Monday, August 16, 2010

Celebrating the Impermanence

Celebrating the Impermanence  Digital Photography

The Monks from Drepung Loseling Monestery in south India have been visiting every year for the past eleven years and this year I needed the timely reminder about the big picture, the  impermanence of life and not to sweat the series of  incidents that seemed to have piled on in my life this past month with no regard to the inconvenience and stress they caused :) Watching the monks take days to construct a beautiful mandala with a meditative concentration and then sweep it up only hours after completing it by pouring the sand from the mandala into a nearby river is indeed a very healing experience.  They always inspire me to look at my creativity with new eyes. I am now eager to get back to sketching and painting with a fresh perspective on art and life.  On a lighter vein, but sharing the same big picture philosophy, check out  Stefan Sagmeister's talk about happiness and design.

Friday, August 6, 2010

Language of the Soul


The Dancer watercolor on Yupo 14x11"
"And those who were seen dancing were thought to be insane by those who could not hear the music " - Friedrich Wilhelm Nietzche

I am really enjoying painting on Yupo - learning with each new piece.  In The Dancer I played again with just paint, water, brush. Yupo surface was perfect to bring out the silky transparency of the bellowing skirt and the veils.  I used a bunch of  photographs taken many years ago  at a dance demonstration and  added my own background of veils. I finished the lady more than a week ago and then waited for inspiration to resolve the background. Since this is yupo I may yet come back to it after a few days :)

Over the years, every time I saw those photographs, or I see someone totally absorbed in creating art, music or anything else, I am reminded of Mihaly Csikszentmihalyi's concept of 'Flow.'  According to Mihaly, Flow is completely focused motivation. It is single minded immersion and represents perhaps the ultimate in harnessing emotions in the service of performing and learning. Check out this video of a TED talk by Mihaly on 'Flow' - creativity and happiness.

Tuesday, July 27, 2010

Summer Special


Sunflower  watercolor on Yupo 11x14"
One more Yupo experimentation. I used only watercolors, brush and misting with water (thats the summer special!) this time for this painting. Blotting with balled up paper towel I had on hand to remove excess water or paint also added some interesting textures and lines.  The center of the flower was fun to create by dropping a color, misting and dropping another color and watch the textures happen .  I was able to lift the color to show the  sunlight streaking between the petals and the flower head. Next time I hope to come up with a   composition that will lend itself even more to the mingling of colors and challenge myself to find ways to make textures :) 

Thursday, July 22, 2010

Glow in a Glass

Lemon Glow digital photography
Last week, this glass of water with a slice of lemon caught my eye as I sat resting my feet towards the end of fun wedding reception I was attending and out came my camera as I clicked away merrily catching the glow in the glass. The digital camera with its ability to preview helped me play with the composition and settings until I was satisfied.

Check out some beautiful photographs in the online exhibit of Princeton University's Art of Science 2010 Gallery. Since the first exhibit in 2005, Art of Science showcases stunning and simply amazing photographs that were captured in the process of scientific research and not as 'art for art's sake'. The web site says that the 45 winning images from 115 submissions from 20 departments by students, faculty, research staff and alumni were 'chosen for their aesthetic excellence as well as their scientific or technical interest.' This year's theme is "Energy." And of course, according to an article in physorg.com the odd amounts in 'cash prizes were derived according to the Golden Ratio a mathematical proportion that has been found in aethetically pleasing designs from seashells to Ancient Greek Temples" Be sure to check their archives of previous years' exhibits for some most extraordinary and stunningly beautiful images.

Friday, July 16, 2010

Resplendent on Yupo


Resplendent watercolor on Yupo 11x14"
Last week I tried out watercolors on synthetic Yupo paper. It was a fun experience full of surprises. The water flows and just 'sits' on the slick surface so I could tilt, push and let the watercolors mingle and produce or lift patterns. I did minimal sketching and had to learn by trial and error how to work the paint on the very smooth surface and how much water to use. It was easier once I discovered that watercolors flow better if I first paint with water and then drop the colors. I had to watch out and not overdo patterns with brush strokes. The paint could be easily removed which was both a plus and a disadvantage since I could easily takeout deliberately or inadvertently what I had already painted with a swipe of a damp brush! I found it hard to paint details. I also learned to be patient and wait. It was important not to disturb an area I liked till it fully dried. I really like how the colors seem to be brighter and bolder on the Yupo paper. Looking at the painting now, I realize I only used brush, water and paint and really did not make full use of the surface to mingle the colors or get free flowing patterns and also use plastic wrap, salt or alcohol for textures. I also see that I need to give up my urge for control and let the surface do its thing :)

In my research about working on Yupo paper I read that once I know I have 'finished' the painting it should be sealed several thin coats of a fixative spray. A quick search on Google produced a wealth of information on how to paint on Yupo including video clips on YouTube. I really enjoyed my first experience and excitedly looking forward to playing more with yupo!

p. s: please do not click on the 'link within- you may also like' - that does not have a title/or the one that  says tattoo --its spam --I can't take it off and I don't want to give in and take the widget off completely :(

Friday, July 9, 2010

Lost in Notes

Melody Meditation watercolor 12x9"
I did a detailed sketch of this musician on a full sheet of watercolor paper and it has been waiting to be painted for a couple of months now. Before that, I sketched him on full sheet of drawing paper trying to work out the composition. But I am still hesitating to start the painting. So a few days ago to shake off the reluctance, I did a fast and loose watercolor of just his head in under an hour to see if I can capture his 'lost in notes' expression.

I saw and heard this musician one late night on the streets in India last year as he played his instrument along with a host of others in a procession. They were all accompanying a parade of people taking a icon of Ganesha, the elephant-headed god to be immersed in the lake after a month long festivities. I was impressed by his total immersion in the music even as he was in the middle of huge noisy street jamboree. Indian music traces its origins to the vedas and is seen as the pathway to reach higher consciousness. He seemed to embody how music touches the heart and elevates the mind.

Sunday, July 4, 2010

Wednesday, June 30, 2010

Delicate Dragonfly

Delicate digital photography
Dragonfly photograph seemed to be the perfect one to post again after my last two paintings. I read that they symbolize 'renewal, positive force and power of life in general.' They are also thought to represent fleetingness and change, even though they are one of the oldest inhabitants of earth dating back over 250 million years! The Japanese and also the Zuni Indians consider them to be messengers from another world representing courage and strength. To the Navaho Indians dragonfly symbolized pure water. Check here if you would like to see some exquisite close-up photographs of the dragonfly. I am happy that so far this summer I see their shimmering delicate lacy wings and iridescent eyes as they fly around the garden.

Monday, June 28, 2010

Collateral Damage

Collateral Damage water media 9x12"
The Gulf oil disaster needs no explanation. Recently I read the delicate plovers are migrating back right into the mess which prompted me to paint this piece. I have only seen photographs of pelicans dripping in oil and I don't know how much oil the plovers will get on them since they are shore /wading birds. So this is done purely from my imagination. As an artist how much license should I take ? Does it take away from the message if I decide to be faithful to the spirit of the idea, to the emotional content and go with my imagination? Recently there was a story on NPR about Michelangelo drawing a brain in God's neck in the Sistine Chapel ceiling and the discussion centered upon why there and what did he want to convey? Artists have always wanted to make philosophical and political statements. My hope is that, the messages doesn't get swept away in the debate about realistic depiction.

Tuesday, June 22, 2010

Ignorance

Ignorance mixed media 12x15"
The explosion of violence, hate and extremism around the world is very very scary. This piece in a way painted itself. Its beginnings were innocent enough but before long as I was listening to radio news of bombings, terrorist plots and raging wars, I found myself painting dark figures, smoke and a war zone of a city. Apathy is as dangerous as hate. How do we give non-violence a chance? Will we all ever learn to live and let live?
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