The Art of Listening

sketch in pen by Meera Rao

I discovered that sketching and listening to a lecture are not compatible for me when I did this piece a while ago.  He was talking about physics & philosophy and soon I realized that I was so deeply engrossed in observing his features, light, shadows etc that I was not  'listening' to his points at all!  Usually I listen to Public radio talk programs and draw, sketch or paint without any problem.  On this particular instance though, I failed miserably at multitasking :) I then closed by sketch book, put my pen away and concentrated on his talk. This really made me wonder how much of those radio programs do I really 'hear'!!!  I can't remember much of what he said but my takeaway from that day is that true listening requires concentration and processing :).  No wonder it is called the 'art of listening.' 

Surreal Sights in the City

No comment, Washington DC  Photography by Meera Rao 

you got mail, NYC  Photography by Meera Rao 

Top Down Legs Up Washington DC  Photography by Meera Rao 

Catching colorful Quotes Washington DC Photography by Meera Rao

Sketching Life

 Construction sketch  watercolor by Meera Rao 

There was much traveling in the past few days.  And unfortunately I also sprained my leg while walking around and had to spend some time looking out of my hotel window.  One morning I sketched the hard hat wearing construction workers across the road from my 9th floor room window.  

When in NYC I got a chance to visit my sketch book "A Day In The Life"  at the Brooklyn Art Library :)  I spent the morning there looking through many of the sketchbooks in the library -- what an inspiration! The library has beautiful, very creative and completely unique sketch books  from all over the world! 

Brooklyn Art Library  Photography by Meera Rao

Visiting My Sketch Book  "A Day In the Life"  at Brooklyn Art Library 

iPhotography by Meera Rao

The Laughter of Pomegranates

Pomegranate  watercolor on Yupo by Meera Rao  9x8.5"

We have a small pomegranate plant in our back yard.  The flowers and fruits are bright red and beautiful. Unfortunately, the fruit from our tree though is not sweet and last year I juiced some and froze them in ice cubes. I use a cube or two when I want to add some sourness to dishes. The juice is a beautiful red but when cooked doesn't retain the luscious color turning rather drab. We don't put any pesticides on the plant and  the fruits ripen naturally so have lots of texture on them! 

Pomegranate is considered to have lots of medicinal values. Everyone knows it to be an anti-oxidant. I am most familiar with a preparation of the dried skin cooked, and ground into a paste with a little bit of coconut and buttermilk used as remedy for diarrhea and other stomach ailments.  Of course Grenadine syrup used in cocktails is from pomegranate :)  Check here for more on the wonderful fruit. 

The references in art and literature are plenty too, full of symbolism as well -- one quick Google search for images in art came up with wonderful selection too! 

Its not pomegranate season yet -- the plant is only now slowly and barely coming back to life after a long cold winter.  I used a few photographs from last season and my memory of handling them while juicing.  Also I buy the fruits often - love peeling the it slowly, loosening the seeds with its juicy red pulps and eating them fresh or using them in salads etc. I Love the red stains on my hand from the squirting juice too :)

I was happy to see that Yupo was the right surface to bring out the textured red on the fruit. I really enjoyed painting the sun dappled fruit free and loose, full of texture :) 

Here is a poem by Rumi to savor:

The Laughter of the Pomegranates:

If you buy a pomegranate,

buy one whose ripeness 

has caused it to be cleft open

with a seed-revealing smile.

Its laughter is a blessing,

for through its wide open mouth

it shows its heart,

like a pearl in the jewel box of spirit.

The red anemone laughs, too

but through its mouth you glimpse a blackness.

A laughing pomegranate 

brings the whole garden to life.

keeping the company of the holy

makes you one of them

Whether you are stone or marble

you will become a jewel

when you reach a human being of heart.

Plant the love of the holy ones within your spirit;

don't give your hear to anything

but the love of those whose hearts are glad.

don't go to the neighborhood of despair:

there is hope.

Don't go in the direction of darkness:

suns exist.

The heart guides you to the neighborhood of the

saints;

the body takes you to the prison of water and earth.

Give your heart the food of holy friends;

Seek maturity from those who have matured.

~Mawlana Jalal-al-Din Rumi 

Sin or Crime?

Garland weaver in Reverie mixed media by Meera Rao 

The fear of messing up so often means I think a painting is complete before it really is!  Couple of months ago I was surveying my paintings to pick one to submit to the local art league members open show.  One of the paintings  that I had thought was finished, signed, framed and blogged  about suddenly felt incomplete.  I pulled it out of the frame, and added some darks here and there. Satisfied, happily I put it back in the frame and took it to the show.  And here it is on my blog once again. 

Since then I have been mulling  over  how to know when a painting is finished?  Is it "A painting is always finished before the artist thinks it is" (Harley Brown) ? Or is Eugene Delacroix right  when he whispers in my ears :" One always has to spoil a picture a little bit in order to finish it."  Alas there is much truth in what D.H . Harding had to say : " The important thing is not what the author, or any artist, had in mind to begin with but at what point he decided to stop."  Then there is Claude Monet who proclaimed : "I say that whoever claims to have finished a canvas is terribly arrogant."  What did Picasso have to say about all this? : "Woe to you the day it is said that you are finished! To finish a work? To finish a picture? What nonsense! To finish it means to be through with it, to kill it, to rid it of its soul – to give it its final blow; the most unfortunate one for the painter as well as for the picture." 

May be it is as Ted Goodwin says: "A painting is finished when to have done less would be considered a sin and more a crime!  "  The trouble is I am not a good judge when it comes to sin or crime ;)

Learning from Great Drawings

Copy of Luca Camiaso's  'Christ leading the Calvary' 

Copy of Luca Cambiaso's ' Group of figures'

The sketches are my attempts at copying of drawings by Italian artist Luca Cambiaso (1527-1585) from the book 'Drawing Lessons from the Great Masters" by Robert Beverly Hale. The book analyzes 100 drawings and defines figure drawing fundamentals. The book looks into the works of Michelangelo, Leonardo da Vinci, Rodin, Goya, Rembrandt and others and shows in seven chapters  how these artists utilized basic concepts of line, light & planes, mass, Position Thrust or direction, and Artistic anatomy.

I have always had trouble with thinking in terms of simple masses and shapes when sketching.  I am hoping copying like this will help me see light values and seeing the simplest geometric forms in everything.  I noticed in the book there are block like, cylindrical and spherical styles of sketching. The book explains: " You soon realize that there are very few basic shapes in the universe and that there is a geometric relationship between the most diverse objects. the sea is but the skin of a sphere and is related to the spherical head of a pin."   I have had the book for many years but only recently decided I will start copying the various drawings in different styles to get practice -especially on those days when I have limited time and no idea for a daily sketch. 

Have you copied for practice master drawings or paintings? do you find the exercise useful learning tool? Love to hear your experiences! 

Watering Hole

Watering Hole  Photography by Meera Rao 

"One's destination is never a place, but a way of seeing things"

~Henry Miller~ 

Graceful Changes

Fall Fire watercolor on Yupo  5x7" by Meera Rao

Season is changing again - we turned our clocks forward and of course love the signs of spring  everywhere.  I was doing the spring ritual of cleaning my studio, moving my paintings around and realized I never did post this painting of the firey bushes from my backyard.  They greeted me when I got back from my trip to India and I was taken away by their beauty.  The bushes are now once again showing signs of greeting the spring after the cold winter. 

I came across a slide show from NASA Jet Propulsion Lab about Change of Seasons- view from space. Check out the slides for an enlightening view of changing seasons as seen from satellite pictures.

Color My Sunset Sky

Sunset Sky Photography by Meera Rao

Clouds come floating into my life,

no longer to carry rain or usher storm,

but to add color to my sunset sky.

~

Rabindranath Tagore

The Most Difficult Part

Blue Blooms watercolor on Yupo 7x5" by Meera Rao

I don't know the name of these flowers but when I saw them a few weeks ago  in a bouquet I had bought, I pulled out my watercolors, a small sheet of yupo and just painted them free hand. It was very gratifying to just relax, trust my instincts, simplify,  and concentrate on capturing the essence of what I was seeing. Painting a simple blue flower - nothing more.  I liked the resulting Zen like  quality of flower with white space around it.  

Just this morning I was looking for one particular book in my library. I stumbled across "Complete Sumi-e Techniques" by Sadami Yamada. I had forgotten I owned it and had not opened it in years. Sidetracked from my search, I started flipping through it and read about yohaku or 'white space' the unpainted area : "the importance placed on this area in a painting  is considered equal, and sometimes superior, to the actual painted area."  And : ...it is the intimate relationship between the concept of 'color and 'space' that makes perfection  possible"   The 'painted' part is considered as 'fullness' and the blank space as 'emptiness'  with both combined to bring balance and create beauty.  

The author writes: " When asked what was the most difficult problem in painting, Ike-no-Taiga, a great master of the Edo period, pinpointed the importance of white space by simply answering, 'the unpainted area is the most difficult part' " 

I love how an important composition element is explained in spiritual terms and that what to leave unpainted is a challenge experienced by artists all through the ages.  The other thing the book  emphasizes is hours of practice :)