#OneWeek100People

Lady Water Bugs  #oneweek100people Day 3  3-7-2018

I am trying to squeeze in time to sketch people this week.  Yesterday was day 3.  I returned from helping out with the water testing and did a quick sketch of my fellow volunteers :) 

International Women's Day #oneweek100people Day 4  3-8-2018

As today is International Women's day I decided to do a quick sketch of some notable women for day 4.  Hoping I will get some time later today to do more. 

At a Book Talk #oneweek100people Day 2  3-6-2018

At a Book Talk #oneweek100people Day 2  3-6-2018

On Day 2, I was at a Book Talk and sketched a few people from the audience.  The room was quite dark and it was challenge to see what I was sketching! 

At the Dentist Office  #oneweek100people Day 2  3-6-2018

At the Dentist's I tried to memorize the scene as I my teeth were being cleaned :) I surreptitiously took a photo in the waiting room and did the sketches at home from blurry pic -- and took my liberties with the colors ! 

  

At the Gym  #oneweek100people Day 1  3-6-2018

  

At the Gym  #oneweek100people Day 1  3-6-2018

As I worked out at the gym on day 1, I watched intensly and tried to commit to memory the scene before me. Again, I had a blurry photo to help out with some details as I sketched later at home. 

Watching Oscars -warm up for #oneweek100people   3-6-2018

So far I only have 29 sketches plus five I did as warm up watching the Oscars for an hour or so.  So this year it has been slow and I might have to take a few extra days to sketch 100 people! Anyway, I am sketching something every day :) 

Never A Dull Ride

 Autoricksha Ride India Sketchbook by Meera Rao 

Life is never dull on the streets in India.  The variety and number of modes of transportation and the  kind of loads they carry,  how many passengers they manage to cram into those vehicles is always a surprise ! Over the years I have photographed and sketched many interesting scenes - and I know I will find new ones on my next trip :) 

During my last trip, I saw this precarious looking two-wheeler -somewhat small and a cross between a bicycle and a motorcycle. The passenger was holding two sheep/lambs in his arms!  The the scene outside the autorickshaw and the view of the inside of the richly decorated brand new vehicle made for an interesting outing on that particular day. 

Cry Me A River

Hanging Onions watercolor India sketchbook by Meera Rao 

Member of the Allium family (Lily Family),  onions claim nutritional as well as medicinal benefits and play a prominent role in Indian cooking.  There is always a bunch, two or more hanging off the window in my brother and sister-in-law's kitchen :)  This is probably the biggest bunch I saw during one of my trips and I had to sketch it.  

By the way, the compound allyl sulphate which is produced when an onion's ruptured cells are exposed to air is responsible for producing tears. To reduce the production of this compound, chill the onions for half an hour or so before cutting to reduce the activity of the enzyme. My Mom was the only person I know who never teared when she chopped onions!

Cool Inspirations

Jan 7-12 2018 Sketchbook by Meera Rao

The cold, the snow, the ice and more bone chilling cold! There was a huge cascading ice that formed from a water leak in one of the faucets from the school across our house.  For a week I watched it form and grow so I had to put it on my sketchbook. I escaped one day to the National Gallery of Art and next day to the National Postal Museum - best way to get color on gray days ! The mango from the grocery store supplied the taste of summer and lifted the spirits.  The squirrels were busy in the backyard and I caught one enjoying the snow to quench the thirst, I suppose.  

I finally discovered what that Victorian looking 'post' by the Lincoln Park was - the Police and Fire call Boxes from long ago.  Apparently this particular call box had missed its chance to become a "Art on Call" box in 2000.   Do check out the article and the videos on these 'call boxes'.  There is history in every corner in DC! 

Taking Chances in the New Year

Collage of sketches Jan 1 -6 2018 

The first week of drawings followed the "not every drawing needs to be a finished work of art" tip. So I filled the pages with bits and pieces of things in my day forcing me to be mindful about my surroundings and experiences. 

Sketch book page by Meera Rao

The excitement of a new sketchbook and trying to figure out how I wanted to sketch each day had me experimenting this first week with a visual journal model. I tried mini sketches the first three days - but soon discovered that was not easily sustainable over long term !

Sketch book page by Meera Rao

I also discovered this book takes only very light watercolor washes -- so I soon resorted to graphites, Prismacolor and brush pens.

Sketch book page by Meera Rao

I tried to add a quote some days to jump start an idea for the page-- as William Faulkner said " Take chances. It may be the only way you can do anything really good."   Looking at these pages, I feel I should give more thought to how to compose each page, to the writings and penmanship as well. But right now I am just sketching and hoping to keep up with it every day!

Sketch book page by Meera Rao

The past three days, I experimented with just one sketch each day to capture the essence of the day.  The 'Bomb cyclone' has meant very frigid temperatures but fortunately there was only an inch of snow in DC where we spent the week with our grandchildren. I sketched them doing a fashion show,  their art work,  toy etc.. Cooped up indoors with them, my husband and I supervised their melted crayon art, sketched with them.  I also was a scribe for their illustrated books :) 

Finally, this post is a start on my ambition of more regular posting on the blog.

Eteched in Color

2017 India Japanese Album Sketchbook By Meera Rao

Temple Domes 2017 India Japanese Album Sketchbook By Meera Rao 

Flower Vendor and keeper of chappals 2017 India Japanese Album Sketchbook By Meera Rao 

Mysuru Nandi 2017 India Japanese Album Sketchbook By Meera Rao 

Baggage 2017 India Japanese Album Sketchbook By Meera Rao

Passing Time 2017 India Japanese Album Sketchbook By Meera Rao

The Japanese Style USKbook Sennelier Multimedia 340 (6x4" opening to 6x39") is where I sketched and painted vignettes of my trip to India earlier in February.  I was trying to have a theme but it slipped my mind while sketching the last four panels. It just happened that I used two panels per subject in this book. I sketched them during my trip but applied the watercolors later. 

I started with the view from balcony of my brother's house.  The temple is right across the road. The colorful Temple Domes though complicated were fun to sketch but hard to paint.  I had used two panels to sketch. Unfortunately while painting, the wash settled on the crease between the panel. The paper tore along the fold so I had to resort to clear tape to hold it together.  I also reinforced the back og the crease. It was my first time using this particular brand of sketchbook and the detailed sketch was not the right one to get used to the paper.  But I think I captured the colorful busy-ness of the domes! 

Devotees often buy coconut, flowers and fruits as offering to the Deity when they visit the temples. The vendors line up the entrance to the temple and sell small baskets filled with bananas, fruits and flowers. Many vendors also have a side-business of keeping an eye on devotees' footwares for a fee as visitors are not allowed to wear their shoes and 'chappals'  inside the temple. Just leaving them outside without supervision is not a good idea!

This massive Nandi (bull) carved out of a single stone, is 15' in height and 24' wide. It sits on the way to the Chamundi Temple which is on top of the Chamundi Hill in Mysuru, Karnataka. We were visiting the day before a major festival and there was scaffolding around to assist in decorating the statue with flowers, sandlewood paste and red Kumkum.  

The last four panels depict railway platform scenes. I came across the lady sitting crosslegged surrounded by boxes and bags. Perhaps she was moving to another city!  Passing time while waiting for the train, the man was sitting in the shadow of a huge tree that was left undisturbed in the middle of the platform! The three kids were climbing a pole for a better look at whatever grabbed their interest.  I decided to leave the people unpainted to show that the scene remained the same while the players the changed  :)  

The Japanese Style USKbook Sennelier Multimedia 340 (6x4" opening to 6x39"  India 2017.

A Tree for Life

Week 2 India 2017  sketches by Meera Rao

It was an exercise in seeing things with fresh eyes as I tried to think of things that my grandchildren might find interesting and different.  I note this as week 2 - but halfway through week-, I was sketching on different pages  trying for some organization.  So this page has mostly things coconut :) - the tree in the front yard and various things I encountered in daily life. We mainly know coconut used in cooking as coconut milk, coconut water, and coconut oil but coconut tree is a goldmine -every part of the tree is versatile and useful -- roots used as dyes,  leaves woven and used as thatching and awnings,  for brooms, trunks for buildings, in parquet flooring, coir from husks for ropes, mats; shells for various implements, as kindling, in arts and crafts etc etc. I sketched only a small fraction of those things.  

Tracks and Lines

Tracks and Lines Near Union Station DC  pen & watercolor 8x5"  by Meera Rao

I don't know what this building is. I see it as the train pulls out of Union station DC on my trips to NYC. Everything about the building - the color, the structure, the look and all the wires crisscrossing was just the invitation for me to sketch and paint it.  

There are so many scenes I see in passing on my trips that I just to itch to sketch - but most of them pass by too fast for me to photograph, let alone sketch.  What do artists do in situations like that? Resort to imagination?  Make a special trip by foot or car back to those places leisurely and sketch? Add one more to my stories about one that got away?  I was finally able to take a few blurry photos of this building as the train sped past it and used those, my mental notes and impressions to sketch and paint.  Last week when I passed it again by train I was pleased - I had captured the scene to my satisfaction :) 

I came across an article in Artists Network  on Sketching On The Go by Bill Silvers with this tip that I really like :

"Try sketching while traveling in a car. My favorite time to sketch is while traveling in a car. As my wife drives, we pass a house. The outer shape is quickly noted. We drive on?there's a group of trees. I place those trees behind the house. Look at that?a differently shaped building. I place it so that the first one overlaps the second. There, a telephone pole; a car, etc. As object is added to object, I try to get them in an interesting overlap. Working directly in watercolor may be impossible during a car ride, but when I get home, I take out my sketchbook and lay in the colors and tones as I remember them. If it doesn?t work, I can change it or do the sketch over. After all, the beauty of the sketch is it's only a sketch!"

Do you have any tricks and tips for sketching on the go? Please do share them in comments below - I am eager for more ideas !

Fingers At Play

Sitar Artist sketch by Meera Rao 3.5x5.5

Tabla Artist sketch by Meera Rao 3.5x5.5

A milestone for me yesterday. I loved watching, listening and sketching the two artists live at a concert.  I am really pleased with the results. I used just pencil and no eraser- I knew I had two hours to practice my sketching! The lighting was a bit of a challenge- but I did not mind. These two are the last and the best of 2-3 sketches I tried of each musician. The hands were the hardest as they were flying ! I tried multiple sketches of hands only before I could get them somewhat ok. I wanted to capture the joy and intensity I saw in the artists -I think I managed that along with the likeness :) The wonderful concert by Kushal Das and Ramdas Pulsule so nourished my soul! They really played their heart out. 

Sitar Artist sketch by Meera Rao 3.5x5.5 graphite

Tabla Artist sketch by Meera Rao 3.5x5.5 graphite

Moved by Compassion

Bodhisatva  sketched at the Chicago Institute of Art by Meera Rao 

calm

 peace 

grace

on the path 

to Awakening

a merciful guide

moved by compassion

~Meera Rao~

Information about the statue of Bodhisatva 

I have badly sprained my ankles and on my trip to Chicago in a way it was a blessing in disguise. Normally I spend hours in various galleries trying to catch a glimpse of all the wonderful art. But this time I did not walk around the museum ( I know I missed some fabulous exhibits).  I decided instead to sit and sketch something at the museum. 

I had always been attracted to this statue which is close to the entrance of the museum leading to the exhibits on art from India, Tibet, Korea, Japan and China etc.  I slowly hobbled over and sat on a bench across the statue and took my time sketching with pencil and eraser.  The guard came around a few times to ask if I was ok and if he could help me find anything - I am sure he was checking my progress and making sure I was doing what I said I was doing! None of the visitors stopped and chatted though I noticed some paused close and long enough to satisfy their curiosity :)   

While I sketched it sitting down, the photo of the statue was taken standing up just before I left.  I gave the red wash to the background later - did not dare take my water brush or the small watercolor box in the museum. 

Bodhisatva sketch in pencil and watercolor 5x5" by  Meera Rao

Lines Shapes Color Light

East wing Calder  ink and watercolor 5.5x8" by Meera Rao

"Colour are light’s suffering and joy."

~Johann Wolfgang von Goethe~

The East Wing of the National Gallery of Art in Washington DC reopened recently after extensive renovations and I had a great visit. This sketch was my second attempt to capture on paper the huge open room. The trademark glass ceiling by I M  Pei was the challenge I had to face! I had to slow down, first figure out the overall shape and then draw it section by section.  Photographing the ceiling and studying it every time I got confused helped me finish the sketch.  I think I spent so much time figuring out the ceiling that I lost steam for the rest of the sketch ! But I am pleased that I stuck to it :) 

The Color in a New Light exhibit at Natural History Museum in Washington DC

Name a topic that links science, history, art, and culture. How about color? - a small exhibit on Color in A New Light at the Smithsonian Natural History Museum covers this : Two Glass cases in the lobby were crammed with goodies: an anthracite coal, samples of  dyed silk, dyed ostrich feathers from long ago, Sir Isaac Newton's book Opticks, or, A treatise of the reflections, refractions, inflections and colours of light...London, 1704, Albert Henry Munsell's Atlas of the Munsell Color System [Malden, Mass.: Wadsworth, Howland & Co., Inc., Printers, ca. 1915] Gift of Binney & Smith, Inc., makers of Crayola Crayons and a lot more from the Smithsonian Library.

 "Journeying through the collections of the Smithsonian Libraries — from chemistry to catalogs, from colorblind tests to couture — we might see color in a new light." reads the explanation.  I spent an hour looking and reading the explanations. There is a great digital tour of the exhibit on their website to see up close things in those cases and read about them.  It is truly fascinating! 

From the book: Spectrum Analysis :Six lectures  By Henry E. Roscoe

Explanation of the spectrum from the book  Spectrum Analysis by Roscoe

Passage of Time

Whiling the Morning Away watercolor and ink by Meera Rao

India Art Journal 2015

Under the shades of huge trees in parks or elsewhere there are always elderly men mostly in crisp white shirts, wearing traditional white "Dhoti" (click on link for simple version) or western style pants sitting and whiling away their time - keeping up with friendships, resting after their daily walks, discussing world affairs and may be just fighting off loneliness. I saw this group daily while out on my errands and had to record it :)  

I feel a pang as I post this last sketch from my 2015 summer journal from India. The past four summers I went to India to take care of my Mother-in-law and started sketching daily as a way to keep up with my art. I compulsively sketched almost every single day when I was in India - something sadly I don't seem to be able to do now. As my Mother-in-law passed away late last year I won't be staying for extended period in Mysuru this summer. 

During those stays, I filled five sketchbooks with around 250 sketches - the first year I had done 124 sketches -small 2.7x4" in Strathmore 5.5x8" Visual Journal watercolor 140lbs- one for every day of my stay. It was easy to keep up with daily sketching as my only concern was to sketch every day! 

The second year feeling ambitious, instead of four sketches on the page like the past year, I decided to draw bigger 5"x4" sketches. I ended up with half as many sketches as most could not be completed in the allotted time each day. I had to resort to sketch one day and finish water-coloring them the next. 

The year after, I was a bit more adventurous filling in two Japanese style moleskine accordion sketchbooks - not restricting myself to any particular size within the sketchbook. I still finished around 40 vignettes. 

It was harder to sketch everyday in 2015 - I managed about 22- 5.5x8" sketches taking two to three days to finish each  - even working on the last few after my return as I unable to sketch on many days during my stay. On the whole, keeping the sketchbooks was definitely one of the best decisions I made.It helped see a bigger picture of life. I noticed and experienced things differently and the many fast disappearing vignettes of daily life are now not just only in my sketchbook but are etched in my memory.   

The past few months though I have spent more time reading and looking at art than picking up a pencil or paintbrush. Now finally I am beginning to feel an urgency and renewed enthusiasm to shake off my lethargy, to get back to sketching and painting every day. 

Artists don't get to work

Until the pain of working is exceeded 

by the pain of not working 

~Stephen DeStaebler~ 

Whiling the Morning Away 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Water for Today

Water for Today watercolor and ink by Meera Rao

India Art Journal 2015

When you see water in a stream

you say: oh, this is stream

water; 

When you see water in the river

you say: oh, this is water

of the river; 

When you see ocean

water

you say: This is the ocean's

water! 

But actually water is always

only itself

and does not belong

to any of these containers

though it creates them.

And so it is with you. 

Alice Walker

Water for Today 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

A Colorful Cover-up

A Colorful Cover-up watercolor and ink by Meera Rao

India Art Journal 2015

It looked like a giant colorful caterpillar from a distance making me stop in my tracks. A long multicolored striped cotton floor mat (jamkane in local Kannada language) covering a vehicle protecting it from the hot sun and any mess dropped by birds sitting in the near by tree! It was by the front door of a school and my guess is that the car belonged to some 'important' visitor.  A dog was happily lying down by it too. 

I had sketched those mats a few times before - it was covering the stage platform and risers in a 'Yakshagana' performance  where the musicians were seated. Those mats come in different sizes and are workhorses - spread on the floor at functions for people to sit on, at many homes and on most train journeys they are the base layer for bedding for people to sleep on, for covering a pile of boxes or suitcases to keep dust away in some homes, as yoga mats etc.. 

A Colorful Cover-up, 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Daily Chores

Daily Chore  watercolor and ink by Meera Rao

India Art Journal 2015 

This is the story of many women all around the world - gathering water is a daily chore.  The technological advances are in the background but have not fully touched the daily life yet for these two girls. They are part of migrant worker families that lived by the street in illegally propped up tents. To get a candid shot I photographed this from a distance when I happened on the scene while out on my daily errands.  I liked how the streaming light and bright colors highlight the beauty in this mundane activity. I loved the movement of the fabric  billowing in the wind, the motorcycles zooming away as ladies carefully made their way across the street. 

I got curious as to how much water do we need to survive and how much water we actually use. Here are some facts I discovered in my search :

From www.waterinfo.org : Three-quarters of the Earth's surface is covered with water, yet 98 percent is salt water and not fit for consumption.

Less than one percent of all the water on Earth is freshwater available for human consumption.

The human body is more than 60 percent water. Blood is 92 percent water, the brain and muscles are 75 percent water, and bones are about 22 percent water.

A human can survive for a month or more without eating food, but only a week or so without drinking water.

From http://water.usgs.gov/edu/qa-home-percapita.html : An average person in US uses about 80-100 gallons a day, largest use is for flushing the toilets!  On average a bath can use around 36 gallons while showers need 2-5 gallons/minute. So showers are better only if you take short ones!  Please check out the table in the link to see the water consumption for daily chores like brushing teeth, washing dishes, clothes, and watering lawns etc and tips for water conservation. 

http://wecalc.org/calc/#  This website WECalc, has a Water-Energy-Climate Calculator that you can check out to estimate your average consumption. 

Daily Chores 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Water Break

Water Break watercolor and ink by Meera Rao

India Art Journal 2015 

Selling fresh betel leaves directly to the customers at the street market, this lady seems to have a good business sense for displaying her goods and controlling her expenses. All she needed was a small blue stool to sit on and a big basket  of fresh leaves stacked in neat piles! Behind her were clay pots balanced carefully and the rickety table held small clay pots etc. The Betel leaves are important in Hindu religious ceremonies, a main ingredient in 'pan' for chewing pleasure, and also used for medicinal purposes. So the business is usually brisk for leaves and the pots as it’s much simpler to stop by a stand while commuting to work or running errands than to plan a special trip to the store.   

Water Break  5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Textures and Colors of Life

Textures and Colors of Life watercolor and ink by Meera Rao

India Art Journal 2015 

A side alley with a bicycle; the buildings, walls, doors - all textured with neglect; colorful water pots waiting to be filled were hard to ignore!  Sketching, painting and photographing almost everyday when I was India, was a valuable experience. I developed a curiosity and great respect about my surroundings and learned to savor life. 

I was torn about just recording the scenes I come across,  but I also felt an urge to capture the fast disappearing lifestyle as India is hurling itself towards things more 'modern'.  I also found myself attracted to the special beauty in the simple surroundings --always colorful and full of textures. I know my sketches and paintings only give a glimpse of the country showing an extremely incomplete picture. 

Last week when I went to the preview of the opening exhibit of the brand new MET Breuer Museum in New York, I was struck by how architecture and surroundings influence an artist. Drawings and photographs by Nasreen Mohamedi, captured the geometry and abstraction from her surroundings. She saw only the beauty of lines and minimal color! 

It was also wonderful to see the 'Unfinished - thoughts left Visible.' on its third and fourth floors - unfinished paintings of artists over the past few centuries. I was excited as if I was peeking over their shoulders while they had paused and were mulling over the next brush stroke.

From the museum's website: Celebrating one of the most important artists to emerge in post-Independence India, and marking the first museum retrospective of the artist’s work in the United States, Nasreen Mohamedi examines the career of an artist whose singular and sustained engagement with abstraction adds a rich layer to the history of South Asian art and to modernism on an international level. The retrospective spans the entire career of Mohamedi (1937–1990)—from her early works in the 1960s through her late works on paper in the 1980s—exploring the conceptual complexity and visual subtlety that made her work unique for its time, and demonstrating why she is considered one of the most significant artists of her generation. Together with the thematic exhibition Unfinished: Thoughts Left Visible, Nasreen Mohamedi inaugurates The Met Breuer, which expands upon The Met’s modern and contemporary art program.

Here are Google images for Nasreen Mohamadi's art 

Check out the NYT review of Unfinished here 

Textures and Colors of Life 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Dance of Life

She Moved Like A Dancer watercolor and ink by Meera Rao

India Art Journal 2015 

She was a vegetable vendor.  Everyday she sat by the roadside with a few crates of produce. She always dressed in simple though beautiful sarees with matching stylish blouses, bangles,  flowers in her hair, and eyes rimmed with kohl. She also had a ready smile for her customers.  This particular evening she was moving her crates to a storage area near by before calling it a day.  As she lifted and carried her crates she moved like a dancer, light bouncing off the folds of her saree, face and body. I was captivated by the beauty and grace of her movements.    

"I found I could say things with color and shapes that I couldn't say any other way 

- things I had no words for. "

~Georgia O'Keeffe~

She Moved Like a Dancer 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

A Sale!

A Sale!  watercolor and ink by Meera Rao 

In Mysuru, southern India, even now the peddlers load up a cart with sundry items and push it around the neighborhoods looking for buyers. I saw many different peddlers pushing a variety of things - pots and pans, plastic housewares or  sarees and other clothing items, sheets and blankets, balloons and toys etc everyday through the streets.  This one stopped around long enough for me to photograph as the lady was taking her own sweet time deciding what to buy.  She inspected various items from his cart and finally settled on a dust pan. 

I read that in 2013 the Karnataka state government launched a program to try to replicate the success of Bangaladeshi banker and Nobel peace prize winner Muhammad Yunus extending micro credit to street vendors. It launched Mysore City Street Vendors Multipurpose Cooperative Society, which had a seed money of Rs 5 crore to attend to the needs of street vendors in the city. The society, which is to be developed as a cooperative bank later, to lend small loan to the street vendors who are too poor to qualify for bank loans. The society's office was located close to my daily runs during my stay and I hope that this initiative is a success. 

A Sale!  5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Afternoon Siesta

Afternoon Siesta  watercolor and ink by Meera Rao

"Only mad dogs and English men go out in the noon day sun"

-Rudyard Kipling

When I saw this fellow taking a power nap in the middle of the day, looking quite comfortable on a mattress propped inside his autoriksha, I had to sketch him.  He was on a side street - directly in view from my balcony ! I quickly took a couple of photos just in case he woke up and went off, then set to sketch him. I had enough time to finish the sketch but colored it later.   

Afternoon siestas used to be the norm everywhere in India.  I remember my father, grandfather always came home from work for lunch at mid day, took a nap and then went back to work during the cooler part of the afternoon and evening.  Now it is a luxury enjoyed by few who can rearrange their day to their liking! Whoever is home during mid day, the elderly, the retired, the housewives, kids  and a few lucky folks who are their own bosses, all take a nap almost everyday. No one goes knocking at  someone's door during the afternoon! 

I quickly adapted to mid day power naps too during my stay in India.  It has to be power naps  because longer naps makes one groggy the rest of the day and wide eyed awake at night! I always set an alarm but it was so hard to make myself getup when it went off! As recent studies show, the mid day nappers especially in the tropics were on to something. They are not lazy slackers. As this article "7 surprising benefits of an afternoon nap"  explains they knew its power to influence the overall wellbeing, boost energy and increase productivity among other things :)  And more importantly, for us artists: 'Daytime sleep can, “enhance creative thinking, boost cognitive processing, improve memory recall and generally clear out the cobwebs," James Maas and Rebecca Robbins, co-founders of Sleep for Success, wrote in The New York Times.  :)  That ought to be a good reason to squeeze in my nap habit now that I am back in USA!

Btw, I am the Artist of the Month displaying at the Poquoson Public Library during February.  I am sharing the wall with a friend who is showing his photography for the first time. Here is a photograph showing the half with my paintings.  Please stop by if you are in the neighborhood :) 

Wall with my paintings at Poquoson Public Library  as February Artist of the Month 2016 

time for afternoon siesta  5.5x8" watercolor and ink on 140 lb Strathmore visual Journal