Wednesday, November 17, 2010

Moral Function of Art

                                  Last off the Vine  watermedia sketch

Artists make pictorial records of events, emotions, feelings. Some of us try to sketch the simple beauty of mundane, everyday things. But today, I read an article and saw a slide show of something that moved me beyond words. "When he was only in his 20s Ernest Cole, a black photographer who stood barely five feet tall, created one of the most harrowing pictorial records of what it was like to be black in apartheid South Africa. He went into exile in 1966, and the next year his work was published in the United States in a book, “House of Bondage,” but his photographs were banned in his homeland where he and his work have remained little known." Thus began a article in New York Times :  Homecoming For Stark Record of Apartheid.  The accompanying slide show of Mr. Cole's black and white photographs are so very powerful- they  shock, anger  and deeply distress the viewer.  And as the author Celia W Dugger writes, 'Mr. Cole’s captions and photographs are imbued with wrenching emotions.'  On checking his biography I discovered that he  dedicated his life to record and show the world the injustices and exploitation of segregation. But he paid a heavy price for his work and died young, a homeless man and in exile.  

If and when there is an American tour of Cole's photographs, I hope to be able to view it in person.    Coincidentally, over at Katherine A Cartwright's blog, there is a lively debate going on the 'moral function of art.'  She has been reviewing John Dewey's 1934 book "Art as Experience."  She writes that 'it all began with a statement by John Dewey: the moral function of art itself is to remove prejudice, do away with the scales that keep the eye from seeing, tear away the veils due to wont and custom, and perfect the power to perceive.'  I think Ernest Cole's photographs do all that and much more.  

Friday, November 12, 2010

Giving Thanks

To Friendship Digital Photography

On Nov 18, I will mark the second anniversary of my blog - two years of sharing my art.  Posting my art this way has forced me to paint & sketch more often and much more regularly than before. But the unexpected benefit has been the friendships I have formed. A big heartfelt  'Thank you' to all who have visited the blog, to all who have taken the time to leave comments, to everyone for giving me encouragement, support and inspiration :) - I am grateful!

And a special thanks to Patricia Torres, who today has featured my artwork in her blog Colours Dekor.  I am happy to be a small part of her wonderful efforts. I was truly flattered when she asked :) Please click on her name or the blog for a look at how she seeks out color, beauty and creativity from all corners of the world.

"I can no other answer make, but thanks and thanks! " -William Shakespeare 

Wednesday, November 10, 2010

What Matters Next

Color Burst watercolor 12x9"

Last thursday was TEDxNASA at Newport News, VA which I attended- thanks to good friends who helped us get the tickets. It was  such an inspiration to hear speaker after speaker with all the wonderful ideas. I came back charged with enthusiasm and motivation.  But, having not painted for close to a month because of trips, Deepavali Celebrations, mundane catch-ups, etc.. I realized my painting muscle memory was missing! This is my third attempt at painting the same flower in one day - the flower that had graced our garden this summer and gave me so much pleasure.  I was frustrated by the difficulty I was having in moving paint. The montval paper I usually enjoy painting on was not behaving in its usual way - I found the paper tearing very easily. I am wondering if it is the temperature fluctuations in my over the garage studio or if I had purchased a bad lot.  At the end of the day I was glad to have persevered and put in a few solid hours of playing with my brushes, paint and water. In a way, the theme of the TEDxNASA - 'What matters Next'  seemed to  resonate- what matters is that I keep painting, sketching and doing art :) 

Friday, October 29, 2010

Magical Beauty

Rainbow Sendoff  Digital Photography

Flight delays were worth it when I looked out the window soon after settling in my seat - double rainbows actually - and I was able to capture at least one by the time I fished out my camera.  I love the   image with the blurry colors and shapes and the rain drops on the window pane. 

I have been home for a week now,  enjoying the trip all over again going through the hundreds of photographs. As I was looking at the pictures, I was reminded of artist and photographer Vik Muniz's words in a New York Times article Where Art Meets Trash and Transforms Life I had just read couple of days ago : "The real magical things are the ones that happen right in front of you. A lot of time you keep looking for beauty, but it is already there. And if you look with a bit more intention, you see it." Vik Muniz's exceptional creativity, art and photography are legendary. The article talked about his newest project "Pictures of Garbage" series -monumental photographic portraits made from trash, and a documentary "Waste Land" about making of the series- -a collaboration with the garbage pickers of Jardim Gramacho, a 321 acre open-air dump outside Rio that is one of the largest landfills in Latin America. I am very touched to know that he has devoted his time and money to non-profits that provide education and job training for street children and was recently honored as a UNESCO Goodwill Ambassador. A clip of the the documentary in the NYT website shows the scale and  the unusual and surprising materials he uses to make the portraits. It was International Artists Day on Oct 25 (Picasso's B'day), and  I celebrate it by giving a shout out to artist Vik Muniz.  

Monday, October 25, 2010

Art Surprises

Partial view of Bellagio, Las Vegas  3.5"x11"

Waiting for the spectacular water fountain show in front of Bellagio I sketched the wings of the massive hotel/casino building from across the body of water.  I have a small sketch book  (3.5x5.5" )which easily fits into my purse and is handy for fast little sketches, even though, as I recently discovered, it  is difficult to photograph. Still, I love it because I tend to pull the book out more often as I find myself getting a little bolder about sketching in public. Next step is to equip myself with a small watercolor field kit and try my hand at doing small studies -until then I will happily play with my camera :) The Bellagio also has a beautiful glass ceiling installation by the artist Dale Chihuly in their lobby and a chandelier in the casino area. I also saw an exhibit  there : 'Figuratively Speaking: A survey of the human form'  showcasing about 30 paintings, drawings, photographs, sculpture by artists from 1800 to present day. I enjoyed  the unexpected opportunity to see the works of Picasso, Renoir, Degas, Hockney, Lichenstein, Chuck Close, and others. 

Closer to home, I have two color pencil pieces - Hot Shadows and Reflections in the 'Small Works : Miniatures by Hampton Roads Artists' at the Charles Taylor Arts Center/The Hampton Arts Commission, Hampton, VA.  The opening yesterday was fun and the show will run through Dec. 5.    

Wednesday, October 20, 2010

Gambling Life

Casino sketches 
Rather than play and gamble at the casinos in Las Vegas, I sat just outside the halls and spent a little time sketching the slot machines etc and as usual clicked away merrily with my camera. May be,  if I wasn't so terribly allergic to cigarette smoke and perfumes, I might have spent more time and money inside the casinos:), but this gave me a chance to wander around the strip with my camera outdoors. It was my first visit to the amazingly surreal city where it is a fine line between what is real and make-believe; where Italy, Paris, New York and Treasure Island all are right next to each other; where Michael Jackson, Wonder Woman, Elvis and space aliens roam the streets making you wonder if you are in a dream!!!. We enjoyed a couple of  amazing and excellent shows - La Reve and  The Jersey Boys. My body being in Eastern Standard Time, woke up every morning to breathtaking view of desert sunrise and distant mountains in the background and I had to make an effort to stay past 8PM there to see the city-lights and life at night :). I could see the truth in Artie Lange's  quote: " Vegas means comedy, tragedy, happiness and sadness all at the same time."  

Friday, October 15, 2010

Determination and Perseverance

Chicago Maraton Runners  Digital photography

I remember reading a running poster that proclaimed " The race is not always to the swift, but to those who keep on running." (google search said it is by Nike). That was true this past Sunday in Chicago, as the temperatures soared to 90F during the marathon. Once again, I am extremely proud and in awe of my son and daughter-in-law, who despite the unseasonably hot day, ran and completed their second marathon! They ran, and we cheered - cutting across to various points along the course to catch up with them - at one point even taking a cab to beat them to the 21 mile marker :) - and of course, took too many photographs! 

Friday, October 8, 2010

Shadow Ladders

Shadow ladder  digital photography

Between the idea 
And the reality
Between the motion 
And the act 
Falls the shadow 
-T. S. Eliot


Sunday, October 3, 2010

Vibrations in the Soul

Vibrations in the Soul watercolor 12x9"

"Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul. " -Wassily Kandinsky

Recently I read about Kandisky and loved what he had to say about color, art and music. Kandinsky felt  "music is the ultimate teacher" and  thought of art and colors in musical terms calling his paintings "improvisations" and "compositions." He said he heard chords and tones as he painted colors - a condition known as synesthesia.  For him "color yellow was middle C on the piano or a brassy trumpet blast; black is the color of closure, end of things.." and "white acts like a deep and absolute silence full of possibilities." 

There is a fascinating article in Discover magazine from some time ago that asks "Are We all Synesthetes? - Hear a painting, taste a symphony, and smell a color - is that what we do subconciously?"  I like that :) 

During the summer, I attended a concert where the musicians were making music under a tent on a very bright beautiful day. I could only see the musicians near the edge of the tent and catch glints of sunshine on the instruments deeper inside.  "Vibrations of the soul"  was painted with memories from that day. 

Thursday, September 30, 2010

Right Brain, Left Brain

watercolor on 140lb cp 9x12"

watercolor on Yupo  7x11"
I often switch between left brain and right brain ways when I plan and paint trying to find order as well as spontaneity. In that vein, I did a side by side comparison of watercolor on cold press and Yupo.  Layering paint is fun on cold press where as it is very difficult and slow process to layer on Yupo. The colors dry lighter on cold press and hues are pure and brilliant on yupo. It is very easy to take off paint from yupo since it is a non-absorbant surface. I washed the paints off three times before I settled on this Yupo version (half heartedly). On cold press, it is crucial to plan and save the whites early on.  The slick surface of Yupo requires different techniques than the regular watercolor paper. I discovered erasing on yupo paper makes it harder for the paint to adhere.  Another difference is yupo needs to be on a flat surface while painting since the paint moves freely-which also means that one can tilt the paper to get different mixes and effects. I have to use thick paint with little water to have definite detailed shapes on yupo and spraying with water mist gives it wonderful textures. For other kinds of texture I have also tried laying balled up plastic wrap or blotting paper towel on wet paint.  Removing or adding paint by using stencils, cheese cloth, gives beautiful shapes.  I can see myself continue my experiments and playing around with resists etc.  :)

Deconstructing and reconstructing art work is a preoccupation for me as I try to figure out the artistic and technical aspects to help me with creations. I happened upon this quirky TED video of Ursus Wehrli sharing his version of  cleaner, more organized 'tidier art' in a very funny unconventional way :) Enjoy a different take on creativity :) 
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