Amazing World

Sunset by the Pier digital photography

With the Labor Day behind us, summer is officially over. Luckily for us, hurricane Earl hurled by last week without causing much damage or rain. As I watched the scenes of fierce wind and rain battered Outer Banks of N. Carolina, I didn't mind one bit that we had spent a couple of days preparing for the onslaught that fortunately didn't materialize. Now, the temperatures are down with a slight chill in the air and color on leaves.  As  we walked past the pier one evening by the beach, I caught the setting sun at the end of the pilings, happy to see the calm sea. My photographs probably fall in the category what David Griffin, photo director for National Geographic calls 'nothing more than isn't it an amazing world.' In a TED talk, he shows how photo journalists for National Geographic strive to create a visual narrative and often tell a powerful story in photographs that connect us to the rest of the world, move the rest of us to take action, and not just marvel the underlying soul and spirit. I think we need both kinds and I will continue to add to my collection of the 'isn't it an amazing world' section :) 

After being somewhat slack in terms of sketching, painting and posting during the summer and I am eager to pick up the pace a bit in the next few months. Right now, I am pleased to  have my painting Mandala Meditation in the show "Portrait of the Artist: Self Portraits and Portraits by Hampton Roads Artists"  through oct 17 at The Charles Taylor Arts Center in Hampton, VA.  

To Simply Paint

Blue Crab Special  watercolor 24"x18"

This painting is from about fifteen years ago when I learned to paint wet on wet and also to bring abstraction to a painting. Jan Ledbetter whose class I was attending then, in preparation for a workshop 'Watermedia Encounter' by Doug Walton, gave us her version of a set of steps of his style of painting. Doug Walton was a student of the renowned watercolor painter Ed Whitney and  he passed on some of Whitney's wisdom. The one I remember the most: Any teacher can teach how to begin a painting but you have to be the one to finish it.  Some other things that stayed with me from that time are : to let go and not be afraid of drawing and painting instinctively, having dark darks and white whites in a painting,  touch a point optimally once and no more than 3 times,  paint shapes,  have big readable nouns and most importantly you don't have to paint or fix everything! 

Domes of Blue

Entrance to Blue Mosque,  watercolor on Yupo 14x11"

All over the world, throughout history, various absolutely grand and architecturally unique and beautiful places of worship have been built. Is it to glorify God, or to indulge the person who conceived and bank rolled it,  or to admire the talents and skills of artists and artisans who built it, a testimony of what man is capable of creating?  First look at the Blue Mosque in Istanbul last year during our trip was through the massive doors. I liked the multiple blue domes  - the repeating shapes and colors with sunlight streaming in. Looking at all that marble all around, I was suddenly reminded of Rabindranath Tagore's quote: While God waits for His Temple to be built of love, men bring stones.  

The look of marble was ideal to paint on yupo -- layering paint and creating texture by dabbing plastic wrap and paper towel.  I had to repeat the process of adding and lifting paint several times on the outer walls by the doors to make them darker. I also tried several times in the past couple of days to photograph the painting and this is the closest I could come to duplicate the  actual paint colors.  

Bug Art

Bug Art Digital photography

When five billion trillion keep munching each day,

It is a wonder the world isn't nibbled away!

-Ethel Jacobson 

Color Abstraction

Grand Cycle  color pencils 13x16"

This was an exercise in color theory and abstraction that I started in one of the classes I attended when I first tried my hand in art about fifteen years ago.  We had to bring a picture of a landscape to class and then proceeded to strip it down to the most basic shape and form.  Then starting with warmest red to the coolest violet, we had to color the forms from foreground to background in order of the warm-cool scale regardless of what color the object was in the reference picture.  Of course, having chosen color pencils as my medium to do the exercise, I was too slow to complete it in class. Many years later I went back to it and finished it with a modified version of the instructions as by then I couldn't remember much about the rules we were supposed to follow. 

Recently, I came across a quote by artist  Marc Chagal that explains the color theory succintly:  All colors are friends of their neighbors and the lovers of their opposites.  I also just now discovered that googling 'color theory' yields a wonderful collection images and information! So off I go to explore :)

Celebrating the Impermanence

Celebrating the Impermanence  Digital Photography

The Monks from Drepung Loseling Monestery in south India have been visiting every year for the past eleven years and this year I needed the timely reminder about the big picture, the  impermanence of life and not to sweat the series of  incidents that seemed to have piled on in my life this past month with no regard to the inconvenience and stress they caused :) Watching the monks take days to construct a beautiful mandala with a meditative concentration and then sweep it up only hours after completing it by pouring the sand from the mandala into a nearby river is indeed a very healing experience.  They always inspire me to look at my creativity with new eyes. I am now eager to get back to sketching and painting with a fresh perspective on art and life.  On a lighter vein, but sharing the same big picture philosophy, check out  Stefan Sagmeister's talk about happiness and design.

Language of the Soul

The Dancer watercolor on Yupo 14x11"

"And those who were seen dancing were thought to be insane by those who could not hear the music " - Friedrich Wilhelm Nietzche

I am really enjoying painting on Yupo - learning with each new piece.  In The Dancer I played again with just paint, water, brush. Yupo surface was perfect to bring out the silky transparency of the bellowing skirt and the veils.  I used a bunch of  photographs taken many years ago  at a dance demonstration and  added my own background of veils. I finished the lady more than a week ago and then waited for inspiration to resolve the background. Since this is yupo I may yet come back to it after a few days :)

Over the years, every time I saw those photographs, or I see someone totally absorbed in creating art, music or anything else, I am reminded of Mihaly Csikszentmihalyi's concept of 'Flow.'  According to Mihaly, Flow is completely focused motivation. It is single minded immersion and represents perhaps the ultimate in harnessing emotions in the service of performing and learning. Check out this video of a TED talk by Mihaly on 'Flow' - creativity and happiness.

Summer Special

Sunflower  watercolor on Yupo 11x14"

One more Yupo experimentation. I used only watercolors, brush and misting with water (thats the summer special!) this time for this painting. Blotting with balled up paper towel I had on hand to remove excess water or paint also added some interesting textures and lines.  The center of the flower was fun to create by dropping a color, misting and dropping another color and watch the textures happen .  I was able to lift the color to show the  sunlight streaking between the petals and the flower head. Next time I hope to come up with a   composition that will lend itself even more to the mingling of colors and challenge myself to find ways to make textures :) 

Glow in a Glass

Lemon Glow digital photography

Last week, this glass of water with a slice of lemon caught my eye as I sat resting my feet towards the end of fun wedding reception I was attending and out came my camera as I clicked away merrily catching the glow in the glass. The digital camera with its ability to preview helped me play with the composition and settings until I was satisfied.

Check out some beautiful photographs in the online exhibit of Princeton University's Art of Science 2010 Gallery. Since the first exhibit in 2005, Art of Science showcases stunning and simply amazing photographs that were captured in the process of scientific research and not as 'art for art's sake'. The web site says that the 45 winning images from 115 submissions from 20 departments by students, faculty, research staff and alumni were 'chosen for their aesthetic excellence as well as their scientific or technical interest.' This year's theme is "Energy." And of course, according to an article in physorg.com the odd amounts in 'cash prizes were derived according to the Golden Ratio a mathematical proportion that has been found in aethetically pleasing designs from seashells to Ancient Greek Temples" Be sure to check their archives of previous years' exhibits for some most extraordinary and stunningly beautiful images.

Resplendent on Yupo

Resplendent watercolor on Yupo 11x14"

Last week I tried out watercolors on synthetic Yupo paper. It was a fun experience full of surprises. The water flows and just 'sits' on the slick surface so I could tilt, push and let the watercolors mingle and produce or lift patterns. I did minimal sketching and had to learn by trial and error how to work the paint on the very smooth surface and how much water to use. It was easier once I discovered that watercolors flow better if I first paint with water and then drop the colors. I had to watch out and not overdo patterns with brush strokes. The paint could be easily removed which was both a plus and a disadvantage since I could easily takeout deliberately or inadvertently what I had already painted with a swipe of a damp brush! I found it hard to paint details. I also learned to be patient and wait. It was important not to disturb an area I liked till it fully dried. I really like how the colors seem to be brighter and bolder on the Yupo paper. Looking at the painting now, I realize I only used brush, water and paint and really did not make full use of the surface to mingle the colors or get free flowing patterns and also use plastic wrap, salt or alcohol for textures. I also see that I need to give up my urge for control and let the surface do its thing :)

In my research about working on Yupo paper I read that once I know I have 'finished' the painting it should be sealed several thin coats of a fixative spray. A quick search on Google produced a wealth of information on how to paint on Yupo including video clips on YouTube. I really enjoyed my first experience and excitedly looking forward to playing more with yupo!

p. s: please do not click on the 'link within- you may also like' - that does not have a title/or the one that  says tattoo --its spam --I can't take it off and I don't want to give in and take the widget off completely :(