Showing posts with label india sketch journal. Show all posts
Showing posts with label india sketch journal. Show all posts

Monday, August 24, 2015

Anticipation

Waiting - India Sketch Journal 2014-15 by Meera Rao

Quite often while the main streets are congested and busy, the side smaller streets are quieter and hold unexpected scenes! The 'jataka' - quaint very colorful, highly decorated horse drawn carriages can still be found in cities like Mysore and are loved by the tourists ! I love to photograph and sketch them.  The side streets are where they rest and recoup between rides. I have not ridden on one since I was a child and just might try again soon! This was a windy day and the two ladies were trying to hold on to their flying/flowing sarees and hair !


Anticipation - India Sketch Journal 2014-15 by Meera Rao

The lanterns for the festival of lights "Deepavali" were crammed into this tiny store.  There were all different sizes, colors, hanging, stacked one top of another, in boxes, bags, in every nook and corner of this store.  They were also a few traditional clay lamps in boxes as well, along with packets of sparklers or firecrackers.  There was so much color, shapes and textures,  I had a hard time deciding where to start - it was indeed a challenge to sketch it!  

This is the last panel of my second, larger accordion sketchbook - and the scene is from my unexpected short trip back to India last year. This is the only panel from that trip and it was a few long months before I picked up the sketchbook again to finish the coloring, tinting and lettering etc. (hence 2014-15). 

The sketches are done in Moleskine Japanese Album(large) in watercolors and pen. 

Friday, August 14, 2015

Service to the Devotees

For Sale - India Sketch Journal 2014-15 by Meera Rao

Festivals and devotees means an opportunity to sell - from beetle leaves for 'puja' or pleasure to colorful plastic pots, earthenware and sundry household goods galore. The streets are lined up with vendors who anticipate a brisk business around holy days. 

Devotee will get Hungry! India Sketch Journal 2014-15 by Meera Rao

And of course, there has to be freshly made mouthwatering delicacies! A simple stove, couple of gas cylinders, a big black cauldron with hot oil, a pot or two and some utensils are all that was needed for this enterprising cook to open a stall by the footpath! The smell of hot 'pakodas' was inviting and a line was forming even before the first batch was out of the oil! If only I could have scratch and sniff strip right here to complete this vignette!  

Mehendi For the Lady - India Sketch Journal 2014-15 by Meera Rao

A few tubes/cones of 'mehendi' paste and this fellow was in business drawing beautiful elaborate designs on the hands and arms of ladies eager for the stunning look.  I stopped to chat and found out the girl was a muslim bride happy to be taking advantage of the opportunity around a Hindu festival to have 'henna' done couple of days before her marriage ceremony. 

The sketches are done on Moleskine Japanese album (large) in watercolors and pen. 

Wednesday, August 5, 2015

Making the Mundane Sacred

Blessed Vegetable stand  watercolor India sketch Journal 2014-15 by Meera Rao 

During the festival season in Mysore, every vendor gets into the spirit by decorating their little section of the footpath. On a quiet Sunday morning walk, I spotted this red onion stand with an elaborate huge 'rangoli' design on the road itself next to a tree turned into a shrine. With a lot fewer vehicles and pedestrians, the stand by a 'petrol bunk' (gas station) could not be missed.  The rangoli done in white powder on the road stretched to the median line!


The Flower Vendor and her stall watercolor India sketch Journal 2014-15 by Meera Rao 

This flower vendor was giving her thanks to the goddess in her small stall turned into a shrine decorated long strands of colorful garlands. The blue plastic tarp tent was a good backdrop for the colorful flowers! 

A Streetside Shrine -unfinished  watercolor India sketch Journal 2014-15 by Meera Rao 

This was the beginnings of what turned into a elaborate shrine by one more vendor. It is so much fun to walk around the city checking out all the different ways the vendors try to show their devotion and give thanks to their favorite deity.   

And an important notice and plea for help:

Please sign this petition at Change.org and get wallpart.com off the internet and off the business it is trying to do- sell artwork as posters without the knowledge and permission from the artists. Search your name/website on their webpage and you may be surprised you are being duped and compromised :( I came across the site via another blogger who posted about her works being stolen. I was shaken up to see all the pictures from my blog being offered at $5.59/poster!  

P.S:  I discovered this morning that it is best bot to even go to that site to check -- but be sure to sign the petition! 
http://peterandcompany.tumblr.com/post/124924181627/phishing-warning-avoid-wallpart-at-all-costs


I thought long and hard if I should continue to blog then decided to post but work towards getting wallpart off the internet.  I am hoping to alert other artists, photographers, art enthusiasts, customers and make them aware of this problem. Please spread the word about protecting artists and our work. 

Saturday, July 25, 2015

Public Declarations!

Public Declarations  watercolor by Meera Rao

Huge billboards that dwarf people, vehicles, buildings and mighty trees decorated with thousands of tiny light bulbs that glow in the dark occupy major and minor intersections of the roads in the city during the festivals. These particular ones celebrate the Goddess Chamundeshwari, the patron deity of the city of Mysore along with that of Saint Raghavendra Swami.  They provide magnificent backdrops for all the parades and festive atmosphere.  Right around the corner from these bill boards are very very crowded flower, fruit and vegetable markets, where one can find just about anything for the right price :) I took the liberty to clear the streets of people and vehicles in my sketch book leaving only a a few to give an idea of scale and also a better look at the billboards! 

From my 2014-15 India sketchbook/art journal  :Embracing the Ephemeral in watercolors and ink on Moleskine Japanese Album (large)

Sunday, November 30, 2014

A palace for Art

India Sketch Book 2014 panels 27,28 by Meera Rao 

The last four panels of the sketch book are filled with details from the Jayachamarajendra Art Gallery and Performance center at the Jaganmohan Palace.  The performance hall has many beautiful stained glass windows. The beautiful building is unfortunately crumbling and in dire need of renovation and restoration.  

India Sketch Book 2014 panels 28,29 by Meera Rao

The arches on the many doors on the hall were also decorated with colorful paintings and sculpted relief.

The circular motif sketch is from the front facade of the building - there were about 10 motifs on each of the pillars and each was different scene.  This was the lowest one that I could see clearly :) 


India Sketch Book 2014 panel 30 by Meera Rao 

I was able to sketch only a couple of the stained glass windows before a 'Yakshagana ' performance started.  I did not sketch on the back side of the pages as the sketches had bled through to the other side on a lot of the sketches. 

Sketchbook spread out on the floor 110" x3.3" 

I tried to take a picture of the sketchbook all spread out little over nine feet long ! This was the best I could do  :)



Tuesday, September 30, 2014

On the Road

Sketchbook India 2014 Panels 19-22 by Meera Rao

Sketchbook India 2014 Panels 23-25 by Meera Rao

Road scenes in India are always so very fascinating. Once I started sketching I began noticing all the little details and interesting things that take place. I am attracted to unique vignettes that tell a story. I have learned not to look for perfection in my sketches but hope to capture the emotions.

The scenes get etched in my mind once I start sketching like the time I saw the horse 'checking' out the autoriksha -his competition - while his owner was chatting with the riksha driver! Or the pleasure on the face of the tripple riding motorcyclists -living dangerously with no helmets! The Mother -son pair in the back of the little truck with all their possessions exuded the excitement of moving day.  This time I was pleased I was sketching on the accordion/ Japanese album sketch book :) It was a challenge to keep the sketches connected to one another. 

I needed a couple days to finish each of the sketches- drawing one day and then coloring them the next day. Drawing and sketching in a journal like this make me explore different styles as well as ways of seeing that I have not tried before :) 

Sunday, August 31, 2014

Sculpting Devotion

Sketchbook India 2014 by Meera Rao panels 5, 6, 7, June 9-10
Tulasi Katte and Ratha (Festival Car)

The trip to Mysore from Bangaluru takes around 3-4 hours. When the taxi driver discovered that I had not seen a couple of beautiful temples along the way and that I did not have to be in Mysore by a certain time, he took it upon himself to make a few stops! (We still made it to Mysore by 3pm!) I took  photographs and during the next few days filled over dozen panels of my sketch book.   

Most every Hindu home, and all temples have a special place for the tulasi (sacred basil) plant. The 'pot' that holds the plant is sometimes very simple and most often very ornate.  

Ratha is a huge chariot used during festivals to take the temple deity on procession pulled manually with ropes.  It is decorated colorfully and towers over all the devotees assembled.  Check out Google images  to get a taste of the festival excitement!  

Sketchbook India 2014 by Meera Rao panels 8, 9, 10, June 12-16
Temple premises

Sketchbook India 2014 by Meera Rao panels 11,12, 13 June 18-19
Outside the temple

Sketchbook India 2014 by Meera Rao panels 14,15,16, June 19-22
Temple gopura, Utsava Murthy
Gopura is a towering gateway, entrance to southern Indian Temple. An architectural wonder, it is ornately carved, sculpted  and decorated with stories from Mythology connected to the main deity. There is also a massive and again beautifully decorated door through which one enters the temple complex. Check here to see images from google search of the gopurams.

The main temple deity  is never moved - so, for festivals special  'Utsava Murthy' are created by sculptors. After divine spirits are invoked in them, they are carried in a procession, either on the Ratha Festival cart, a palanquin or sometimes on the head of one of the priests. 

Sketchbook India 2014 by Meera Rao panels 15-18, June 22-27
garuda utsava murthy and stone wall in the back

Most of the temples are all ancient - several centuries old, some better maintained than others. It is  very common to find beautiful carvings, statues and walls in heaps covered in dirt around the premises.  Its heartening see that the citizens are beginning to understand the value of the art that surrounds them and efforts are being done to restore them.  

I think the beauty of the temples is a testimony to the creativity of the many anonymous  artists that sculpted and built them to make the ephemeral quality of spirituality and devotion more concrete, grand and immediate.  To visit a temple, to be surrounded by the beautiful statues, to take in the burning lamps, sounds of conchs, bells and invocation, the scents of the flowers, incense is a memorable and stirring experience. It did not matter that there were worldly business happening too. I really am awed by the incredible power of art that has lasted centuries! 

Tuesday, May 20, 2014

Sharing the Joy

My India Art Sketch Journals at the Hampton Roads Artists Groups Juried Exhibition.

I am excited to be part of a wonderful and unique art show during the month of May at Hampton's Charles Taylor Arts Center!  As the Hampton Arts Magazine Diversions explains : "This invitational group exhibition features artworks selected and submitted by sixteen diverse artists' groups based in Hampton Roads.  These groups pre-selected entries from their member artists, which were then juried into the final exhibition. The exhibition presents both two and three dimensional artworks in a wide range of media, style, and content.  ......The resulting combination of talent, media and subject matter entered by our participating artist groups provides a spectacular exhibition experience."   And the exhibition is a beautifully curated feast for the senses and I feel humbled to be a part of it. 

FYI : The show runs May 3-June 1 2014 - a delightful way to spend an hour or two enjoying art :) 

Tuesday, February 25, 2014

Everyday is a Celebration

2013 India Sketch Journal page 39 by Meera Rao 

"There are exactly as many special occasions in life as we choose to celebrate"
~ Robert Brault~ 

A small celebration as I post the last page of my 2013 India sketch journal. It was my second year of  doing the sketch book. I am amazed and tickled to see over 200 sketches of everyday scenes and incidences in the two years.  I hope some of them will end up as full paintings soon. The biggest lesson I learned is to just plunge in and draw rather than try for that perfect sketch. As I have mentioned before, the best thing I discovered is looking at everyday things with new sketching eyes as I look for ideas. I became adept at squeezing sketching time when I was in India.  Now to make that happen everyday the rest of the year ! 

2013 India Sketch Journal Aug 23 by Meera Rao

The wedding venues are usually a riot of colors elaborately decorated with fresh flowers and foliage. The creative and labor intensive designs are often awe inspiring - sometimes bordering on gaudy. I definitely did not do justice in design or perspective when I sketched this one and as I was finishing it by memory, my skills lagged behind :) 

2013 India Sketch Journal Aug 24 by Meera Rao

Basava - decorated bullocks and his master go house to house asking for alms in -between farming seasons. The bullock's bells and the woodwind instrument the master uses signals their arrival at the doorsteps.  Rice, money or old silk sarees are donated by most the householders.  Sometimes I think this has become a way of taking advantage of the sentiments towards holy cattle and make quick bucks - especially when I see the master curse when he is asked to just move on! The animals though, are decorated beautifully and it is a pleasure to look at the peaceful majestic beasts. 

Wednesday, February 19, 2014

Reading and Riding

India Sketch Journal 2013 Aug 20 by Meera Rao 

Drivers, maids, and gardeners are still somewhat affordable as household help by most middle class families in India.  Other than drivers, 'the help' usually work for multiple families. Drivers though chauffeur only one employer and end up spending a lot of time in the car waiting for instructions on the next pick up or drop off. They can be seen either chatting with other drivers, napping or most often reading in the cars while also making sure the car is safe and well guarded. I saw this driver whiling away his time reading in a car parked in the shade on a balmy afternoon making the most of the circumstance.  Reading the paper is still the most favorite activity even though smart phones are slowly displacing it! 

India Sketch Journal 2013 Aug 21 by Meera Rao 

When that ladder just has to be transported -- this pair found a creative way to handle the job :) During my outings, I delighted in noting all the things people would ferry around in a motorcycle, auto rickshaw, a bicycle or any other vehicle and was always surprised by the variety !

India Sketch Journal 2013 Page 38 by Meera Rao 

Tuesday, February 11, 2014

Women's Work

India sketch journal 2013 page 37 by Meera Rao 

I read just yesterday in the Indian newspaper  The Hindu: "On her arrival in India recently, the words of Gloria Steinem, American feminist and leader of the women’s liberation movement, sounded like bells tolling for all women in today’s modern Indian society. “I came [to India] and what was here a half-a-century ago is still here… and yet there is everything else.”   So true! India has come a long way yet there still a long way to go. 

I am always amazed how the old and new live side by side and these sketches give a glimpse of the hard work the women continue to do. But I also see a new confidence in the women too. I sense it the the neat, beautiful ways most dress in the colorful sarees, salwars, or pants and t-shirts, with fresh fragrant flowers in the hair and the purposeful strides. They do what they have to do and more often than not with a big smile too! I see that their lives are never easy but they go on day after and day.

India sketch Journal 2013 Aug 19 by Meera Rao

As this sketch shows, a woman's work is never done! - I saw this lady often on her way home at dusk - I am sure after a full day's work - carrying a load on her head and a bag on her shoulders. 

India Sketch Journal 2013 Aug 18 by Meera Rao

She was at the corner of the street almost every day doing the ironing for whoever dropped off a load of bundled clothes. She used hot coals in a heavy iron to press the clothes. She was very pleased when I stopped to chat with her and take her photograph. At the end of my stay I usually make it a point to make  copies of the photographs for most of them or show my sketches. Their reaction is always so rewarding! 

It is charming to see the old ways but I do hope we will soon see the status and lives of the women improve not just in India but all around globe. 

Tuesday, February 4, 2014

Transformations

India sketch Journal 2013 Page 36 by Meera Rao 

India sketch Journal 2013 Aug 16 by Meera Rao 

India sketch Journal 2013 Aug 17 by Meera Rao 

"The journey between what you once were and who you are now becoming is where the dance of life really takes place.
Barbara Deangelis"

I wondered long and hard as to if there was even a link between these two sketches on the same page and then suddenly I knew -- transformation :) 

Tuesday, January 28, 2014

Comfort In Rituals

India Sketch Journal 2013 Aug 14 by Meera Rao

Any event usually starts with a prayer to Lord Ganesha -the god who is the remover of all obstacles. This plate with clarified butter - ghee, and the special spoon was used in a ceremony, Homa, asking for blessings- at the start of the festivities, about a week before my niece's wedding. All the rituals are filled of symbolism and are beautiful --even though in this day and age they seem long! But it forces one to stop and give thanks as well as contemplate our role in the Universe. 

I loved the patterns, reflections in the plate, shapes and the colors and had to sketch it. I wish I could have captured the sound of the melodious chanting of the prayers too.

India Sketch Journal 2013 Aug 15 by Meera Rao

August 15 is India's Independence day and Jan 26 is Republic day when you see Indian flags flying everywhere.  Here, an autoriksha driver is attaching the  flag to his vehicle to show his patriotism.  The already colorful vehicles decorated with the tricolor flags are sight to behold. 

India Sketch Journal 2013 Page 35 by Meera Rao

Tuesday, January 21, 2014

Grace Under Pressure




India Sketch Journal 2013 Aug 12 by Meera Rao 

Speedy delivery by motorcycle of various things is nothing out of the ordinary  in India. I came upon this fellow with bags of flowers hanging off the motorcycle handle bars. The motorcycles weave through the heavy traffic and guarantee dropping off  of parcels faster than in a car or van! I saw his bike with flowers parked by the road and started taking a few pics when he returned from his delivery and posed for me for a quick second. He did have an helmet which he wore soon after and then drove off to the next stop. 

India Sketch Journal 2013 Aug 13 by Meera Rao 

Some days I have time only for a simple sketch -- but then, here it is the trusty pressure cooker - the most important equipment in a household in India! I used one everyday  for cooking - it is an art and a science to master!  At least three pots are stacked inside each cooker with dal/lentil/bean in one, rice in the second and a vegetable or two in the third :) This  saves time, cooking gas (which is very expensive) and is super efficient.  These come in many brands, sizes  and varieties. I had to constantly consult my Mom and sisters-in-law over the phone on the finer points of using a pressure cooker - so I would not end up with either mush or under-cooked food! I really appreciated the cooker when I could not use it for a day - somehow I had miscalculated the amount of water/time needed and the valve blew due to lack of liquid.  But no worries, just down the street, in a tiny tiny shop, it was fixed in no time at all :) 

Here is a short history lesson on pressure cooker :" In 1679, the French mathematician and physicist Denis Papin invented the first pressure cooker or steam digester as he called it. The story is whilst he was presenting his new steam digester to the Royal Society it exploded, leading him to invent the safety valve. Three years later he represented it to the Royal society and gained positive reviews.
The pressure cooker title was first seen in print in 1915. In 1927, the first pressure cookers were sold in Germany and in 1939 the world’s first commercial pressure cooker made by National Presto Industries was exhibited at the New York World’s Fair.
In these early days, there are accounts of people thinking pressure cookers were the results of witchcraft because of their continued hissing."

In my home in US I now have a electric pressure cooker with a timer which I absolutely love, along with a much used stove top cooker that I have had for over three decades. 


India Sketch Journal 2013 Page34 by Meera Rao 

Tuesday, January 14, 2014

Stacks of Creativity

India Sketch Journal 2013 Page 33 by Meera Rao 


India Sketch Journal 2013 Aug 11 by Meera Rao 

India Sketch Journal 2013 Aug 10 by Meera Rao 

As always, I am surprised how even if I have paid no attention to have a theme for each page when I sketched them in India earlier in the summer, as I start blogging about a page, I see the connection very clearly!!!

It never amazes me to see the many innovative ways things are stacked - like the bright blue rain water harvest barrels being transported here in a little tempo or the white eggs in colorful crates at the local provisions store. I love the designs and shapes I see in the ingenious solutions people come up with - sometimes even defying common sense and gravity ;)

Tuesday, January 7, 2014

Trial and Error


India Sketch Journal 2013  Page 32 by Meera Rao 

"Perspective is the rein and rudder of painting" said Leonardo da Vince. I think I lost both in these two sketches. I was really tempted to tear out the page and start over but had to remind myself that it is only a sketch book! 

India Sketch Journal 2013  Aug 8 by Meera Rao 

This father was a worker in a team of people fixing water pipes along the road by our building. He and his wife were both working and the kid was playing & running around near them for a while. Later, when the  child started fussing, the father checked with the house owner by the street and tied a cradle from their roof by the porch. The baby was settled inside the cradle and Dad swung it a few times - until the baby fell asleep and then he was back at work! I only had a a few minutes to sketch the father as he stood there. The rest of the sketch was done leisurely as the baby slept for a while. 

India Sketch Journal 2013  Aug 9 by Meera Rao 

There are always at least a couple of cows by this traffic circle and I watched them every day when I went on my errands. Cars, buses, bicycles, trucks just go around them.  I was so engrossed in getting the cows right, I did not realized in the end that the vehicle was a bit too small :) Sketching with pen means the lines cannot be erased and I leaned to a lesson I won't forget! 

Tuesday, December 10, 2013

Weaving a Way of Life

India Sketch Journal 2013 Aug 4 by Meera Rao

India Sketch Journal 2013 Aug 5 by Meera Rao

On one of my walks in the city, I came upon this amazing set up of a weaving stand right by the road side in front of a closed store. There was a ditch right there and a couple of bamboo poles were laid across to cross it.  There were bamboo ladders and poles tied around to help with the weaving as the screen/mat that was being woven got bigger! There was even a bright blue tarp for shade. The stones as weights on the weaving 'loom' are quite simple and innovative as well.  This link shows that the technique is an ancient one dating to BC!  I was so taken by the whole scene that I decided to devote two days of sketching and give the loom part with the stones its own little sketch :) 

India Sketch Journal 2013 Page 30by Meera Rao

“A weaver who has to direct and to interweave a great many little threads has no time to philosophize about it, rather, he is so absorbed in his work that he doesn't think, he acts: and it's nothing he can explain, he just feels how things should go.”
 Vincent van Gogh

Tuesday, November 26, 2013

Only Different Kinds of Good Weather

India Sketch Journal Page 29 by Meera Rao 

Sunshine is delicious, rain is refreshing, 
wind braces us up, 
snow is exhilarating; 
there is really no such thing as bad weather, 
only different kinds of good weather.
John Ruskin

India Sketch Journal Aug 3 by Meera Rao 

The 'windy month' brings out the kites and kids.  The stores stock colorful kites of various sizes. A favorite after school activity for some is making their own kites. Regardless, many spend hours trying to launch their kites- inexperienced as they are-  in hopes of seeing their homemade or store bought kites fly high in the sky. 

India Sketch Journal Aug 2 by Meera Rao 

As the rains continue, and the temperatures dip, the blanket peddlers roam the streets.  I had to peek out of the balcony to figure out what their loud calls were for and what is it that was being sold now! I do appreciate that even now blankets, vegetables, household items, toys are sold by peddlers roaming the street --it is always nice to have the market come to you ! 

For us wind, rain etc are just different kinds of weather but check out this TED talk video on Art made of Storms by Nathalie Miebach   - She  "takes weather data from massive storms and turns it into complex sculptures that embody the forces of nature and time." The talk opens with a sculpture  and musical scores.  It is fascinating to see and hear her explain how science, art and music intersect creatively for her. “Weather is an amalgam of systems that is inherently invisible to most of us, so I use sculpture and music to make it, not just visible, but also tactile and audible.”
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