Monday, September 5, 2011

Field Experiments

Watermelon and berries  sketching with Aquaflow brush with watercolor tube paint
At the Gate sketches with Aquaflow brush, tube paint, Pilot G-2 pen
Ready to Board  sketch with Aquaflow brush, tube paint, Pilot G-2 pen

I had purchased a Aquaflow waterbrush just before my unexpected  trip to India last month. I made myself a small field box by putting a blob of paint each of cool and warm reds, blues, and greens, aurelion yellow, raw umber, burnt umber into an old small flat Celestial Seasoning Tea box measuring 3"x2"x1/2" . The brush, the box and my sketch book (5x3"), a Pilot G-2 pen were packed into a quart size ziploc bag and fit in my purse neatly. 

I really enjoyed trying out my 'field sketch box kit' at the airports mostly and found it fun. It took some practice to get a feel for the brush which has a store of water --to figure out how much to squeeze as you paint and how to blend the colors!  I also now know to add a sponge or couple of paper towels to the kit. I played around with sketching first and then adding the colors  as well as putting down the colors first and then defining with the pen. Except that by the end of the trip, some of the paints mixed with each other (airplane pressure issue?) and there was a small mess in part of the box, the kit was a successful experiment. 

Fig  Salvia  sketches with Sakura waterbrush Koi watercolor field sketch box

The sketches of the fig and the Salvia was done at home couple of days ago with the Koi Watercolor Field sketch Box and the Sakura waterbrush that came with it.  The field box has 24 mini pans of paint, 2 sponge strips, a mixing tray that fits neatly to the side when opened, and room for the dis-assembled brushpen. The lid can be used as a mini easel for the watercolor paper that I cut fit into the space between the lid and the mixing tray.  I could hold the field box in one one hand and paint with the other, making it a neat field box. The box measures 6"x4"x1" when closed. I am not too happy with the waterbrush that came with as it kept loosing hair and it took me a while to figure out that I had to twist it to the right to loosen it as opposed to turning to left as I instinctively do ! I was afraid I was going to ruin the brush even before I had a chance to paint with it!!!  I am really looking forward to using my field kits regularly and hope all the sketching will make a difference in my studio paintings :) Please let me know how you approach sketching on the go.   


the set ups :)

Monday, August 29, 2011

Messages for Life

A Day In the Life -sketchbook project page 16 color pencils 

Once again, I am given a new perspective on life - life that is exceedingly fragile, unpredictable and where change is the only constant. We were away in India coping with the untimely, unexpected loss of my  husband's beloved brother when we read about the earthquake that shook our area. Two days later, it was hurricane warnings and evacuation orders for our area as we landed back in USA, hours before the airport closed  due to inclement weather. 

We were lucky to wait out Hurricane Irene at our son's house just far enough from the dreaded path. I fretted and watched the Weather Channel with memories of Hurricane Isabel's destruction too clear in my mind, bracing for the worst but hoping and praying for a miracle. I am thankful for our wonderful neighbors and friends who generously secured our house and yard as Irene furiously spiraled her way up the Eastern seaboard. In the end, Irene spared us - our town, our house and our yard is intact. We drove back home on bright beautiful dayafter and  now only have to clear a bit of debris. And we did not loose power, water or gas service.

For days, sorrow, worry and fear has gripped my heart as I struggled with the uncertainties of life. Now, I am forced to learn to appreciate every single moment; to not take anything or anyone for granted; to be just grateful.

Monday, August 22, 2011

Foliage for a Dream

A Day in the Life... Sketchbook Project page 15 color pencil

In the peak of summer if trees look like these, it is definitely cause for worry!  When I was working on my Art House Sketchbook Fiction Project earlier in the year, the trees were still bare and looked nothing like the lush green ones I see outside now.  From my first Fall and Winter in the USA many many moons ago, I have never ceased to be amazed by the bareness of the trees when the temperatures dip and seasons change. I still wonder if the very first people ever knew that the trees would burst back into life in a few months.  

'The place is all awave with trees,
Limes, myrtles, purple-beaded,
Acacias having drunk the lees
Of the night-dew, fain headed,
And wan, grey olive-woods, which seem
The fittest foliage for a dream. '

-Elizabeth Barrett Browning 

Wednesday, August 17, 2011

Balcony Seats

Balcony Seats Digital Photography

'Clouds come floating into my life, no longer to carry rain or usher storm, but to add color to my sunset sky.' 
Rabindranath Tagore 


Friday, August 12, 2011

Mini Sacred Pause

Slow Sunny Day watercolor 2.5"x6.5"

When I was in Istanbul two years ago, this scene by the square near the Blue Mosque caught my eye. I can't remember what she was selling as she sat there on that very sunny hot hot day. The square was quite crowded with pilgrims and tourists but I saw how the lady watching the child and the child joyfully chasing after the flock of birds were each in their own world.  In this miniature, I choose to paint just that. It was a challenge to paint small and only some of details but I loved the process. 

I read the other day in a article "Sacred Pause" written by Hugh Bryne and Rebecca Hines :"In the midst of daily life there are simple ways to take a “mini sacred pause,” bring awareness to what is alive here and now, and relax into presence" Doesn't it look like the lady and the child know how to integrate those mindful principles? As it is life is very fragile - we definitely need to take and appreciate these 'sacred pauses.'

Wednesday, August 3, 2011

The Seven Links Project

Hanging Fire watercolor 16x12 

Here it is, 'Hanging Fire' selected by my husband as my most beautiful  painting for my Seven Links Project. As mentioned in my previous post,  The Seven Links Project is courtesy of Crystal Cook who tagged me to post seven links in my blog for

Your most beautiful post
Your most popular post
Your most controversial post
Your most helpful post
A post whose success surprised you
A post you feel didn't get the attention it deserved
The post you are most proud of

The idea behind the project is "to unite bloggers(from all sectors) in a joint endeavor to share lessons learned and create a bank of long but not forgotten blog posts that deserve to see the light of the day again"  

I could never settle on any of my paintings as my most beautiful one (being partial to all of them (-: ), so,  I finally asked my husband for his pick.  I agree with him that the peppers in Hanging Fire look gorgeous in their luscious red. Please let me know what you think is my most beautiful painting -- I know that is  a very subjective selection !

Resplendent  Watercolor on Yupo 11x14"

Resplendent on Yupo is definitely my choice for 'your most popular post'  if going by the number of hits it gets every single day.  The blogger picked it as my most popular post for the side bar! This painting gave me confidence to continue my experiments on Yupo paper.

Ignorance mixed media 12x15" 

'The post you are most proudest of '  has to be my mixed media painting  Ignorance.  That particular day I had picked up one of my failed paintings of a street scene of a town in India to see if I could salvage it.  Listening to the news about wars in various parts of the world, I started  a collage  on it from torn pieces of rice paper from another failed calligraphy attempt about "Truth alone triumphs.' I was guided by a photograph from one of the newspapers from couple of months before that had etched in my memory - even today I see clearly in my mind's eye the dark figures in a chaotic city scape with blue smoke from a bomb blast.  I am proud of how I channeled my frustration with the violent world out there, my failed paintings and brought together various mediums and styles to express myself.  I am also proud that my daughter within minutes of my posting the painting e-mailed me to ask me if she could have it!

Collateral Damage  water media 9x12 

'Collateral Damage'  surely qualifies for  the 'your most controversial post'.  I consider it controversial for the artistic liberties I took in painting the  disaster caused by the Gulf oil spill. The scene is from my imagination and I closed that post with the thought :  'My hope is that the message doesn't get swept away in the debate about realistic depiction'.

Sketch of a sculpture, white Prismacolor pencil on black paper

The honor for 'A post whose success surprised you' goes to Negative Drawing  showing the sketch of a sculpture done with white Prismacolor pencil on black paper.  I am pleased that I was successful in sketching the sculpture from Chrysler Museum in Norfolk, VA  as well as how according to Stats it has become the second most popular post on my blog!

'A post you feel didn't get the attention it deserved'  goes to Show-off time :

Bangle Pedlar  color pencils 14x10" 

I wavered between Bangle Pedlar and Mandala Meditation - both color pencil portraits. I settled on Bangle Pedlar  from my second blog post but very first post of a painting  -a portrait in color pencils. I guess it is understandable that I never got any feedback on the painting as my blog was still very new :) The painting hangs in my living room and always elicits a happy reaction from all who see it.

At the Art Institute of Chicago digital Photography

As for the 'most helpful post', I would like to think that all my posts are helpful in some way as I strive to include a link or two or some information that one might find useful or worthy of contemplation :)  I consider  my post on 'Universal Acceptance' most helpful - as my attempt at shining a light on how important it is to accept one and all and find  unity in all our diversity.

Now, I pass the Seven Links Project challenge on to :

I really enjoyed doing this challenge - wonderful way to go back and see how my blog and my artistic abilities have evolved  :) 

Thursday, July 28, 2011

Unexpected Pleasures!

A Day In The Life... sketchbook project  page 14 color pencil

I had a pleasant surprise last week when the talented artist Crystal Cook tagged me in her post The Seven Links Project , which is "to unite bloggers from all sectors in a joint endeavor to share lessons learned and create a bank of long but not forgotten blog posts that deserve the light of the day."  As a result, my Seven Links Project - which is in the making right now - will be revealed in my next post :) In the mean time, please do check out her project  and admire her beautiful sensitive paintings!

Regarding page 14 of my Art House Co-op's Sketchbook project "A Day In the Life - in Blue Jeans with Gold Embroidery" :  it is the first time I had sketched a heron in color.  I always hesitated to paint the big beautiful birds because I didn't think I could do justice to their grace and elegance.  The surprising reward of the sketch book project is that it has been wonderful for my skills and self confidence. It forced me to tackle subject matters that I kept putting aside and pushed me beyond my comfort zone just so I could fill the book up!! Now, my newest resolve is to just sketch everyday without regard to subject matter and to paint some of those sketches from my book "A Day in the Life -in Blue Jeans with Gold Embroidery " on bigger sheets of watercolor paper :)

Tuesday, July 19, 2011

Want or Need?

A Day In the Life ..in Blue Jeans with Gold Embroidery  - Page 13 (Sketchbook/fiction Project )color pencils

Do I call this co-incidence? This page done months ago was next in line to be posted. And as it happens,  I just returned from a week of retreat at the Arsha Vidya Gurukulam where the teaching is all about how to deal with desires, aversions, dispassion, work with the attitude of worship and to accept everything in the spirit of blessing.  This teaching more than anything reinforces how I should put forth my best effort, enjoy the process of painting and not get hung up on the final product. Over the years I have realized that it really frees up the creative process when I do the preparatory work,  trust my instincts and let things just be. I read and hear again and again that meditation and mindfulness will take  creativity and life to a different level - hope to be able to follow that advice consistently one of these days! 

What philosophy nourishes your artistic endeavors? 

Friday, July 8, 2011

Framing Nature

Framing Nature : A Window at San Antonio Museum of Art - digital photography 

I think most of the time it is hard to improve what nature has to offer.  Copying nature is challenging and I often feel humbled as I sketch and paint.  Nina Tandon in a TED talk experiences this in a completely different way in what she calls 'Biomimetic Paradigm" - as she copies nature in the lab. She engineers artificial tissues for transplants and therapies.  Watch her short video as she talks about this amazing process.  

Friday, July 1, 2011

Taking Liberties

Pause  watercolors 12x9"

Taking liberties with color  and composition is what I aimed for in this painting.  I had taken a photograph many years ago at Colonial Williamsburg of a costumed interpreter taking a break. As soon as I asked permission to take her photograph, she straightened up and posed in a stiff stance.

This past week I played around. I changed and simplified the background colors. I managed to give her  back the look I had wanted to capture on that particular day. I observed a few ladies carrying babies on their hips and chatting - that helped me to paint  her this way. I was pleased to be able to make the changes and complete the painting.  When I straddle between realistic and conjured depictions, I feel a different sense of accomplishment  as I finish the painting.  
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