Resplendent on Yupo

Resplendent watercolor on Yupo 11x14"

Last week I tried out watercolors on synthetic Yupo paper. It was a fun experience full of surprises. The water flows and just 'sits' on the slick surface so I could tilt, push and let the watercolors mingle and produce or lift patterns. I did minimal sketching and had to learn by trial and error how to work the paint on the very smooth surface and how much water to use. It was easier once I discovered that watercolors flow better if I first paint with water and then drop the colors. I had to watch out and not overdo patterns with brush strokes. The paint could be easily removed which was both a plus and a disadvantage since I could easily takeout deliberately or inadvertently what I had already painted with a swipe of a damp brush! I found it hard to paint details. I also learned to be patient and wait. It was important not to disturb an area I liked till it fully dried. I really like how the colors seem to be brighter and bolder on the Yupo paper. Looking at the painting now, I realize I only used brush, water and paint and really did not make full use of the surface to mingle the colors or get free flowing patterns and also use plastic wrap, salt or alcohol for textures. I also see that I need to give up my urge for control and let the surface do its thing :)

In my research about working on Yupo paper I read that once I know I have 'finished' the painting it should be sealed several thin coats of a fixative spray. A quick search on Google produced a wealth of information on how to paint on Yupo including video clips on YouTube. I really enjoyed my first experience and excitedly looking forward to playing more with yupo!

p. s: please do not click on the 'link within- you may also like' - that does not have a title/or the one that  says tattoo --its spam --I can't take it off and I don't want to give in and take the widget off completely :(

Lost in Notes

Melody Meditation watercolor 12x9"

I did a detailed sketch of this musician on a full sheet of watercolor paper and it has been waiting to be painted for a couple of months now. Before that, I sketched him on full sheet of drawing paper trying to work out the composition. But I am still hesitating to start the painting. So a few days ago to shake off the reluctance, I did a fast and loose watercolor of just his head in under an hour to see if I can capture his 'lost in notes' expression.

I saw and heard this musician one late night on the streets in India last year as he played his instrument along with a host of others in a procession. They were all accompanying a parade of people taking a icon of Ganesha, the elephant-headed god to be immersed in the lake after a month long festivities. I was impressed by his total immersion in the music even as he was in the middle of huge noisy street jamboree. Indian music traces its origins to the vedas and is seen as the pathway to reach higher consciousness. He seemed to embody how music touches the heart and elevates the mind.

Happy Fourth!

Life, Liberty And Pursuit of Happiness

Digital Photography

Delicate Dragonfly

Delicate digital photography

Dragonfly photograph seemed to be the perfect one to post again after my last two paintings. I read that they symbolize 'renewal, positive force and power of life in general.' They are also thought to represent fleetingness and change, even though they are one of the oldest inhabitants of earth dating back over 250 million years! The Japanese and also the Zuni Indians consider them to be messengers from another world representing courage and strength. To the Navaho Indians dragonfly symbolized pure water. Check here if you would like to see some exquisite close-up photographs of the dragonfly. I am happy that so far this summer I see their shimmering delicate lacy wings and iridescent eyes as they fly around the garden.

Collateral Damage

Collateral Damage water media 9x12"

The Gulf oil disaster needs no explanation. Recently I read the delicate plovers are migrating back right into the mess which prompted me to paint this piece. I have only seen photographs of pelicans dripping in oil and I don't know how much oil the plovers will get on them since they are shore /wading birds. So this is done purely from my imagination. As an artist how much license should I take ? Does it take away from the message if I decide to be faithful to the spirit of the idea, to the emotional content and go with my imagination? Recently there was a story on NPR about Michelangelo drawing a brain in God's neck in the Sistine Chapel ceiling and the discussion centered upon why there and what did he want to convey? Artists have always wanted to make philosophical and political statements. My hope is that, the messages doesn't get swept away in the debate about realistic depiction.

Ignorance

Ignorance mixed media 12x15"

The explosion of violence, hate and extremism around the world is very very scary. This piece in a way painted itself. Its beginnings were innocent enough but before long as I was listening to radio news of bombings, terrorist plots and raging wars, I found myself painting dark figures, smoke and a war zone of a city. Apathy is as dangerous as hate. How do we give non-violence a chance? Will we all ever learn to live and let live?

Dragonfly Delights

Dragonfly Delights digital photography

This morning I spent my time stalking the dragonflies with a camera. I was clipping the dried flowers off the rose bush when the shimmering wings completely distracted me from the chore at hand. In no time at all, I abandoned trimming the bushes but was back in the yard with my camera trying to capture the ever active dragonflies as they danced from flower to leaf to flower. I marveled how elegantly and effortlessly they were flying and landing and taking off again and again -even though that made it hard for me to focus and shoot. I admired their exquisite form and the beauty of the shiny delicate wings. I couldn't help but wonder : how do they fly with those gauzy transparent wings? And I was especially happy that all those dragonflies means we won't be swatting at pesky mosquitos when we are outdoors this summer:)

Imaginative Reality

Rose Pencil 9x12"

Yesterday as I was working on the Rose, I heard a discussion on NPR about "Scientists Pinpoint Monet's London Balcony." According to the reporter, artist 'Claude Monet spent the winters of 1899, 1900 and 1901 freezing on the balcony of London's Savoy Hotel, painting a famous series of images of Waterloo Bridge and Charing Cross Bridge. Now, the scientists at Birmingham University have used solar geometry and historical weather data to figure out exactly which balcony Monet was standing on and what time of the day he was likely working.' I chuckled to myself as I followed the conclusions. I am sure if anyone tries to figure things out from my art work they would be in for a surprise because I do take a lot 'artistic license' when I sketch, draw and paint. I change or eliminate things often to match my technical abilities(or rather lack of) and to change the composition to suit my taste. And I started wondering how many artists really faithfully follow the original subject (other than for illustration purposes) and how many viewers think an artist is true to the subject's every detail :contour, shadow, value, color etc. ? Should we come to major conclusions about historical facts from an artist's creation or are these just fun exercises - not major theses. Along the same lines, earlier there was this piece on "High Art: Were Boticelli's Venus and Mars Stoned? " The object of discussion here was the identity and effects of a fruit that was in the hand of one of the little satyr in the painting. Click on the highlighted words in the blog and you can hear/read the scoop.

Rose is done using 2, 4 and 6B pencils and some Prismacolor cool greys here and there in the background leaves. It was an exercise in values I came up with. I had taken color digital picture of the rose from our garden. Then using the photo-software changed the color to black & white and played with the settings for light and shadows. I then printed it out for sketching using grids. The final piece is an composite of all that and my imagination as I simplified the background.

The Art of Choosing

Sky is the Limit digital photography

I go through my collection of photographs and ideas compulsively many times before I decide on my next painting subject or what to post on my blog. Of course, every now and then I do know what, which, and how almost instinctively. I am also acutely aware that when I am drawing and painting, the ability to choose well -- the right stroke of the pencil or the brush, the correct value and color, and when to say enough is critical. Sometimes the desire to choose well is so strong that it interferes with the act of creating even as I keep telling myself its only paper and paint! This past week while at the library picking up "The Art of Choosing" by Sheena Iyengar was an easy decision to make. I am hoping by the time I finish reading it I will have insights into becoming a better and disciplined 'chooser' in both mundane and momentous tasks - and not just in my art :)

Brain and Art

Planting Paddy watercolor 6"x8"

I am experimenting with painting fast and loose as well as challenging myself not to fill my painting with pattern and color, leaving some white of the paper untouched. Earlier I had painted the same scene from rural India in Another Season. Here, I further simplified it. I don't know if I like one better than the other.

What makes us like one painting better than another? And what happens in the brain when we see a painting that we really like? NYU's Neural Science and English Department's Dr. Edward Vessel, Nava Rubin and G Gabrielle Starr's poster presentation This is your Brain on Art shows which parts of the brain light up when there is an aesthetic response (strong liking) vs a simple preference to a painting and to what extent is an aesthetic reaction mediated by specific emotional response. Dr. Vessel found there was strong response in multiple areas of the brain when subjects saw a painting they really liked. The responses were triggered in left medial prefrontal cortex, left substantia nigra and left hippocampus. Even as the subjects picked different paintings as their most liked painting, the same set of areas in the brain responded to their varied selections. 'Beauty' in art seems to engage cognitive, memory and emotional circuits in the brain. Check here if you like an easy to understand explanation of the poster.