Cry Me A River

Hanging Onions watercolor India sketchbook by Meera Rao 

Member of the Allium family (Lily Family),  onions claim nutritional as well as medicinal benefits and play a prominent role in Indian cooking.  There is always a bunch, two or more hanging off the window in my brother and sister-in-law's kitchen :)  This is probably the biggest bunch I saw during one of my trips and I had to sketch it.  

By the way, the compound allyl sulphate which is produced when an onion's ruptured cells are exposed to air is responsible for producing tears. To reduce the production of this compound, chill the onions for half an hour or so before cutting to reduce the activity of the enzyme. My Mom was the only person I know who never teared when she chopped onions!

Directing Attention

Bell by the Door  watercolor and ink by Meera Rao

Ringing of the bells during Puja (worship) is an important ritual for Hindus whether at home or at temple.  We ring the bell at the temple when we enter and then as we leave.  A small  hand held bell is rung when 'aarati' (or light) is shown to the murthy (idol of deity).  The light flames  and sound vibrations wake up the senses, clear the mind of distractions and help direct the attention to pray and meditate. 

I love this particular ornate bell that graces the entrance of my brother's home.  During my last visit in November, one afternoon I sat by the steps near the door and sketched it.   

Sketching and Watching

Wright Brothers National Memorial,  Kitty Hawk, NC  watercolor 5.5x16.50" by Meera Rao 

Almost a month ago, we went to Kitty Hawk to Wright Brother's Memorial National Park to see the Eclipse.  It was a memorable experience. It was awe inspiring to check out the sun with the eclipse glasses. I also took along my colander and caught the eclipse through its holes.

Colander Eclipse Shadows  Photo By Meera Rao

I also made a pin hole camera with a box and poked a lot of different sized holes to look at the eclipse.  Where we were it was only 90% eclipse and we did not experience the darkness- only the temperatures dipped and it felt like cool evening !

Eclipse thru pinhole camera Photo by Meera Rao 

While I was waiting for the eclipse to start,  I sketched and painted the Wright Memorial. I also took some artistic license and moved their building and the markers closer to the Hill just so I could fit them in the paper :) If I had thought about it and really planned it right I could have sketched the memorial a bit more to the left. But adding the other buildings and  markers was an afterthought. It took me about an hour to sketch and paint. 

Wright Brothers National memorial, pen and watercolor  5.5x16.50"

Tracks and Lines

Tracks and Lines Near Union Station DC  pen & watercolor 8x5"  by Meera Rao

I don't know what this building is. I see it as the train pulls out of Union station DC on my trips to NYC. Everything about the building - the color, the structure, the look and all the wires crisscrossing was just the invitation for me to sketch and paint it.  

There are so many scenes I see in passing on my trips that I just to itch to sketch - but most of them pass by too fast for me to photograph, let alone sketch.  What do artists do in situations like that? Resort to imagination?  Make a special trip by foot or car back to those places leisurely and sketch? Add one more to my stories about one that got away?  I was finally able to take a few blurry photos of this building as the train sped past it and used those, my mental notes and impressions to sketch and paint.  Last week when I passed it again by train I was pleased - I had captured the scene to my satisfaction :) 

I came across an article in Artists Network  on Sketching On The Go by Bill Silvers with this tip that I really like :

"Try sketching while traveling in a car. My favorite time to sketch is while traveling in a car. As my wife drives, we pass a house. The outer shape is quickly noted. We drive on?there's a group of trees. I place those trees behind the house. Look at that?a differently shaped building. I place it so that the first one overlaps the second. There, a telephone pole; a car, etc. As object is added to object, I try to get them in an interesting overlap. Working directly in watercolor may be impossible during a car ride, but when I get home, I take out my sketchbook and lay in the colors and tones as I remember them. If it doesn?t work, I can change it or do the sketch over. After all, the beauty of the sketch is it's only a sketch!"

Do you have any tricks and tips for sketching on the go? Please do share them in comments below - I am eager for more ideas !

Distance From Origin

A Stone of Hope watercolor and Ink 5x8 by Meera Rao

It is funny how I have inventory anxiety and then feel pangs of separation as I let go a painting that finds a new home!  I am a jumble of emotions feeling grateful and excited that someone else liked the painting enough to want it and a twinge of apprehension that I might never see it again :) Last month, A Stone of Hope, a sketch of the Martin Luther King Jr. memorial at Washington DC  was auctioned off at a fundraiser for my granddaughter's school PTA.  I am grateful to be able to give back to the community in my own small way. 

Distance From Origin  colorpencils  by Meera Rao

I was honored to be invited by Katherine Thomas, an artist friend by way of the cyber world, to participate in doing a page in the Sketchbook Project "Distance From Origin"  via the Brooklyn Art Library. The sketchbook had already traveled to :Ohio, USA; Kent, England; Colorado, USA; and Nasum, Sweden.  I used color pencils to sketch a view of the NASA Langley (Lunar)Landing Impact Structure from my backyard.  It was my interpretation of the theme 'Distance From Origin' -man exploring the universe, the light and heat from Distant Sun burning up the early morning fog. And all this captured by me, who was of course quite a distance from my origins :) I wished the sketchbook happy travels and sent it back. Check out talented Katherine Thomas's FaceBook page and also the special page she created for the project 'Distance from Origin' to see where in the world that sketchbook traveling to!  

Altered States TAA Portfolio show Mixed Media By Meera Rao

My mixed media paintings on photographs have been juried into the TAA Portfolio show at the Suffolk Art Gallery in Virginia.  The theme of my portfolio is "Altered States."  The  show will be up from April 29-June 4.  At the opening, I was pleasantly surprised to see that two paintings already had red dots :) My wish for all my paintings is for them to give happiness and pleasure from whatever walls they grace ! 

Fingers At Play

Sitar Artist sketch by Meera Rao 3.5x5.5

Tabla Artist sketch by Meera Rao 3.5x5.5

A milestone for me yesterday. I loved watching, listening and sketching the two artists live at a concert.  I am really pleased with the results. I used just pencil and no eraser- I knew I had two hours to practice my sketching! The lighting was a bit of a challenge- but I did not mind. These two are the last and the best of 2-3 sketches I tried of each musician. The hands were the hardest as they were flying ! I tried multiple sketches of hands only before I could get them somewhat ok. I wanted to capture the joy and intensity I saw in the artists -I think I managed that along with the likeness :) The wonderful concert by Kushal Das and Ramdas Pulsule so nourished my soul! They really played their heart out. 

Sitar Artist sketch by Meera Rao 3.5x5.5 graphite

Tabla Artist sketch by Meera Rao 3.5x5.5 graphite

Starting A Journey

Main Street Station watercolor and ink  5.5x8" by Meera Rao

At the start of a new year I always wonder if I should give myself any goals.  Over the years I have had a mixed record of keeping my resolutions.  This year giving myself wiggle room, I have decided to sketch 'something' everyday and post it on "sketch-today sketches 2017"   on Tumbler. 

The idea is to make it easy for me to post a photo of the day's sketch everyday and have all the sketches for the year in one place - to track and see the efforts of each day thru the year :)  This first week, couple of days I barely managed a simple sketch and then on other days I managed to pull out my watercolor set and spent a good deal of time on the day's creation. I really enjoyed keeping a art journal/sketchbook during my stays in India over the past five years, but somehow have not been disciplined about maintaining it rest of the year.  I hope this year is different :) 

While surfing the internet last week, I came across an article  on choosing  a word for the year. I liked the idea and decided my word is “present” — as in be present in the ‘studio’ (i.e anywhere to sketch or paint) – everyday as much as possible; 'be in the present’ while doing art – not worry about how something will turn out or not; to remember that whatever talent I have been fortunate to be blessed with is a ‘present’ to be fully enjoyed and be grateful for :) 

'present' my word for 2017

I really have to push myself to not procrastinate, not to be afraid of failure or rejection, and accept whatever shows up on the paper and celebrate everyday. Hoping the word will be a daily reminder to hold up my end of bargain and keep up with my goal of sketching everyday.

I came across a obituary in New York Times for artist  Tyrus Wong - aged 106.  He was an incredibly accomplished painter, illustrator, calligrapher and Hollywood studio artistan.  He was the artist  for Walt Disney’s 1942 animated classic, “Bambi.”  His  is a story of  talented  hard working immigrant artist who remained largely unknown to the public. He faced much discrimination and marginalization  but remained a true artist - creative till the end. 

I was really moved and inspired reading Wong's obituary and an article about his work -I hope sketching everyday will help me as he said : ‘If you can do a painting with five strokes instead of 10, you can make your painting sing.’

So Happy New Year to all!  What word will help you be inspired and create in 2017?  Please do share your goals and your 'word'  for the year :) 

Moved by Compassion

Bodhisatva  sketched at the Chicago Institute of Art by Meera Rao 

calm

 peace 

grace

on the path 

to Awakening

a merciful guide

moved by compassion

~Meera Rao~

Information about the statue of Bodhisatva 

I have badly sprained my ankles and on my trip to Chicago in a way it was a blessing in disguise. Normally I spend hours in various galleries trying to catch a glimpse of all the wonderful art. But this time I did not walk around the museum ( I know I missed some fabulous exhibits).  I decided instead to sit and sketch something at the museum. 

I had always been attracted to this statue which is close to the entrance of the museum leading to the exhibits on art from India, Tibet, Korea, Japan and China etc.  I slowly hobbled over and sat on a bench across the statue and took my time sketching with pencil and eraser.  The guard came around a few times to ask if I was ok and if he could help me find anything - I am sure he was checking my progress and making sure I was doing what I said I was doing! None of the visitors stopped and chatted though I noticed some paused close and long enough to satisfy their curiosity :)   

While I sketched it sitting down, the photo of the statue was taken standing up just before I left.  I gave the red wash to the background later - did not dare take my water brush or the small watercolor box in the museum. 

Bodhisatva sketch in pencil and watercolor 5x5" by  Meera Rao

Passage of Time

Whiling the Morning Away watercolor and ink by Meera Rao

India Art Journal 2015

Under the shades of huge trees in parks or elsewhere there are always elderly men mostly in crisp white shirts, wearing traditional white "Dhoti" (click on link for simple version) or western style pants sitting and whiling away their time - keeping up with friendships, resting after their daily walks, discussing world affairs and may be just fighting off loneliness. I saw this group daily while out on my errands and had to record it :)  

I feel a pang as I post this last sketch from my 2015 summer journal from India. The past four summers I went to India to take care of my Mother-in-law and started sketching daily as a way to keep up with my art. I compulsively sketched almost every single day when I was in India - something sadly I don't seem to be able to do now. As my Mother-in-law passed away late last year I won't be staying for extended period in Mysuru this summer. 

During those stays, I filled five sketchbooks with around 250 sketches - the first year I had done 124 sketches -small 2.7x4" in Strathmore 5.5x8" Visual Journal watercolor 140lbs- one for every day of my stay. It was easy to keep up with daily sketching as my only concern was to sketch every day! 

The second year feeling ambitious, instead of four sketches on the page like the past year, I decided to draw bigger 5"x4" sketches. I ended up with half as many sketches as most could not be completed in the allotted time each day. I had to resort to sketch one day and finish water-coloring them the next. 

The year after, I was a bit more adventurous filling in two Japanese style moleskine accordion sketchbooks - not restricting myself to any particular size within the sketchbook. I still finished around 40 vignettes. 

It was harder to sketch everyday in 2015 - I managed about 22- 5.5x8" sketches taking two to three days to finish each  - even working on the last few after my return as I unable to sketch on many days during my stay. On the whole, keeping the sketchbooks was definitely one of the best decisions I made.It helped see a bigger picture of life. I noticed and experienced things differently and the many fast disappearing vignettes of daily life are now not just only in my sketchbook but are etched in my memory.   

The past few months though I have spent more time reading and looking at art than picking up a pencil or paintbrush. Now finally I am beginning to feel an urgency and renewed enthusiasm to shake off my lethargy, to get back to sketching and painting every day. 

Artists don't get to work

Until the pain of working is exceeded 

by the pain of not working 

~Stephen DeStaebler~ 

Whiling the Morning Away 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Simple Times

A Tire, A Street and A Buddy watercolor and ink by Meera Rao

India Art Journal 2015

Simple times and carefree days.  I watched them roll the tire back and forth down a quiet lane, laugh and squeal in delight. Pretty soon they had mastered the art of keeping the tire rolling without a break. I was a witness to a sealing of friendship, memories in the making and developing skills and imagination :) Definitely 'just playing' is really a lot of 'work' as well! 

You can discover more about a person in an hour of play than in a year of conversation." 

Plato

 A Tire, A Street and A Buddy 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Under the Mid-day Sun

Under the Mid-day Sun watercolor and ink by Meera Rao

India Art Journal 2015

To work under hot mid day sun is just plain hard work.  These two ladies were making plaster cast and clay statues for sale by a busy road side. They are migrants who traveled from northern states  to south in search for a better living. They had taken over the sidewalk, set up tents and a business. It is a difficult ethical problem - shouldn't the city evict them for blocking the roads for pedestrians like me who now have to walk on the edge of the road  with traffic whizzing by or do you applaud them because they are entrepreneurs  trying to make a decent wage by working and producing. For now, the only solution I saw was to capture them in my sketchbook.


Under the Mid-day sun 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

    

Water for Today

Water for Today watercolor and ink by Meera Rao

India Art Journal 2015

When you see water in a stream

you say: oh, this is stream

water; 

When you see water in the river

you say: oh, this is water

of the river; 

When you see ocean

water

you say: This is the ocean's

water! 

But actually water is always

only itself

and does not belong

to any of these containers

though it creates them.

And so it is with you. 

Alice Walker

Water for Today 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Evening Shadows

Evening Shadows watercolor and ink by Meera Rao

India Art Journal 2015 

Sunday evenings the roads are relatively empty and I was fortunate to come across this scene on my daily walk.  The beauty of this play of light and shadow will remain etched in my memory even if I may not have done justice to the original scenery.   

I have realized over the years that, my vision is always ahead of what really ends up on the paper ! Here is a story from the book Art and Fear by David Bayles and Ted Orland :  More often, though, fears rise in those entirely appropriate (and frequently recurring) moments when vision races ahead of execution. Consider the story of the young student – well, David Bayles, to be exact – who began piano studies with a Master. After a few months’ practice, David lamented to his teacher, “But I can hear the music so much better in my head than I can get out of my fingers.”

To which the Master replied, “What makes you think that ever changes?”

That’s why they’re called Masters. When he raised David’s discovery from an expression of self-doubt to a simple observation of reality, uncertainty became an asset. Lesson for the day: vision is always ahead of execution — and it should be. Vision, Uncertainty, and Knowledge of Materials are inevitabilities that all artists must acknowledge and learn from: vision is always ahead of execution, knowledge of materials is your contact with reality, and uncertainty is a virtue.

To quote Ira Glass about the 'gap' in taste and skill:  It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. 

So on to marching towards my 10,000 sketches...... 

Evening Shadows 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Flying Jewel

White Throated Kingfisher watercolor and ink by Meera Rao

India Art Journal 2015 

Everyday at the same time this kingfisher perched conspicuously on a thick cable wire by my window. With a clear view of the road below and all the neighboring yards, it could look for its pray of small rodents, earthworms, large insects, snakes, fish and frogs, but I never saw it catch anything.  Mostly it looked like the bird stopped to rest for just a few minutes on its way from or to someplace else - probably to the huge Kukkare Halli Lake a few miles away. With its brilliant colors of teal, chestnut, and white body with a red beak it looks like a flying jewel! Here is a link for the Kingfisher calls if you want to listen how it sounds like :) I had hoped to catch a glimpse of the bird flying off so I could see how the teal wings looked like but never managed that :( 

This is one of the subjects I had to sketch more than once - as I was never satisfied with how the colors looked on the paper. The brilliant beautiful shimmering colors of the bird are a sight to behold.  

White Throated Kingfisher 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Showing Tricolor Pride

Showing Tricolor Pride watercolor and ink by Meera Rao

India Art Journal 2015 

Come festival or national holiday, the tiny Mom and Pop stores that line the narrow roads near the local market come to life with the colors of nick knacks and sundry items for the occasion.  On this particular day the tricolor flags and banners and streamers were flapping in the wind in this little store in anticipation of the Independence Day celebrations. The little girl was looking at the items for a long time - I am not sure if she bought anything in the end! Cars, buses, motorcycles, bicycles, tiny tricycles, rickshaws  doorways and storefronts are all decorated with flags or banners celebrating the day. Even though a holiday, this store was open for business for last minute shoppers !

Showing the Tricolor Pride 8x5.5" watercolor and ink on 140 lb Strathmore visual Journal

Dance of Life

She Moved Like A Dancer watercolor and ink by Meera Rao

India Art Journal 2015 

She was a vegetable vendor.  Everyday she sat by the roadside with a few crates of produce. She always dressed in simple though beautiful sarees with matching stylish blouses, bangles,  flowers in her hair, and eyes rimmed with kohl. She also had a ready smile for her customers.  This particular evening she was moving her crates to a storage area near by before calling it a day.  As she lifted and carried her crates she moved like a dancer, light bouncing off the folds of her saree, face and body. I was captivated by the beauty and grace of her movements.    

"I found I could say things with color and shapes that I couldn't say any other way 

- things I had no words for. "

~Georgia O'Keeffe~

She Moved Like a Dancer 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Neighborhood Klatsch

Neighborhood Klatsch  watercolor and ink by Meera Rao

India Art Journal 2015 

Most afternoons, these three neighbors sat on the varandah chatting away while waiting for their children to return from school. I could watch them from my balcony but could not hear their conversation.  They were always glad to see each other and have their thirty or so minutes together. I wonder if they noticed me and what they said to each other :)  

Neighborhood Klatsch 5.5x8" watercolor and ink on 140 lb Strathmore visual Journal

Afternoon Siesta

Afternoon Siesta  watercolor and ink by Meera Rao

"Only mad dogs and English men go out in the noon day sun"

-Rudyard Kipling

When I saw this fellow taking a power nap in the middle of the day, looking quite comfortable on a mattress propped inside his autoriksha, I had to sketch him.  He was on a side street - directly in view from my balcony ! I quickly took a couple of photos just in case he woke up and went off, then set to sketch him. I had enough time to finish the sketch but colored it later.   

Afternoon siestas used to be the norm everywhere in India.  I remember my father, grandfather always came home from work for lunch at mid day, took a nap and then went back to work during the cooler part of the afternoon and evening.  Now it is a luxury enjoyed by few who can rearrange their day to their liking! Whoever is home during mid day, the elderly, the retired, the housewives, kids  and a few lucky folks who are their own bosses, all take a nap almost everyday. No one goes knocking at  someone's door during the afternoon! 

I quickly adapted to mid day power naps too during my stay in India.  It has to be power naps  because longer naps makes one groggy the rest of the day and wide eyed awake at night! I always set an alarm but it was so hard to make myself getup when it went off! As recent studies show, the mid day nappers especially in the tropics were on to something. They are not lazy slackers. As this article "7 surprising benefits of an afternoon nap"  explains they knew its power to influence the overall wellbeing, boost energy and increase productivity among other things :)  And more importantly, for us artists: 'Daytime sleep can, “enhance creative thinking, boost cognitive processing, improve memory recall and generally clear out the cobwebs," James Maas and Rebecca Robbins, co-founders of Sleep for Success, wrote in The New York Times.  :)  That ought to be a good reason to squeeze in my nap habit now that I am back in USA!

Btw, I am the Artist of the Month displaying at the Poquoson Public Library during February.  I am sharing the wall with a friend who is showing his photography for the first time. Here is a photograph showing the half with my paintings.  Please stop by if you are in the neighborhood :) 

Wall with my paintings at Poquoson Public Library  as February Artist of the Month 2016 

time for afternoon siesta  5.5x8" watercolor and ink on 140 lb Strathmore visual Journal 

Cool Blue

Cooling Off  Ink and Watercolor sketch 2015 5.5x8" by Meera Rao

Your acts of kindness 

are iridescent wings of

divine love  

which linger and continue 

to uplift others 

long after sharing.

~Rumi~

It was one of those very hot summer days.  I was hurrying home to escape the heat from an errand that had taken longer than anticipated. On one of the side streets outside a marble warehouse, I was most impressed by what I saw: someone thoughtful had filled  a big old blue bathtub with water for anyone who wanted to cool off by splashing water on feet or face ! 

Chilling the pulse points by running cold water over the wrist for a minute or so, splashing water on the temples or face are age old ways of combating the tropical heat. The amazing thing is that bath tubs are extremely rare in India but somehow one was out there propped up on old tires, filled with water !  Many men stopped by, scooped out water on their face and feet to cool off before continuing on their way.  Since then I have noticed the bathtub leaning against the wall dry and empty on other days when the temperatures were bearable.  

Sketching it later was very gratifying and even now the memory of the blue bath tub brings a smile to my face. 

India Art Journal 2015- Strathmore Visual Journal, watercolor 140 lbs, 5.5x8"   

Public Declarations!

Public Declarations  watercolor by Meera Rao

Huge billboards that dwarf people, vehicles, buildings and mighty trees decorated with thousands of tiny light bulbs that glow in the dark occupy major and minor intersections of the roads in the city during the festivals. These particular ones celebrate the Goddess Chamundeshwari, the patron deity of the city of Mysore along with that of Saint Raghavendra Swami.  They provide magnificent backdrops for all the parades and festive atmosphere.  Right around the corner from these bill boards are very very crowded flower, fruit and vegetable markets, where one can find just about anything for the right price :) I took the liberty to clear the streets of people and vehicles in my sketch book leaving only a a few to give an idea of scale and also a better look at the billboards! 

From my 2014-15 India sketchbook/art journal  :Embracing the Ephemeral in watercolors and ink on Moleskine Japanese Album (large)