Threads that Connect

Threads that Connect watercolor and ink by Meera Rao

India Art Journal 2015 

I was attracted to the orange cloth glowing in the sunlight and all the shadow play I encountered at the top of the Chamundi Hill (Mysuru) near temple premises.  There were a few others who were also selling these threads(Mauli) but only one was in the traditional sacred orange clothing and working diligently organizing his threads of different colors. Each color sacred thread has significance of its own in Hinduism. They are usually tied to right wrist (usually for both genders) or left(certain occasions for women) to ward off evil eye or for prosperity and good health and for smooth completion or progression of any important ceremony.  The threads are used during pooja by the devotees, by bride and groom during wedding, and for "rakhi bandan' by sister on brother's wrist  as a talisman - for protection and well being. The threads tether us to other humans, to the sacred spirits; to the yearning for a universal connection. 

In my research I discovered that this custom is followed by others as well - around the globe, across cultures and religions: From wikipedia : Wearing a thin scarlet or crimson string (Hebrew: חוט השני) as a type of talisman is a Jewish folk custom as a way to ward off misfortune brought about by the "evil eye" (Hebrew: עין הרע). The tradition is popularly thought to be associated with Kabbalah and religious forms of Judaism.

More interesting information from Sean Doyle's article on Sacred Thread: 

"Throughout Indian history the exchange of a thin cotton, wool or silk thread tied kingdoms together and sealed political alliances.  In one recount of the Battle of the Hydaspes River, it is said that the King Porus refrained from striking Alexander the Great, because the Alexander’s wife had tied a scared thread to Porus’ hand, urging him not to hurt her husband.

A scarlet or red thread runs through many cultures.

The red string of fate or the thread of destiny appears in both Chinese and Japanese legends. According to myth, the gods tie an invisible red string around the ankles of those that are destined to meet each other or help each other in a certain way.  In one myth, two people connected by the red thread are destined to be lovers, regardless of time, place, or circumstance. The cord may stretch or tangle across the years, but it will never break.

In traditional Tibetan Buddhist ceremonies, the tying on of holy cotton threads restores the natural order of things and brings people closer together. The red thread is specifically associated with bravery.

And this sacred tie is not limited to East Asia.

In Greek mythology, Theseus rescued himself out from the labyrinth of the Minotaur by following a red thread that was given to him by Ariadne.  Nikos Kazantzakis, in making myths modern again, points to the scarlet tread that runs through and connects all people, friends and strangers, regardless of culture.  It is our common humanity.

In Judaism, wearing a thin red string on the left wrist is an old custom thought to ward off misfortune brought about by the “evil eye”.  Rahab tied scarlet rope to two scouts so they could enter Jericho unseen.  Jabob’s wife Rachel, the mother of Joseph and Benjamin, wrapped a red thread around her son’s wrist to protect him from evil.  Still today, we tie a long red string around her burial stone.  This sacred symbol recalls Rachel’s selflessness, reminding us to emulate her modest ways of consideration and compassion for others, while giving charity to the poor and needy.  More than a way to protect one from evil or harm, the crimson thread is an internal reflection that inspires good deeds and kindness."

Measuring and Selling 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Water Break

Water Break watercolor and ink by Meera Rao

India Art Journal 2015 

Selling fresh betel leaves directly to the customers at the street market, this lady seems to have a good business sense for displaying her goods and controlling her expenses. All she needed was a small blue stool to sit on and a big basket  of fresh leaves stacked in neat piles! Behind her were clay pots balanced carefully and the rickety table held small clay pots etc. The Betel leaves are important in Hindu religious ceremonies, a main ingredient in 'pan' for chewing pleasure, and also used for medicinal purposes. So the business is usually brisk for leaves and the pots as it’s much simpler to stop by a stand while commuting to work or running errands than to plan a special trip to the store.   

Water Break  5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Textures and Colors of Life

Textures and Colors of Life watercolor and ink by Meera Rao

India Art Journal 2015 

A side alley with a bicycle; the buildings, walls, doors - all textured with neglect; colorful water pots waiting to be filled were hard to ignore!  Sketching, painting and photographing almost everyday when I was India, was a valuable experience. I developed a curiosity and great respect about my surroundings and learned to savor life. 

I was torn about just recording the scenes I come across,  but I also felt an urge to capture the fast disappearing lifestyle as India is hurling itself towards things more 'modern'.  I also found myself attracted to the special beauty in the simple surroundings --always colorful and full of textures. I know my sketches and paintings only give a glimpse of the country showing an extremely incomplete picture. 

Last week when I went to the preview of the opening exhibit of the brand new MET Breuer Museum in New York, I was struck by how architecture and surroundings influence an artist. Drawings and photographs by Nasreen Mohamedi, captured the geometry and abstraction from her surroundings. She saw only the beauty of lines and minimal color! 

It was also wonderful to see the 'Unfinished - thoughts left Visible.' on its third and fourth floors - unfinished paintings of artists over the past few centuries. I was excited as if I was peeking over their shoulders while they had paused and were mulling over the next brush stroke.

From the museum's website: Celebrating one of the most important artists to emerge in post-Independence India, and marking the first museum retrospective of the artist’s work in the United States, Nasreen Mohamedi examines the career of an artist whose singular and sustained engagement with abstraction adds a rich layer to the history of South Asian art and to modernism on an international level. The retrospective spans the entire career of Mohamedi (1937–1990)—from her early works in the 1960s through her late works on paper in the 1980s—exploring the conceptual complexity and visual subtlety that made her work unique for its time, and demonstrating why she is considered one of the most significant artists of her generation. Together with the thematic exhibition Unfinished: Thoughts Left Visible, Nasreen Mohamedi inaugurates The Met Breuer, which expands upon The Met’s modern and contemporary art program.

Here are Google images for Nasreen Mohamadi's art 

Check out the NYT review of Unfinished here 

Textures and Colors of Life 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Dance of Life

She Moved Like A Dancer watercolor and ink by Meera Rao

India Art Journal 2015 

She was a vegetable vendor.  Everyday she sat by the roadside with a few crates of produce. She always dressed in simple though beautiful sarees with matching stylish blouses, bangles,  flowers in her hair, and eyes rimmed with kohl. She also had a ready smile for her customers.  This particular evening she was moving her crates to a storage area near by before calling it a day.  As she lifted and carried her crates she moved like a dancer, light bouncing off the folds of her saree, face and body. I was captivated by the beauty and grace of her movements.    

"I found I could say things with color and shapes that I couldn't say any other way 

- things I had no words for. "

~Georgia O'Keeffe~

She Moved Like a Dancer 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Neighborhood Klatsch

Neighborhood Klatsch  watercolor and ink by Meera Rao

India Art Journal 2015 

Most afternoons, these three neighbors sat on the varandah chatting away while waiting for their children to return from school. I could watch them from my balcony but could not hear their conversation.  They were always glad to see each other and have their thirty or so minutes together. I wonder if they noticed me and what they said to each other :)  

Neighborhood Klatsch 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

A Sale!

A Sale!  watercolor and ink by Meera Rao 

In Mysuru, southern India, even now the peddlers load up a cart with sundry items and push it around the neighborhoods looking for buyers. I saw many different peddlers pushing a variety of things - pots and pans, plastic housewares or  sarees and other clothing items, sheets and blankets, balloons and toys etc everyday through the streets.  This one stopped around long enough for me to photograph as the lady was taking her own sweet time deciding what to buy.  She inspected various items from his cart and finally settled on a dust pan. 

I read that in 2013 the Karnataka state government launched a program to try to replicate the success of Bangaladeshi banker and Nobel peace prize winner Muhammad Yunus extending micro credit to street vendors. It launched Mysore City Street Vendors Multipurpose Cooperative Society, which had a seed money of Rs 5 crore to attend to the needs of street vendors in the city. The society, which is to be developed as a cooperative bank later, to lend small loan to the street vendors who are too poor to qualify for bank loans. The society's office was located close to my daily runs during my stay and I hope that this initiative is a success. 

A Sale!  5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Afternoon Siesta

Afternoon Siesta  watercolor and ink by Meera Rao

"Only mad dogs and English men go out in the noon day sun"

-Rudyard Kipling

When I saw this fellow taking a power nap in the middle of the day, looking quite comfortable on a mattress propped inside his autoriksha, I had to sketch him.  He was on a side street - directly in view from my balcony ! I quickly took a couple of photos just in case he woke up and went off, then set to sketch him. I had enough time to finish the sketch but colored it later.   

Afternoon siestas used to be the norm everywhere in India.  I remember my father, grandfather always came home from work for lunch at mid day, took a nap and then went back to work during the cooler part of the afternoon and evening.  Now it is a luxury enjoyed by few who can rearrange their day to their liking! Whoever is home during mid day, the elderly, the retired, the housewives, kids  and a few lucky folks who are their own bosses, all take a nap almost everyday. No one goes knocking at  someone's door during the afternoon! 

I quickly adapted to mid day power naps too during my stay in India.  It has to be power naps  because longer naps makes one groggy the rest of the day and wide eyed awake at night! I always set an alarm but it was so hard to make myself getup when it went off! As recent studies show, the mid day nappers especially in the tropics were on to something. They are not lazy slackers. As this article "7 surprising benefits of an afternoon nap"  explains they knew its power to influence the overall wellbeing, boost energy and increase productivity among other things :)  And more importantly, for us artists: 'Daytime sleep can, “enhance creative thinking, boost cognitive processing, improve memory recall and generally clear out the cobwebs," James Maas and Rebecca Robbins, co-founders of Sleep for Success, wrote in The New York Times.  :)  That ought to be a good reason to squeeze in my nap habit now that I am back in USA!

Btw, I am the Artist of the Month displaying at the Poquoson Public Library during February.  I am sharing the wall with a friend who is showing his photography for the first time. Here is a photograph showing the half with my paintings.  Please stop by if you are in the neighborhood :) 

Wall with my paintings at Poquoson Public Library  as February Artist of the Month 2016 

time for afternoon siesta  5.5x8" watercolor and ink on 140 lb Strathmore visual Journal 

Traces of History

Water Gate at Tippu's Fort watercolor India sketchbook 2015 by Meera Rao 

This idyllic scene ‘Water Gate’ is at the northern wall of the King Tippu Sultan's Fort in Sri Ranga Pattana near Mysuru, India, The gateway opens to the shallower portion of the river Cauvery. The residents of the fort passed through this gate to fetch water from the river. Back in 1799, this shallow archway with guard houses on either sides and a temple at the right, was the location of a deadly battle with the British (East India Company). Tippu Sultan was killed and it changed the course of history for the British and for the south Indian principality of Mysore. Colonel Wellesley, the future Duke of Wellington, established his military reputation during this military victory. The gory details of the siege of SriRangapattanam can be found here. 

City of Mysuru, and the surrounding area is full of historical sites and ruins.  It attracts a steady stream of tourists who come to see its gorgeous palaces still in their full glory, the beautiful temples that are artistic and architectural masterpieces and the natural beauty of the area.  Here is a link for virtual tour of the area. 

'Water Gate at Tippu's Fort'  watercolor sketch, India sketchbook/Art Journal 2015 by Meera Rao .  Strathmore Watercolor 140lb Visual Journal

Thirst

Thirst Watercolor Pen and Ink sketch  and collage 2015  5.5x7" by Meera Rao

India has made great strides in supplying water to most of her citizens but the population growth, weather patterns and climate change/global warming issues continue to challenge her efforts.  And the thirst among the people also extends to educating the children.  These two issues consume the average Indian.  

When I saw the water pot, with its exaggerated shadows by a wall with  peeling posters on 'coaching' on various subjects, I knew I had to capture the scene.  I enjoyed combining pen and ink with watercolor along with collage of torn ads from the daily newspaper. 

India sketchbook/art Journal 2015,  Strathmore watercolor 140lb Visual Journal 

Cool Blue

Cooling Off  Ink and Watercolor sketch 2015 5.5x8" by Meera Rao

Your acts of kindness 

are iridescent wings of

divine love  

which linger and continue 

to uplift others 

long after sharing.

~Rumi~

It was one of those very hot summer days.  I was hurrying home to escape the heat from an errand that had taken longer than anticipated. On one of the side streets outside a marble warehouse, I was most impressed by what I saw: someone thoughtful had filled  a big old blue bathtub with water for anyone who wanted to cool off by splashing water on feet or face ! 

Chilling the pulse points by running cold water over the wrist for a minute or so, splashing water on the temples or face are age old ways of combating the tropical heat. The amazing thing is that bath tubs are extremely rare in India but somehow one was out there propped up on old tires, filled with water !  Many men stopped by, scooped out water on their face and feet to cool off before continuing on their way.  Since then I have noticed the bathtub leaning against the wall dry and empty on other days when the temperatures were bearable.  

Sketching it later was very gratifying and even now the memory of the blue bath tub brings a smile to my face. 

India Art Journal 2015- Strathmore Visual Journal, watercolor 140 lbs, 5.5x8"