Thirst

Thirst Watercolor Pen and Ink sketch  and collage 2015  5.5x7" by Meera Rao

India has made great strides in supplying water to most of her citizens but the population growth, weather patterns and climate change/global warming issues continue to challenge her efforts.  And the thirst among the people also extends to educating the children.  These two issues consume the average Indian.  

When I saw the water pot, with its exaggerated shadows by a wall with  peeling posters on 'coaching' on various subjects, I knew I had to capture the scene.  I enjoyed combining pen and ink with watercolor along with collage of torn ads from the daily newspaper. 

India sketchbook/art Journal 2015,  Strathmore watercolor 140lb Visual Journal 

Cool Blue

Cooling Off  Ink and Watercolor sketch 2015 5.5x8" by Meera Rao

Your acts of kindness 

are iridescent wings of

divine love  

which linger and continue 

to uplift others 

long after sharing.

~Rumi~

It was one of those very hot summer days.  I was hurrying home to escape the heat from an errand that had taken longer than anticipated. On one of the side streets outside a marble warehouse, I was most impressed by what I saw: someone thoughtful had filled  a big old blue bathtub with water for anyone who wanted to cool off by splashing water on feet or face ! 

Chilling the pulse points by running cold water over the wrist for a minute or so, splashing water on the temples or face are age old ways of combating the tropical heat. The amazing thing is that bath tubs are extremely rare in India but somehow one was out there propped up on old tires, filled with water !  Many men stopped by, scooped out water on their face and feet to cool off before continuing on their way.  Since then I have noticed the bathtub leaning against the wall dry and empty on other days when the temperatures were bearable.  

Sketching it later was very gratifying and even now the memory of the blue bath tub brings a smile to my face. 

India Art Journal 2015- Strathmore Visual Journal, watercolor 140 lbs, 5.5x8"   

Lost In Time

Lost In Time watercolor sketch 2015 8x5.5" by Meera Rao

It was a tiny tiny shop. There were clocks and watches in various stages of repair on the work surfaces and walls.  He was totally absorbed in his work.  I had about half a dozen wrist watches that had stopped working and wanted to check if any could be revived.  I had been told they were not worth the time and trouble in my town in USA.  He had worked his magic on all except one when I returned to pick them up a week later.  He was so humble, unassuming and hesitated to charge next to nothing to have them ticking again. He was someone who was at peace tinkering with the clocks and watches!!! Please check here for another sketch of a different clock repairer in a similar tiny shop from my 2013 sketchbook.  

His sketch is the first one from my trip to India this summer. I am finally getting around to photographing and uploading the sketches.  I used a 44 page 5.5x8" Strathmore Visual Journal with 140 lb watercolor paper.  I sketched on one side only and needing more than a day or two to sketch and color each one as my days were quite busy.  Soon after I returned, I had to make another trip back as my Mother-in-law passed away. She had lived a full life for 93 years. And, I would have never discovered the joy sketching and keeping a journal daily had it not been for my stays with her every summer for the past four years to take care of her. I hope to pick up the habit of daily sketching once again  - may be make it my New year's resolution to get back into wonderful world of creativity.

Time changes everything 

except 

something within us

which is always surprised

by Change.

~Thomas Hardy~

A Rare Special Opportunity

Admitted to US Supreme Court Bar May 2015 9x13.5"  watercolor by Meera Rao 

"Photography is an immediate reaction, drawing is a meditation"

~Henry Cartier-Bresson~

No cameras or cell phones are allowed in the United States Supreme Court and I was really grateful to my sketching ability to capture the exciting moment when our son was admitted to the Supreme Court Bar earlier in the year. I was happy the security let me take my sketch book as practically nothing was allowed into the courtroom. I desperately hoped to do a decent sketch of the event. 

As we had to wait in the courtroom for about half an hour before the court session began, I quickly and roughly sketched the columns, the big table, the nine chairs, the drapes, the flags, backs of lawyers and others connected with a couple of cases whose decisions would be announced, and the dozen or so inductees waiting in the courtroom to be sworn in.  Once all the justices came in and sat down, I got to work to get a quick likeness of each of them -- and yes, Justice Thomas really did lean back on his chair and spent the entire time looking up at the ceiling.  As I am short and was sitting up-close towards the front,  I could barely see Justice Ginsberg over the big wide table! Below is the sketch at the end of the ceremony:

US Supreme Court Ceremony sketch 5x12" by Meera Rao

Later, there was a reception and a meeting with Justice Ginsberg -who was eloquent and passionate about gender equality in the talk she gave to the attorneys newly admitted to the SC Bar.  She also generously answered all the questions from the inductees. During our tour of the building, I took a photograph of the model of the court room to help me complete the sketch. 

The final painting was done on handmade watercolor paper (rough, 270gsm) from India. I drew directly on the paper and outlined it in ink to capture the excitement I felt when I first sketched it on my little sketchbook.  

A work of art is a world in itself reflecting senses and emotions of the artist's world. (Hans Hofmann)

Public Declarations!

Public Declarations  watercolor by Meera Rao

Huge billboards that dwarf people, vehicles, buildings and mighty trees decorated with thousands of tiny light bulbs that glow in the dark occupy major and minor intersections of the roads in the city during the festivals. These particular ones celebrate the Goddess Chamundeshwari, the patron deity of the city of Mysore along with that of Saint Raghavendra Swami.  They provide magnificent backdrops for all the parades and festive atmosphere.  Right around the corner from these bill boards are very very crowded flower, fruit and vegetable markets, where one can find just about anything for the right price :) I took the liberty to clear the streets of people and vehicles in my sketch book leaving only a a few to give an idea of scale and also a better look at the billboards! 

From my 2014-15 India sketchbook/art journal  :Embracing the Ephemeral in watercolors and ink on Moleskine Japanese Album (large)

Embracing the Ephemeral

Yakshagana Performance  watercolor sketch by Meera Rao

 "Embracing the Ephemeral" is the title of the this series of sketches on Moleskine Japanese Album sketchbook 5 x 8 1/4" I started end of last summer while I was still in India with my m-i-l.  I stopped working on it when my mother passed away and only recently picked it up again, determined to complete the last few panels, text and lettering. I wanted it finished before my trip to India again this summer :)  

Musician with Chande Watercolor sketch by Meera Rao

The first few sketches are from when I went to watch the classic art form of Yakshagana at the Jaganmohan Palace Art Center at Mysore.  The last sketches in my earlier smaller Moleskine Japanese album were of this palace as I was waiting for the show to start. Click on these links to check them out:  A Palace for Art  and  Time is Life

Musician with Maddale  Watercolor sketch by Meera Rao

Yakshagana, literally Song of the Celestial Beings is an expressive art form: poetry, dance, drama, music and storytelling with elaborate costumes. Accompanying musicians are called "Himmela" - there are  usually atleast two artists playing the drums Chande and Maddale - very crucial to set the mood and a Bhagavatar, a singer narrator with cymbals in his hands.  Together they enact stories from the epics and mythologies, dispense morals and spiritual teachings too.  Always the good is victorious over the evil. 

Jumping and Whirling watercolor sketch  Meera Rao

The elaborate costumes and face paints 'Vesha' clearly indicate who the actors are playing.  Even though now the performances are indoors, and last only a few hours, until a few years ago they were all night outdoor affairs with climax happening around 4 or 5 am in the morning ! I remember attending only a couple of them when I was a school girl, dozing off most of the night and woken with a start when the drums beat with vigor! The jumping and twirling by the actors are spectacular. My brother and I would try to emulate them for the next few days! Check out this link for a taste of the art from a 2-hr performance in Washington DC by a visiting troupe.  Traditionally all parts were performed by male artists only but now there are all female troupes too! More information on Yakshagana can be found here. 

Rajavesha watercolor sketch by Meera Rao

Umbrella Fun

Umbrella Fun sketch by Meera Rao 

As I was getting ready to post this sketch of my granddaughter in her brand new rain gear, I began wondering if the umbrella was first invented by whoever  to protect against the sun or the rain as I used the umbrella often this summer when I was in India to shield me from sun as well as rain.  

Of course, I googled the history of umbrellas. According to that article: "The origins of the umbrella are most probably China in 11th century B.C. although ancient sculptures have been found in Nineveh, Persepolis and Thebes (Egypt) depicting the use of umbrellas. There is also evidence of Umbrellas or Parasols being used at the same period in India. I don't think anyone really knows whether it was first used to hide from the heat or the rain, but I found lots of interesting information about them.  Do click on the colored links and enjoy the history :) 

sharp focus

Sketch of my thumb reflected on a shiny knife blade as I cut a mango

 by Meera Rao

The mind of the painter must resemble a mirror, which always takes the colour of the object it reflects and is completely occupied by the images of as many objects as are in front of it.

Leonardo da Vinci

Earlier in the year looking for ideas for daily sketching I came across many suggestions : draw your thumb, a reflection, sharp edges, a fruit etc.. Of course I could not make up my mind. As always, stalling the decision making I stepped into the kitchen.  Cutting a mango  for lunch suddenly I knew what to do :)

A palace for Art

India Sketch Book 2014 panels 27,28 by Meera Rao 

The last four panels of the sketch book are filled with details from the Jayachamarajendra Art Gallery and Performance center at the Jaganmohan Palace.  The performance hall has many beautiful stained glass windows. The beautiful building is unfortunately crumbling and in dire need of renovation and restoration.  

India Sketch Book 2014 panels 28,29 by Meera Rao

The arches on the many doors on the hall were also decorated with colorful paintings and sculpted relief.

The circular motif sketch is from the front facade of the building - there were about 10 motifs on each of the pillars and each was different scene.  This was the lowest one that I could see clearly :) 

India Sketch Book 2014 panel 30 by Meera Rao 

I was able to sketch only a couple of the stained glass windows before a 'Yakshagana ' performance started.  I did not sketch on the back side of the pages as the sketches had bled through to the other side on a lot of the sketches. 

Sketchbook spread out on the floor 110" x3.3" 

I tried to take a picture of the sketchbook all spread out little over nine feet long ! This was the best I could do  :)

On the Road

Sketchbook India 2014 Panels 19-22 by Meera Rao

Sketchbook India 2014 Panels 23-25 by Meera Rao

Road scenes in India are always so very fascinating. Once I started sketching I began noticing all the little details and interesting things that take place. I am attracted to unique vignettes that tell a story. I have learned not to look for perfection in my sketches but hope to capture the emotions.

The scenes get etched in my mind once I start sketching like the time I saw the horse 'checking' out the autoriksha -his competition - while his owner was chatting with the riksha driver! Or the pleasure on the face of the tripple riding motorcyclists -living dangerously with no helmets! The Mother -son pair in the back of the little truck with all their possessions exuded the excitement of moving day.  This time I was pleased I was sketching on the accordion/ Japanese album sketch book :) It was a challenge to keep the sketches connected to one another. 

I needed a couple days to finish each of the sketches- drawing one day and then coloring them the next day. Drawing and sketching in a journal like this make me explore different styles as well as ways of seeing that I have not tried before :) 

Sculpting Devotion

Sketchbook India 2014 by Meera Rao panels 5, 6, 7, June 9-10

Tulasi Katte and Ratha (Festival Car)

The trip to Mysore from Bangaluru takes around 3-4 hours. When the taxi driver discovered that I had not seen a couple of beautiful temples along the way and that I did not have to be in Mysore by a certain time, he took it upon himself to make a few stops! (We still made it to Mysore by 3pm!) I took  photographs and during the next few days filled over dozen panels of my sketch book.   

Most every Hindu home, and all temples have a special place for the tulasi (sacred basil) plant. The 'pot' that holds the plant is sometimes very simple and most often very ornate.  

Ratha is a huge chariot used during festivals to take the temple deity on procession pulled manually with ropes.  It is decorated colorfully and towers over all the devotees assembled.  Check out Google images  to get a taste of the festival excitement!  

Sketchbook India 2014 by Meera Rao panels 8, 9, 10, June 12-16

Temple premises

Sketchbook India 2014 by Meera Rao panels 11,12, 13 June 18-19

Outside the temple

Sketchbook India 2014 by Meera Rao panels 14,15,16, June 19-22

Temple gopura, Utsava Murthy

Gopura is a towering gateway, entrance to southern Indian Temple. An architectural wonder, it is ornately carved, sculpted  and decorated with stories from Mythology connected to the main deity. There is also a massive and again beautifully decorated door through which one enters the temple complex. Check here to see images from google search of the gopurams.

The main temple deity  is never moved - so, for festivals special  'Utsava Murthy' are created by sculptors. After divine spirits are invoked in them, they are carried in a procession, either on the Ratha Festival cart, a palanquin or sometimes on the head of one of the priests. 

Sketchbook India 2014 by Meera Rao panels 15-18, June 22-27

garuda utsava murthy and stone wall in the back

Most of the temples are all ancient - several centuries old, some better maintained than others. It is  very common to find beautiful carvings, statues and walls in heaps covered in dirt around the premises.  Its heartening see that the citizens are beginning to understand the value of the art that surrounds them and efforts are being done to restore them.  

I think the beauty of the temples is a testimony to the creativity of the many anonymous  artists that sculpted and built them to make the ephemeral quality of spirituality and devotion more concrete, grand and immediate.  To visit a temple, to be surrounded by the beautiful statues, to take in the burning lamps, sounds of conchs, bells and invocation, the scents of the flowers, incense is a memorable and stirring experience. It did not matter that there were worldly business happening too. I really am awed by the incredible power of art that has lasted centuries! 

A Long Journey

View From Balcony Sketchbook India 2014 June 4-7 by Meera Rao

View From Balcony Sketchbook India 2014 June 6-8 by Meera Rao

"Then India, everyone has his own idea of India"

-Milton Hays.

I have been here in India almost two months and yesterday I did the last sketch in the small Moleskine Japanese accordion style sketchbook.  I have finally figured out (for now!) the quirks of the computer and the programs here and been able to successfully post the first two photos from my sketchhbook :) 

First few sketches in a new book are always tentative in nature as I am learning what will work best. On the opening page (which I forgot to photograph) I tried out color pencils, watercolors and Faber-Castell Pitt basic color  brushpens. I mainly used Prismacolor Verithin color pencils, Prismacolor fine line marker pens and micron pen on these four pages. The hard lead color pencils are good to sketch with but difficult to color and shade on the slick beige Moleskine paper. I may build color with my regular Prismacolor soft pencils once I get back home! The background washes are watercolor (Koi watercolor field kit) and I am yet to master using them on this paper! The accordion style sketchbook gave me freedom to sketch wide and an opportunity to link these different sketches.  The idea was to have continuity though here I may be only partially successful as I don't plan ahead of time and am not sure what my next day's sketch will be! I sketched everyday but often took a couple of days to complete a panel - so it has taken me almost two months to finish 30 panels in the book that opens into one long 5.5" x 105" page  :) 

About the sketches: As the title indicates its the view from second floor balcony. I was excited to see the papaya tree top laden with fruits of various sizes right by the balcony, the collection of little lamps, the electric pole with its wires and a branch of "Kadam" /Adina Corifolia tree sporting a badminton ball like composite flower mass.

Today I will start using the large Moleskine Japanese album sketchbook  (5x8" when folded). It has 48 accordion pages. If anyone reading this has suggestions, constructive criticism and helpful hints on using these sketchbooks please feel free to pass it on in the comments section :)

Extensions of the Heart

Journal Page March 23-30 2014 by Meera Rao

Last week was filled with days that I wanted to remember and mull over. It started when we returned from the Flamenco Vivo, Carlota Santana - The Soul of Flamenco show at the American Theater in Hampton. I just wanted to capture the feelings, attitudes and expressions of the dancers and the singers before it faded away. Then there was the blue bird visiting the new feeder for the first time this spring, colorful Clivia blooming indoors and the yellow orange daffodils bursting outside.  Four days of rainy weather ended with a brilliant rainbow. I could not forget how reluctantly my grand daughter wore her raincoat and went out but then fully enjoyed playing in the rain and the puddles :)  And there is a special story about that can of Vodka from Russia! 

I am playing with  size, format for my sketches and have not found the right one yet. But I know I want to try bigger full page sketches soon.  I am reading Qu Lei Lei's "The Tao of Sketching" and like what he has to stay about drawing and sketching: 

"The brush or pen is the extension of the heart: We see everything in the world through the eye, feel it through the heart, and think about it through the brain. All of these are combined and transferred to the paper through our hand and brush. Therefore, every stroke of the brush is actually an extension of the soul." 

Reading and Riding

India Sketch Journal 2013 Aug 20 by Meera Rao 

Drivers, maids, and gardeners are still somewhat affordable as household help by most middle class families in India.  Other than drivers, 'the help' usually work for multiple families. Drivers though chauffeur only one employer and end up spending a lot of time in the car waiting for instructions on the next pick up or drop off. They can be seen either chatting with other drivers, napping or most often reading in the cars while also making sure the car is safe and well guarded. I saw this driver whiling away his time reading in a car parked in the shade on a balmy afternoon making the most of the circumstance.  Reading the paper is still the most favorite activity even though smart phones are slowly displacing it! 

India Sketch Journal 2013 Aug 21 by Meera Rao 

When that ladder just has to be transported -- this pair found a creative way to handle the job :) During my outings, I delighted in noting all the things people would ferry around in a motorcycle, auto rickshaw, a bicycle or any other vehicle and was always surprised by the variety !

India Sketch Journal 2013 Page 38 by Meera Rao 

Women's Work

India sketch journal 2013 page 37 by Meera Rao 

I read just yesterday in the Indian newspaper  The Hindu: "On her arrival in India recently, the words of Gloria Steinem, American feminist and leader of the women’s liberation movement, sounded like bells tolling for all women in today’s modern Indian society. “I came [to India] and what was here a half-a-century ago is still here… and yet there is everything else.”   So true! India has come a long way yet there still a long way to go. 

I am always amazed how the old and new live side by side and these sketches give a glimpse of the hard work the women continue to do. But I also see a new confidence in the women too. I sense it the the neat, beautiful ways most dress in the colorful sarees, salwars, or pants and t-shirts, with fresh fragrant flowers in the hair and the purposeful strides. They do what they have to do and more often than not with a big smile too! I see that their lives are never easy but they go on day after and day.

India sketch Journal 2013 Aug 19 by Meera Rao

As this sketch shows, a woman's work is never done! - I saw this lady often on her way home at dusk - I am sure after a full day's work - carrying a load on her head and a bag on her shoulders. 

India Sketch Journal 2013 Aug 18 by Meera Rao

She was at the corner of the street almost every day doing the ironing for whoever dropped off a load of bundled clothes. She used hot coals in a heavy iron to press the clothes. She was very pleased when I stopped to chat with her and take her photograph. At the end of my stay I usually make it a point to make  copies of the photographs for most of them or show my sketches. Their reaction is always so rewarding! 

It is charming to see the old ways but I do hope we will soon see the status and lives of the women improve not just in India but all around globe. 

Transformations

India sketch Journal 2013 Page 36 by Meera Rao 

India sketch Journal 2013 Aug 16 by Meera Rao 

India sketch Journal 2013 Aug 17 by Meera Rao 

"The journey between what you once were and who you are now becoming is where the dance of life really takes place.

Barbara Deangelis"

I wondered long and hard as to if there was even a link between these two sketches on the same page and then suddenly I knew -- transformation :) 

Comfort In Rituals

India Sketch Journal 2013 Aug 14 by Meera Rao

Any event usually starts with a prayer to Lord Ganesha -the god who is the remover of all obstacles. This plate with clarified butter - ghee, and the special spoon was used in a ceremony, Homa, asking for blessings- at the start of the festivities, about a week before my niece's wedding. All the rituals are filled of symbolism and are beautiful --even though in this day and age they seem long! But it forces one to stop and give thanks as well as contemplate our role in the Universe. 

I loved the patterns, reflections in the plate, shapes and the colors and had to sketch it. I wish I could have captured the sound of the melodious chanting of the prayers too.

India Sketch Journal 2013 Aug 15 by Meera Rao

August 15 is India's Independence day and Jan 26 is Republic day when you see Indian flags flying everywhere.  Here, an autoriksha driver is attaching the  flag to his vehicle to show his patriotism.  The already colorful vehicles decorated with the tricolor flags are sight to behold. 

India Sketch Journal 2013 Page 35 by Meera Rao

Grace Under Pressure

India Sketch Journal 2013 Aug 12 by Meera Rao 

Speedy delivery by motorcycle of various things is nothing out of the ordinary  in India. I came upon this fellow with bags of flowers hanging off the motorcycle handle bars. The motorcycles weave through the heavy traffic and guarantee dropping off  of parcels faster than in a car or van! I saw his bike with flowers parked by the road and started taking a few pics when he returned from his delivery and posed for me for a quick second. He did have an helmet which he wore soon after and then drove off to the next stop. 

India Sketch Journal 2013 Aug 13 by Meera Rao 

Some days I have time only for a simple sketch -- but then, here it is the trusty pressure cooker - the most important equipment in a household in India! I used one everyday  for cooking - it is an art and a science to master!  At least three pots are stacked inside each cooker with dal/lentil/bean in one, rice in the second and a vegetable or two in the third :) This  saves time, cooking gas (which is very expensive) and is super efficient.  These come in many brands, sizes  and varieties. I had to constantly consult my Mom and sisters-in-law over the phone on the finer points of using a pressure cooker - so I would not end up with either mush or under-cooked food! I really appreciated the cooker when I could not use it for a day - somehow I had miscalculated the amount of water/time needed and the valve blew due to lack of liquid.  But no worries, just down the street, in a tiny tiny shop, it was fixed in no time at all :) 

Here is a short history lesson on pressure cooker :" In 1679, the French mathematician and physicist Denis Papin invented the first pressure cooker or steam digester as he called it. The story is whilst he was presenting his new steam digester to the Royal Society it exploded, leading him to invent the safety valve. Three years later he represented it to the Royal society and gained positive reviews.

The pressure cooker title was first seen in print in 1915. In 1927, the first pressure cookers were sold in Germany and in 1939 the world’s first commercial pressure cooker made by National Presto Industries was exhibited at the New York World’s Fair.

In these early days, there are accounts of people thinking pressure cookers were the results of witchcraft because of their continued hissing."

In my home in US I now have a electric pressure cooker with a timer which I absolutely love, along with a much used stove top cooker that I have had for over three decades. 

India Sketch Journal 2013 Page34 by Meera Rao 

Trial and Error

India Sketch Journal 2013  Page 32 by Meera Rao 

"Perspective is the rein and rudder of painting" said Leonardo da Vince. I think I lost both in these two sketches. I was really tempted to tear out the page and start over but had to remind myself that it is only a sketch book! 

India Sketch Journal 2013  Aug 8 by Meera Rao 

This father was a worker in a team of people fixing water pipes along the road by our building. He and his wife were both working and the kid was playing & running around near them for a while. Later, when the  child started fussing, the father checked with the house owner by the street and tied a cradle from their roof by the porch. The baby was settled inside the cradle and Dad swung it a few times - until the baby fell asleep and then he was back at work! I only had a a few minutes to sketch the father as he stood there. The rest of the sketch was done leisurely as the baby slept for a while. 

India Sketch Journal 2013  Aug 9 by Meera Rao 

There are always at least a couple of cows by this traffic circle and I watched them every day when I went on my errands. Cars, buses, bicycles, trucks just go around them.  I was so engrossed in getting the cows right, I did not realized in the end that the vehicle was a bit too small :) Sketching with pen means the lines cannot be erased and I leaned to a lesson I won't forget! 

Weaving a Way of Life

India Sketch Journal 2013 Aug 4 by Meera Rao

India Sketch Journal 2013 Aug 5 by Meera Rao

On one of my walks in the city, I came upon this amazing set up of a weaving stand right by the road side in front of a closed store. There was a ditch right there and a couple of bamboo poles were laid across to cross it.  There were bamboo ladders and poles tied around to help with the weaving as the screen/mat that was being woven got bigger! There was even a bright blue tarp for shade. The stones as weights on the weaving 'loom' are quite simple and innovative as well.  This link shows that the technique is an ancient one dating to BC!  I was so taken by the whole scene that I decided to devote two days of sketching and give the loom part with the stones its own little sketch :) 

India Sketch Journal 2013 Page 30by Meera Rao

“A weaver who has to direct and to interweave a great many little threads has no time to philosophize about it, rather, he is so absorbed in his work that he doesn't think, he acts: and it's nothing he can explain, he just feels how things should go.”

 Vincent van Gogh