Sketching the Pandemic Year 2020 week 11

Sketching the Pandemic Year week 11 March 8-14

We had made it back home safe and healthy.  But the world over the magnitude of the health crisis was just starting to show.  Having dodged the virus while traveling, our instinct then was to  stay home just to be on the safe side. That meant observing nature in our back yard more closely and there is always something to watch, wonder and learn.  The finches, cardinals and sparrows were happily feasting on the crepe myrtle seed pods. We have a table and chairs under that tree where we often lunch or sip tea. I saw these seed pods that fell from the tree - may be dropped by the birds on to the table - with the long  dramatic shadows. Researching I found out that crepe myrtles are not native to USA but were introduced from Asia in 1700s. And it is an acquired taste for these birds :) 

The seed pods sketches were perfect against the coconut that is from the National Postal Museum- a coconut that was mailed from Hawaii by Raymond Boulder to his wife in Springfield, Massachusetts in 1944 during WWll ! He carved the address on the coconut shell and affixed the postage to a piece of cardboard that was attached to the coconut by a wire !! According to an article in Smithsonian June 2019, apparently there is such a thing as mailing a coconut - at the Hoolehua post office in Hawaii, ‘The coconuts are free, all customers have to do is payoff shipping and the USPS will mail their decorated coconuts to addresses around the world!’  Right now the question is when will we be able to check that out ? 

Crepe myrtle seed pods in the sun. Sepia Ink and watercolor by Meera Rao 

 

Sketching the Pandemic Year 2020: Week 10

Sketching the Pandemic Year 2020 Week 10 March  1-7

On one of our last days during the London trip, we stumbled upon Ben Wilson, the chewing gum man. He was sitting on the sidewalk and painting on discarded chewing gum  in Muswell Hill neighborhood.  I was excited to meet him as I had read about his ‘street art’  He says he is “taking thoughtless action and trying to transform them into something positive - it’s a form of recycling.’  People commission him to paint discarded gums and that morning he was painting gum in honor of Lola, Arielle, Hugo and Oliver :)  Coming home and studying the photos I had taken, I saw that one of his tiny paintings said “world within worlds /one world”  I laughed out loud at the serendipity of pairing for this week in the Smithsonian Engagement Calendar 2020 - ‘Cassiopeia A digital photograph made by processing x-rays detected by Chandra X-ray Observatory’! The caption reads : “Cassiopeia A is the debris field of a exploded star known as supernova remnant, located about11,000 light years from Earth. This exquisitely detailed image from the space- based Chandra x-ray Observatory shows the location of different elements in the remnant including silicon (red), sulfur (yellow), calcium (green), and iron (purple) 

Check here for a short video on Ben Wilson and @benwisonchewinggumman on Instagram to see his works of gum art.

World within worlds - one world  March 1-7 2020 watercolor pen and ink by Meera Rao

 

Sketching the Pandemic Year 2020 week 9

Sketching the Pandemic year 2020  February 23-29 week 9

Something about the colorful cables running on the long red brick wall, the green door,  the train tracks and a warning on the platform to ‘mind the gap’ grabbed my attention at the Paddington station, London.  We were on our way back from a short trip to Bath. Little did we know then how lucky we were to not have encountered the virus !!! And that it was to be the last of a holiday trip for quite sometime to come! I have photos of old fashioned pharmacy shop windows in Bath with handwritten signs that said ‘Face masks hand gels/wipes Forehead thermometers in stock’. I puzzled over the signs as I captured them with my camera. Those words were not yet in our everyday vocabulary! There were even a few tourists wearing masks in Bath.  But we were oblivious/ignorant of the pandemic in the making! 

The Lamina wallpaper in the Smithsonian Engagement 2020 is designed and produced by Assemblage, Witter, Arkansas and is at the Cooper Hewitt Smithsonian Design Museum. It is made by hand applied marble dust, mica plaster,  gold leaf and waterborne resin. The museum website describes it as : “Lamina is dark and  dramatic with horizontal lines with bold metallic stripes, creating a nice contrast between the dark indigo and metal leaf. Sporadic bands of mica and resin add a subtle sheen.’  I feel the industrial looking wall is a work of art itself - a tribute to ingenuity of man and science and has paired well with the photo on the opposite page! 

Mind the Gap  February 23-29 watercolor and ink by Meera Rao 

 

Sketching the Pandemic Year 2020 Week 8

Sketching the Pandemic year 2020 Week 8

So what do the Apollo Lunar Module LM-2 and an Indian Autoriksha have in common ? They both are adept in dodging craters ;)  I just made that up for this post ! 

I sketched the autoriksha because of the hanging Lord Hanuman motif.  I saw them in many rickshas  and thought the drivers must feel the need for blessings of Lord Hanuman who could leap over mountains and oceans to help them navigate the pot holes and other road obstacles ! The night time caretaker for my Dad drives an autoriksha. I ran down one early morning before he left to check if he too had an Hanuman hanging in his vehicle and he did ! The sketch of humble autoriksha against photo of the technically advanced moon lander in the Smithsonian Engagement Calendar 2020 is why now there is a joke about it ;). 

February 16-22, 2020 sketch by Meera Rao 

 

Sketching the Pandemic Year 2020 week 7

Week 7 February 9-15 2020 Caterpillar by Meera Rao 

I saw many caterpillars on a partially cut down tree in the yard. But by late afternoon they all had disappeared ! Don’t know if they ate their way to cocooning or were eaten by hungry birds looking for tasty nutritious morsels for their chicks ! There is a philosophical appreciation  for caterpillars in almost all cultures for the unique way they gracefully and patiently metamorphose and change life forms.  In Native American tradition caterpillar is believed to bring luck in love! So once again I smiled at how the photo of the corsage made of sea shells in the Smithsonian Engagement Calendar 2020 paired nicely with the caterpillar.  

But reading further and diving deeper, I realized that the corsage was one of the ‘Art of Gaman’ created by Japanese Americans in Internment camps  during World War ll. ‘Gaman’ is a Japanese word from Zen Buddhism meaning enduring the unbearable with dignity and patience. I discovered that beautiful objects, furniture, jewelry, toys etc  were made during the those difficult years from found objects, scrap materials - a testament to their resourcefulness, perseverance in hard times, their humanity and  spirituality.  Delphine Hirasuna, author and curator of  the exhibit ‘Art of Gaman’ says : “Most of these artworks were done by people without any professional training. When the powers that be take everything away from you, the only thing left is your own creative expression, what you have in your mind. And so Art became in many ways essential to mental survival in the camps.”  Little did I know back in February 2020 that the whole world would soon need  gaman, the creative art of coping, in the year of covid! 

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Caterpillar watercolor by Meera Rao 

Sketching the Pandemic Year 2020 week 6

Week 6  Feb 2-8 2020

Is it Tailor bird? Or is it Chestnut tailed starling? Even after spending hours observing, I never really could identify the beautiful bird that darted in and out of the lush bottle brush tree with bright red blooms right outside the balcony in Bengaluru, India. Hanging upside down it enjoyed the snacks it found in the flower. But then “You must not know too much or be too precisely scientific about birds and trees and flowers and watercraft; a certain free-margin, or even vagueness- ignorance, credulity - helps your enjoyment of these things” said Walt Whitman whose portrait by Naul Ojeda graces the page in the Smithsonian Engagement Calendar for 2020. The description says: ‘Ojeda’s watercolor portrait, a testament to Whitman’s appreciation of nature and was likely inspired by Federico Garcia’s 1929 poem Ode to Walt Whitman.’

Snack Time watercolor by Meera Rao 

 

Sketching the Pandemic Year 2020 week 5

Week 5 Jan 26-Feb 1 2020. Brahminy kite by Meera Rao

We enjoyed our short stay in London. In late January 2020 there were hardly any obvious signs of covid 19 there.  We did see a few travelers  with masks at Heathrow international on our way to India but it didn’t mean much to us. Once in Bengaluru, we stayed close to home spending much of our time with family. Fighting jet lag by not succumbing to afternoon naps, I sat most afternoons in the balcony reading, watching, studying the birds busily flying around the trees and bushes in the yard and beyond. The Indian raptor Brahminy kite (Haliastur indus) circling and soaring high above but occasionally landing on the high branches of the coconut tree fascinated me. Considered a contemporary representation of Garuda, the sacred bird of Lord Vishnu, Brahminy Kite symbolizes bravery, swift action, precision, elegance and efficiency. The Northern Inuaina (Arapaho) man’s ceremonial shirt pictured for the week in the calendar,   identified the wearer as  high ranking in his society recognized for his bravery, generosity, wisdom and fortitude. I am glad I  sketched the kite for this week in the Smithsonian Engagement calendar 2020.  

 

Sketching the Pandemic Year 2020 week 4

Week 4 January 19-25, 2020 

Life was flowing along as planned and this week was busy with preparations for our trip to London and then on to India. During our stop in London, the first outing was with our grandchild to his favorite Hyde Park.  At the park, when this mute swan as tall as me walked over and stood there checking me out, I was both nervous and excited - but was mostly making sure my grandchild was safe! This was the first time I had seen a swan up close. It was mostly the stuff of ballets and folk stories until then!  And when I finished sketching the swan for the week and spread the pages out to take a photograph I was struck once again how unconsciously I had paired the sketch for the week. The swan is considered to symbolize beauty, grace and fierce loyalty as reflected in the painting of Michelle Obama by Amy Sherald in the Smithsonian Engagement calendar. 

Mute Swan at Hyde Park, London. watercolor Color pencils by Meera Rao

 

Sketching the Pandemic Year 2020 week 3

Bat watercolor, ink and color pencils by Meera Rao

At the  monthly meetings of the Peninsula Chapter of Virginia Master Naturalists,  the second hour is devoted to continuing education.  In January 2020 the guest speaker introduced us to Bats.  She even brought Bats for the show and tell.  Looking back, even though Covid-19 whose origins were suspected to have ‘jumped’ from bats to humans was raging in China and the first cases had already shown up in the US - we were not aware of what lay ahead. When I chose to sketch a bat for that week,  I also did not realize it was juxtapositioned against ‘Sheridan’s cavalry condition powder’ that promised to prevent and cure cattle plague, anthrax, and hog cholera...! What irony !! 

Week 3 2020 Smithsonian Engagement calendar and my sketch 

 

Sketching the Pandemic year 2020. Week 1 and 2

Sketch of Rumors of War sculpture by Meera Rao in brush pen. 

In March of 2021 when it was a year since sheltering at home, I finally hit upon an use for the Smithsonian 2020 engagement calendar that had stayed empty. When I stumbled upon it earlier in January during a cleaning spree, it felt environmentally and morally irresponsible to discard  a book unopened and unused.  I decided to look back through my notes and camera roll and sketch something for each week to record the passing of the (First?)Year of Covid. I have other sketches and paintings that I had done throughout the year but this was going to be different- even though I was not exactly sure how ! I was excited to have my sketches live side by side with the glossy beautiful art from the Smithsonian collection! 

Week 2 Jan 5-11, 2020

I started with week 2.  When I tested watercolor on a page in the very back of the book, paper felt like Yupo slick but not as sturdy, color pencils just slid off, pen and ink showed thru. I should have tried acrylics - but I did not have anything decent and did not want to invest in one.  I was going to wing it:) Ultimately, I used black, sepia or color pens, color pencils and watercolors - ironing to flatten out buckled pages. I shied away from fine or detailed work and kept experimenting throughout!! I now have a ‘sketchbook journal’ that sort of documents my unforgettable pandemic year 2020. Looking back now I discovered that I spent much of the year watching nature in our backyard, FaceTiming grand kids and connecting with rest of the world on and off via Zoom!  

The year started with lots of promise - a trip to DC to see grandkids. On Jan 8 2020, we stopped in Richmond on our way to DC to see the recently installed sculpture  ‘Rumors of War’ by Kahinde Wiley. It is a beautiful and powerful sculpture rivaling the Monument Ave offerings.  Little did I know then that the other Monument Avenue sculptures of the confederate notables would be down in a few months !! 

Week 1 thru Jan 4 2020

Winter Camellia by Meera Rao in watercolor and ink 

Every year the Camillia tree in the backyard puts on a brilliant display of red flowers giving us a ‘Christmas tree’ decorated by nature ! On Jan 1 2020 the tree was especially full with blooms. I had taken a photo of a bloom to include in the new year’s greetings I sent via social media, texts and email :) 

Cover of the Smithsonian Engagement Calendar 2020