That Eventful Night

That Eventful Night  watercolor, pen and ink 5.5x3.5” by Meera Rao 

That night in July 2020 when the confederate monument in the neighboring town Portsmouth, Va came down, I sat glued to the TV.  I did a small sketch with a pen as I watched the events unfold. A huge crowd gathered around the monument with their cell phones in hand recording the historic event. Unfortunately the statue came down on one of the people involved and gravely injured him. Almost a year later when the anniversary came about, I watercolored my sketch.  Last couple of days, issues about removing the base of a toppled Lee statue in Richmond, Va has been in the news reminded me of the sketch  tucked away in my sketchbook. 

Sketching the Pandemic Year 2020 Week 53

Sketching the Pandemic Year 2020 Week 53 December 27-January 2 

The nature’s jewels whether it’s the largest rough diamond mined and then crafted into a necklace or the vibrant colors of the blueberry bush in winter are all wondrous!  ‘The Cullinan Blue Diamond necklace’ in the Smithsonian Engagement Calendar  2020  a gift given to his wife Annie by Thomas Cullinan ‘ features nine blue diamonds and 253 colorless diamonds in rose gold and silver setting made around 1910. Suspended from the bow is the 2.60 carat Cullinan Blue Diamond, named for Thomas Cullinan, then Chairman of the Premiere Mine in South Africa.’  It was to commentate the largest diamond ever mined at 3106 carrots.  That diamond was gifted to King Edward VII of England.  I don’t know if the miner who found the diamond received any bonus! 

Blueberry bush in winter colors watercolor by Meera Rao 

A year of sheltering at home savoring the beauty and wonder of nature, moved me to appreciate and be grateful for every day miracles. I revisited the  year 2020 as I  posted these 53 sketches and my thoughts! In January of this year I received my first covid-19 vaccine.  Yet, ten months later, the pandemic is definitely not quite over and life is going on in a new normal- much different and still masked! 

Sketching the Pandemic Year 2020 week 52

The Great Conjuncture of Jupiter and Saturn 

On December 21 2020, we were fortunate to watch the great conjuncture of Jupiter and Saturn as the the planets appeared closest to each other in the night sky. It was a treat to watch it right from our backyard soon after sunset without a telescope ! The conjuncture happens once every 20 years when Jupiter overtakes Saturn in its orbit. This one was the great conjuncture because it is the rarest of the conjunctures between naked eye planets -separations of less than 10 arcminutes have only happened four times since 1200- this being the most recent. According to NASA website  : What makes this year’s spectacle so rare, then? It’s been nearly 400 years since the planets passed this close to each other in the sky, and nearly 800 years since the alignment of Saturn and Jupiter occurred at night, as it will for 2020, allowing nearly everyone around the world to witness this “great conjunction.”  We, at first could not really believe what we were able to see with the naked eye - double checking it on NASA and other astronomy websites, and watching live streams from astronomy centers. We went in and out of the house admiring the universe’s wonders ! 

Sketching the Pandemic Year 2020 week 52 December 20-26

Grandma Moses Out for Christmas Tree 1946 (oil on pressed wood) graces this week in the Smithsonian Engagement Calendar 2020. ‘This winter landscape includes a number of charming vignettes as people pick out Christmas trees, pull sleds up a snowy slope, and chop firewood.’  As sweet as the scene in the painting is, my cherished Christmas memory for years to come will be the great conjuncture !!! 

This is week 52 - but there is one more page and one last sketch to share to complete my ‘Sketching the Pandemic Year 2020’ ! 

Sketching the Pandemic Year 2020 week 51

Sketching the Pandemic Year 2020 week 51 December 13-19 

Sketching the Pandemic Year 2020 in the Smithsonian Engagement Calendar had an unexpected benefit for me - I learned a lot of interesting history through the photos for each week from the Smithsonian collection. The stamp pictured is a $1 beer revenue stamp proof single, 1871 Card, scarlet and black ink engraved frame and vignette from the collection of National Postal Museum. Who knew there was a beer revenue stamp !!! According to the write up on the page, “at the time this stamp was printed, the federal beer tax was $1 per barrel. Brewers purchased sheets of the stamps without gum or perforations, cut the stamps apart, canceled them and pasted them over the stopper of the beer barrel so that tapping the barrel destroyed the stamp. This 1871 proof contains two mistakes : Secretary of Treasury Hugh McCulloch’s name is misspelled ’McCullogh’ and the word ‘printing’ contains a typo.”

I am not much of a beer drinker - beverage of my choice is coffee with lots of soy milk ! This particular morning a rainbow fell  through the window across the tablecloth and the coffee mug - best start for a beautiful day ! The table cloth and the patterns on my cup complement the photo on the opposite page quite well. Savoring the moment, I knew what to draw for that week :) 

Rainbow cup watercolor and pen by Meera Rao 

 

Sketching the Pandemic Year 2020 week 49

Sketching the Pandemic Year 2020 week 49 November 29-December 5 

‘Richard Avedon’s eye catching posters of the Beatles- created at the height of the band’s fame- became icons of youth culture in the 1960s. This psychedelic portrait of John Lennon (1940-1980)-[ offset lithograph on white wove paper] appeared on the cover of a special issue of Look magazine in 1967 that chronicled changing times in a tumultuous decade.’ 

That is the explanation in the Smithsonian Engagement Calendar 2020 for week 48, and my colorful sketch for the week chronicles the unexpected fun I had with my granddaughters during the ‘shelter at home’ year.  We met via video chats. I quickly learned from them how to use all the different fun features :) We giggled and role played for hours. I am forever grateful for the silver lining that shone through during those dark pandemic days. Even though I am thankful that they are back in school, busy with their lives,  I really miss those video chats and the time we spent together chatting, reading, playing away happily. 

Sketching the Pandemic Year 2020  Video Chat fun by Meera Rao 

 

Sketching the Pandemic Year 2020 week 48

Sketching the Pandemic Year 2020 week 48 November 22-28

The beautiful Yuit (Siberian Yup'ik) carved Eskimo ivory flatware (1920-23) from St.Laurence Island, Alaska, in the Smithsonian Engagement Calendar 2020 pairs nicely with our Thanksgiving dessert plate :)  We had a simple thanksgiving dinner for just the two of us but we are still so grateful for this loaded dessert plate courtesy of our many friends! Sharing even during the pandemic shelter at home days added that wonderful rainbow to our lives. 

The Dessert Plate watercolor by Meera Rao 

Sketching the Pandemic Year 2020 Week 47 Nature’s Calligraphy

Sketching the Pandemic Year 2020 Week 47 November 15-21

‘I think I will never see a poem

 as lovely as a tree’

~Joyce Kilmer~ 

My husband and I try to walk everyday and record 10,000+ steps. Every few weeks we get the urge to go somewhere different and change our routine a bit. As always, Nature, during the covid shelter in place days,  has been a source of magical moments and I have been documenting my joys, awe and surprise in small ways.  This particular day last November, we came across this tree with beautiful vines by the water looking like nature’s calligraphy.  Then I saw the photo for the week in the Smithsonian Engagement Calendar 2020 - Adel Ibrahim Sudany’s cover art for One Sky,2018 Album by the Rahim AlHaj Trio. The caption for that photo reads : ‘Sudany’s painting for One Sky echoes the statement of humanity’s oneness found in the music of Iraqi oud players and composer Sourena Sefati, and Palestinian American percussionist Issa Malluf. Sudany is an Iraqi designer, calligrapher, and professor of Arabic Calligraphy at the Goethe University in Frankfurt, Germany.’   

I feel a beautiful tree like that may have inspired the writers long ago to create flourishes and calligraphic styles! 

Nature’s Calligraphy watercolor and ink by Meera Rao 

 

Sketching the Pandemic Year 2020 week 46

Sketching the Pandemic Year 2020 week 46 Nov8-14. 

Deepavali, the Festival of Lights is celebrated in India and by Indian diaspora all over the world.  It is a five day festival around the New Moon day of lunar month of Karthika (October/November) observed by lighting of rows of Deepas/ Diyas/lamps, puja/prayers/worship, exchange of gifts, wearing new clothes, sharing of lots food and sweets, and of course getting together with family and friends. The festival is a celebration of good over evil, knowledge/enlightenment (light) over ignorance(darkness), While the stories behind the celebrations vary from region to region within India, the essence remains the same - cherishing the inner light, hope and restoration. 

It just so happens that I am lucky to have been born on one of the days of Deepavali festival- and in addition to my actual Gregorian calendar birthdate, my family also celebrated it on one particular day during Deepavali. So it is a very special festival for me! I sketched a festive ‘rangoli’ on the page using the age old dot system (this one has 5x5dots scheme) 

Rangoli for Deepavali by Meera Rao 

The photograph in the Smithsonian Engagement Calendar 2020 for that week is of William James Aylward’s American Schooners, Old Harbor Marsellie, 1919 Charcoal and Watercolor on paper. ‘Aylward was one of eight artists commissioned by the U.S.Army to join the Allied Expeditionary Force in Europe during World War 1. Having grown up around the docks and shipping of the Great Lakes in Wisconsin, he here adeptly captured American schooners docked in the harbor of Marseille, France. 

Sketching the Pandemic Year 2020 week 45

 

Sketching the Pandemic Year 2020 week 45 Nov 1-7 

Smithsonian Engagement Calendar 2020 #repurposed 

What could be more appropriate for this week than the gavel presented to Susan B Anthony at an 1888 meeting of the National Woman Suffrage Association, an event marking the 40th Anniversary of the Seneca Falls Convention, the first women’s rights convention in the United States ?  I spent twelve days around the Presidential election helping out with the Virginia Voter protection hot line. Hoping and praying to have a woman, who happened to be a woman of color, of Indian heritage, as Vice President, wanting to see nation back on right track, I had written and mailed hundreds of postcards over the preceding months.  Of course, Democracy cannot ever be taken for granted and all of us have to make a commitment to be engaged and keep it going.  

Sketching the Pandemic Year 2020 Week 44

Great Blue Heron by the deck watercolor by Meera Rao

This Great Blue Heron Ardea  herodias is in our yard almost everyday! It is either busy fishing by the waters edge or staying in shade by the bushes grooming or ‘meditating.’  Scanning for the heron whenever we come out the back door is a habit now as we don’t want it to get spooked by us - though these days it accepts our presence in the yard :) This particular day it sat nonchalantly very close to the deck. 

Sketching the Pandemic Year 2020 Week 44  October 25-31 

Pictured on the facing page in the Smithsonian Engagement Calendar 2020 is ‘Xenacanthus, a freshwater spiny shark that lived in rivers and ponds during the Permian Period, 294-290 million years ago, preying on fishes, reptiles, amphibians and perhaps even large land carnivores that ventured close to the water.’ This Xenacanthus skull cast is on display with fossils of other aquatic creatures in the Hall of Fossils- Deep Time at the National Museum of Natural History. 

Sketching the Pandemic Year 2020 Week 43

Sketching the Pandemic Year 2020 Week 43 

I first came to know about Lincoln Park after our son and his family moved to DC. I liked the green space in the middle of the city block and was intrigued by the two statues in the park. But I have cringed every time I saw one of the the statues ‘The Emancipation Statue’ of Lincoln and a free slave at his feet. (Oops!  I just noticed my spelling mistake in sketch !) So it did not surprise me in October 18, 2020 when we were visiting, that there was a raging debate about replacing or removing the statue. As everywhere else there was a fence around the statue and notes were left on the fence by people expressing their opinions or supporting’Black Lives Matter.’ On our walk that day, I saw in  one of the old red fire and call boxes near the park, a prototype of replacement sculpture that showed Barack Obama and Lincoln, with miniature flags flanking the two presidents. Unfortunately,  I do not know who the artist is. 

Replace the Emancipation Memorial 

 When I went to sketch it later in the Smithsonian Engagement 2020, I was tickled to see the photograph for the week. ‘36 Takeouts, Groceries, and Restaurants in Wards 7 and 8 Washington DC, 2018’ by Susana Raab.  A photographer at the Anacostia Community Museum, Raab cataloged urban stores in the neighborhoods east of Anacostia River in Washington DC. Lincoln park is ward 6. 

Sketching the Pandemic Year 2020 week 42.

Ripe Bitter-melon Pod with Red Seeds watercolor by Meera Rao 

Often, we miss picking vegetables from the plant because they are well hidden and we don’t see them till they are ripe and bright! That’s what happened with this bitter-melon (a delicacy!).  When we finally picked it off the plant, I placed it on a shiny stainless steel plate and decided to let it dry in the sun.  It soon burst open exposing the bright red seeds against bright yellow-orange fleshy insides. Of course, I had to sketch the beauty :) 

Sketching the Pandemic Year 2020 week 42 October 11-17

Nature’s color selections are amazing. The bitter-melon looks like it’s competing with the Scarlet Macaws (Ara macaw)on the opposite page in the Smithsonian Engagement Calendar 2020 for week 42. According to the write up on the page, the digital photo of the Macaws was taken by Sean Mattson, in July 2016 at Coiba National Park, Panama Smithsonian Tropical Research Institute. They are nearly extinct in the mainland but ‘lead a boisterous life on Panama’s Coiba Island, the largest landmass in the Tropical Eastern Pacific. The Smithsonian Tropical Research Institute runs a research station on the neighboring Coibita Island, providing scientists with access to fauna, flora, and coral reefs in this park, a UNESCO World Heritage site.’

 

Sketching the Pandemic Year 2020 Week 41

Sketching the Pandemic Year 2020 week 41 October 4-10

The photo on the Smithsonian Engagement Calendar 2020 for the week of October 4 is a colored planographic print of Le Tricolore balloon1874 at the National Air and Space Museum. “Claude Jules Duruof (1841-1899) became one of the aeronaut-heroes of the siege of Paris when at 8 am on September 20, 1870, he flew a balloon out of the city. This lithograph, signed by Duruof, shows his balloon Le Tricolore. In 1873 he and his wife ascended in it amidst threatening weather. When the crowd questioned their courage, he remarked, ‘Let us show then that we are not afraid to die.’ The pair disappeared into the mist and were forced down and presumed lost. Their rescue by an English Rescue boat was much celebrated.”

These balloon travels though pale in comparison to the Monarch Butterfly migration which is a unique and amazing phenomenon. They do a two way migration like birds do. Some fly as far as 3000 miles to overwinter in Mexico. The eastern population of N.America’s monarchs overwinter in 11-12 mountain areas in the States of Mexico and Michoacán from October to late March. Monarchs can fly 50-100 miles a day and take up to two months to complete the journey.  As I watched the butterfly emerge from the delicate chrysalis, it’s wings so dainty, I marveled at the nature’s miracle. Slowly as the sun rays warmed its wings the monarch butterfly stretched and took a couple of hours to get ready to fly off  and continue its adventure! 

Just Emerged Monarch Butterfly by Meera Rao 

 

Sketching the Pandemic Year 2020: Week 40

Sketching the Pandemic Year 2020: Week 40 September 27-October 3 

Sometimes things just present themselves - like what happened on this particular day. To better see the process,  I had moved the glass jar in which a latecomer monarch caterpillar was going into chrysalis stage. Looking from above I could see the design from the plate under jar. And what a match for what was on the page for that week in the Smithsonian Engagement Calendar 2020.  ‘Josephine Folies Bergére c.1926 in watercolor and gouache on paper is by an unknown artist and is at the National Portrait Gallery.  ‘Josephine Baker (1906-1975) was barely twenty years old when she first performed at the famous Parisian music hall the Foilies Bergére, wearing nothing but a skirt made of artificial bananas. Bakers combination of comedic flair and athleticism created a sensation and for many embodied the exhilarating modern style of Art Deco.’

Caterpillar to Chrysalis  watercolor and pen by Meera Rao 

 

Sketching the Pandemic Year 2020 Week 38

Sketching the Pandemic Year 2020 Week 38 September 13-19

Real change, 

enduring change 

happens one step at a time 

~Ruth Bader Ginsburg~ 

September 18, 2020 was a tough day.  The world lost Supreme Court Justice Ruth Bader Ginsburg. It came at difficult period in US history. In fact, her life and death have had a major impact. Fortunately her legacy as a legal pioneer in gender equality and many of the changes she engineered will last and shine a light to many around the globe. I was lucky to have met her in person and listen to the wise words she spoke to a small group of attorneys newly inducted to the Supreme Court Bar in 2015.  I was there as a proud parent - my son was one of the inductees.  I sketched the special occasion that day as no cameras are allowed inside. Later, I painted the scene for my son as a keepsake. Please check out that blog post here. 

Lin Manuel Miranda, photograph for the week in the Smithsonian Engagement Calendar 2020 needs no introduction.  I was glad to have the groundbreaking composer, playwright and actor featured on that page. 

Ruth Bader Ginsburg pencil by Meera Rao

Sketching the Pandemic Year 2020 Week 36

Sketching the Pandemic Year 2020 week 36 Aug 30- Sept 5 

Along with the dragonflies, I discovered there are a few different kinds of cicadas in our yard.  I usually go to the iNaturalist App to identify whatever I am not familiar with after I have taken a photograph. This is a Northern Dusk Singing Cicada Megatibicen auletes- largest of the N. American Cicadas. As the name implies these cicadas sing at dusk and are quite loud! Their  peak appearance is in August but are found July- September. Mostly I don’t see the cicadas unless they have dropped to the ground ( dead or almost) but hear them loud and clear somewhere in the Oak tree.  BTW, There are more than 3000 species of cicadas and they are members of superfamily Cicadoidea.

How cool is that Nick Cave’s Soundsuit is the photograph of the week of Aug 30 in the Smithsonian Engagement Calendar 2020? “This is a wearable art inspired by Nick Cava’s background as both a fiber artist and a dancer. Brightly colored yarn, found object, and thread woven together in a variety of patterns and textures to creates vivid disguise, shielding and protecting the wearer’s identity from the audience.” 

Northern Dusk Singing Cicada 

 

Sketching the Pandemic Year 2020 week 35

Dragonfly in sepia ink  by Meera Rao 

It’s very far away, 

It takes a about half a day to get there.

If we travel by my, uh, dragonfly 

~Jimi Hendrix~ 

The dragonflies were everywhere in the garden week of Aug 23 2020. I spent many hours quietly tracking and following the beautiful creatures with delicate lacy transparent wings, multifaceted eyes and iridescent body. I was hoping for one good photograph !! They are strong fliers - my research says hawker dragonflies have been recorded going 20 miles in an hour. They can hover, fly backwards and have high maneuverability.  Once again I found a perfect subject to sketch in the Smithsonian Engagement Calendar 2020.  The photograph by Eric Long shows Grumman FM-1(F4F-4) Wildcat- World War II fighter aircraft. After Pearl Harbor, Wildcat pilots held the line and stopped the Imperial Japanese Air force when it seemed invincible.  

Sketching the Pandemic Year 2020 week 35 Aug 23-29 

 

Sketching the Pandemic Year 2020 week 34

Sketching the Pandemic Year 2020 Week 34 Aug 16-22

Carmen Herrera’s  Rondo  graces the Smithsonian Engagement Calendar2020  for the week of Aug 16-22.   Cuban American artist Herrera sold her first painting when she was 89 and at 100 had her first show. In mid 20th century, she experienced blatant discrimination when a gallery owner told her: “ You know, Carmen, you can paint rings around men artists I have, but I am not going to give you a show because you are a woman”.  I did not know all this when we visited Washington DC on Aug 22 2020 and went to see the ‘Black Lives Matter’ painted on 16th street leading to the Whitehouse on June 5 in honor of  protesters who had assembled there peacefully earlier that week. The street with the sign and all the related protest signs around the ‘Black Lives Matter Plaza’  gave me goose bumps. I always look up information about the artist and art for the week in the Smithsonian Engagement Calendar. But this particular week I was especially astonished to see the connections. Please scroll down to see photos from that day.  Read about Carmen Herrera and interview with her at age 101 here. 

Black Lives Matter in front of White House sketch in ink and watercolor by Meera Rao 

Washington DC 16th street Aug 22 2020

Washington DC August 22 2020

Washington DC August 22 2020 

Washington DC August 22 2020

Washington DC August 22 2020

Washington DC August 22 2020 

 

Sketching the Pandemic Year week 33

Sketching the Pandemic Year Week 33 Aug 9-14 

Four O’Clock ( Mirabilis Jalapa) flowers true to their name bloom in the evening and spread a fragrance in the yard. As summer progresses, the plant is full of blooms. They come in different colors and even as ‘kaleidoscope wheels’ variety.  We planted these in the garden because they reminded me of my childhood  home in India.  But I have since learned that they are native to Peru and  have been naturalized in most tropical countries, Europe and Asia - it is a perennial in the tropics but grows as annuals in temperate zones. 

I vaguely remembered from basic genetics class in college that they had some peculiarities regarding passing of traits. Wikipedia helped out: “Around 1900 Carl Correns used Mirabilis as a model organism for his studies on cytoplasmic inheritance. He used the plant’s variegated leaves to prove that certain factors outside the nucleus affected phenotype in a way not explained by Mendel’s theories. Correns proposed that leaf color in Mirabilis was passed on via a uni-parental mode of inheritance. Also when plants with dark-pink flowers are crossed with white-flowered plants, light-pink-flowered offspring are produced. This is seen as an exception to Mendel’s Law of Dominance because in this case, the dark-pink and white genes seem to be of equal strength, so neither completely dominates the other. The phenomenon is known as ‘incomplete dominance.’

FourO’Clock watercolor and ink by Meera Rao 

More wonderful oddities about this flower from Wikipedia: “ Usually the flowers are yellow, pink and white, but a different combination of flowers growing on the same four o’clock plant can be found. Another interesting point is a color change phenomenon. For example, in the yellow variety, as the plant matures, it can display flowers that gradually change to a dark pink color. Similarly, white flowers can change to light violet. Despite their appearance, the flowers are not formed from petals - rather they are a pigmented modification of the calyx. Similarly, the calyx is an involucre of bracts. The flowers are funnel-shaped and pentalobed, they have no cup (replaced by bracteal leaves) but are made of Corolla…. The flowers are pollinated by long-tongued moths of the family Sphingidae, such as the Sphinx moths or hawk moths and other nocturnal pollinators attracted by the fragrance.”

The glass and ink ‘Our River’s Ancestors’ by Marvin Oliver is the featured photograph for the week in the Smithsonian Engagement Calendar2020. I had concentrated mainly on the colors when deciding what to sketch for the week. But I found a different connection while reading the explanation of the piece in the calendar: “In ‘Our River’s Ancestors’ , Marvin Oliver uses glass to evoke the rivers and salmon that have intertwined Quinault lives for millennia. The etched image is from a photograph of Native fishermen at Celilio Falls on the Columbia River.  This piece is a part of ‘Ancestral Connections’ an ongoing exhibition at National Museum of American Indian in New York which explores how contemporary artists draw on aspects of their heritage to create new and compelling works of  art” 

Sketching the Pandemic Year 2020 week 32

Sketching the Pandemic Year 2020 week 32 Aug 2-8

Grey Hairstreak Butterflies Strymen melinus were all over the garden. I was trying to photograph at least one. It was a very windy day and nothing stayed still long enough for me to photograph. I was really surprised when I slipped my hand to steady a leaf hoping for a shot and the butterfly did not fly off :) It was thrilling when seconds later the butterfly crawled on to my hand. I stayed still - I did not want to scare off the butterfly by trying to take a photo! 

It was pure serendipity when weeks later I discovered that the photographfor that week in the Smithsonian Engagement 2020 was of Herpetologist Doris Mable Cochran holding a live frog, c1930s.  “Cochran (1898-1968) started as an aide at the National Museum of Natural History in 1919 and had advanced to become curator of reptiles and amphibians by the time of her retirement in 1968. She was known for her expeditions throughout Latin America as well as her artist contributions as a scientific illustrator and textile weaver.”