bokar Rinpoche

Spectacular Images

A Day In the Life..Full of Surprises  page11 color pencils

I am waiting for The Art House Co Op to finish revamping their website and for my project A Day in the Life -in Blue Jeans With Gold Embroidery  to be added to their digital library. I am also hoping their scanned online versions are better than mine :).  

Even as I am pleased to have completed writing and illustrating  a small book for the Fiction Project, I am fascinated by what I read and see on their site about how some artists challenged themselves to take their art to new level by changing the paper in the moleskine journals or turning it into an accordion book etc., transforming the materials they were given. I just watched a TED talk by artist Janet Echelman on 'Taking Imagination Seriously.' I am in awe of her creativity and drive to pursue her unbelievably big imagination! I also really like how she combines science and art in her work. Having just returned from Chicago last month, where Anish Kapoor has his sculpture the Bean/cloud, I wonder how does one come up with work of art that scale and magnitude that boggles the mind? Is it a different level of risk taking, resourcefulness, determination, tenacity  combined with  the serendipity of being in the right place at the right time and to know to seize upon the opportunity presented?  And does it have to be  really spectacular or it is not imagination taken to the edge?  

Sixteen Rules to Forget

Koi  (final) watercolor on Yupo 11x14

A month and a half ago when I was getting ready to frame the paintings for my show at the library, I had to stop and go back over my earlier version of  the Koi painting, further deepening the shadows (the photograph unfortunately still doesn't capture the darks well enough) and adding some more details to the fish and the water.  I like this newer more vibrant version :). Under glass with  'museum white' double mat really gives the painting a wonderful 'finished' look. I can never  get over how matting and framing dresses up a painting!!! 

I must admit I have been washing, painting, rewashing and painting again on regular paper for a few years  but  its easier on Yupo.  Yupo paper  has helped me be bolder with trying out various options for a painting --especially going darker, then coming back and saving the whites. It has helped me take chances and  try out different solutions on the same painting till I am satisfied. I play with shapes, values, colors or other elements with abandon. Recently I reread Arne Westerman's book "Painting Watercolors Filled with Life and Energy." and it reaffirmed for me the method in my madness. At the end of the book he has  a chapter on Six Things to Remember and Sixteen Rules to Forget (my favorite)! I am sharing shortened versions of both below (and that will also help me remember better .)

Remember these: 

1. Paint only those things you feel connected to.

2.  Consider the uniqueness of your idea.

3.  See your work as a rectangle -not a person or a thing in the middle of a rectangle.

4.  Simplify.

5.  Use light like a film director.

6.  Use color with boldness. 

Forget These Rules: Rules (in italics) and my summarized version of his  refreshingly candid comments/explanation (not in italics) 

1.  Be careful to avoid "ouzles" in your painting. -Don't worry-its one of the exclusive qualities of watercolor.

2.  Design is simply a matter of picking the right formula. Not really. Just keep it simple. 

3. Watercolor is an unforgiving medium. Nonsense. You can paint, wash it off, restate and wash again.

4.  Expensive brushes are better and last longer. Not necessarily.  Experiment and find brushes just right for you.

5.  Paper must be stretched before painting. Not true.

6.  Don't use opaque white paint. Thats cheating.  A silly rule aimed to prove how difficult it is to paint 'transparent color.' The Old Masters used white paint. Cerulean blue, red & orange cadmiums, and yellow ochre are as opaque as white. 

7.  Always erase your pencil lines.  Not necessary.  It adds interest and texture.

8.  Be careful with the paper's surface.  Good watercolor paper takes a lot of abuse and its the results that count.

9.  Be neat and tidy.  Wrong.

10. Don't waste film, paint, paper and other supplies. Better to waste than lose a great opportunity.

11. Don't paint from photographs. Paint on the scene or work from photographs. Go either way without guilt.

12. Always work light to dark.  Not true. Develop as you go. 

13. Make every brushstroke count. No. You will play it safe and go nuts.

14.  Watercolor requires tremendous control. Not true. If you don't like it wash it off.

15.  Don't paint a vertical subject in a vertical format. Not necessarily.

16. Always stay inside the lines.  The term "crossing the line" suggests adventure. 

I close with these words from Arne Westerman: "You are an artist. Go to work." 

Beauty, Shadow and Reflection

Beauty, Shadow and Reflection  watercolor 9x12

I saw this tiny colorful beauty drinking from a puddle on a cold January morning when I was out on a walk.  I stopped to admire. I am  also drawn to shadows and reflections and  I was immediately attracted by the three shapes that intersected as the bird cautiously watched my movements.  I, as cautiously and slowly, took out my camera and managed to capture the moment as he/she continued to survey the scene.  Finally this week I painted this as a reminder of that wonderful encounter.  I used my favorite Canson Montval cold press watercolor paper, a small brush along with lots of patience to complete the painting :)