Showing posts with label Yupo. Show all posts
Showing posts with label Yupo. Show all posts

Saturday, February 11, 2012

Remembrance, The Lasting Perfume


Memories of a bloom 2 watercolor on Yupo 5x7"

Pleasure is the flower that passes; remembrance, the lasting perfume.  ~Jean de Boufflers

I saw these stalks with dried out flower pods, petals, leaves still attached while on a walk couple of years ago in Colorado.  This painting is the second in the series capturing the memories of that cold crisp morning. I used the same techniques in this painting as in the earlier one.  My plan is to  change or add  one color to each of the painting to give each painting its uniqueness as well as making it a part of the series. They are small paintings but take time to complete since each layer has to dry completely before I lay the next one. You may check out the first painting here

Talking about memories I recently came across an article highlighting the fact that memories are not fixed but flexible and can be manipulated very easily: "....memories are surprisingly vulnerable and highly dynamic. In the lab they can be flicked on or dimmed with a simple dose of drugs. “For a hundred years, people thought memory was wired into the brain,” Nader says. “Instead, we find it can be rewired—you can add false information to it, make it stronger, make it weaker, and possibly even make it disappear.” Nader and Brunet are not the only ones to make this observation. One of the scietinsts, Nader further wonders:  "What actually happens when we recall the past? Does the very act of remembering undo what happened? Does a memory have to go through the consolidation process again? " 

A little further the article points out a fascinating point: "While neuroscientists were skeptical of Nader’s findings, cognitive scientists were immediately fascinated that memory might be constantly revamped. It certainly seemed to explain their observations: The home run you hit in Little League? Your first kiss? As you replay these memories, you reawaken and reconsolidate them hundreds of times. Each time, you replace the original with a slightly modified version. Eventually you are not really remembering what happened; you are remembering your story about it. “Reconsolidation suggests that when you use a memory, the one you had originally is no longer valid or maybe no longer accessible,” LeDoux says. “If you take it to the extreme, your memory is only as good as your last memory. The fewer times you use it, the more pristine it is. The more you use it, the more you change it.” We’ve all had the experience of repeating a dramatic story so many times that the events seem dead, as if they came from a novel rather than real life."

So I wonder, how much do I change my memory when I sketch and paint things I encounter?   

Wednesday, December 14, 2011

Patience Is Not Passive


memories of a bloom  watercolor on yupo  7x5.5"

Patience is not passive; on the contrary, it is active; it is concentrated strength. 
~ Edward Bulwer-Lytton

I have to fully agree with that quote! The little painting on Yupo took a couple of days and lots of determined patience on my part as I layered paint and waited; used a tooth brush to splatter some paint and waited;  dabbed with a wet tissue and waited; added paint in one section and took away paint in another. And repeated the process a few times!  I think finally I see the little plant in the sunshine with dried twigs and memories of a lush little field around it. 

Wednesday, October 5, 2011

Bursting Colors


Bursting colors watercolor on Yupo  5x7"

For the past few days,  after  the relentless rains finally stopped, my walks on the trail have been especially  delightful with mushrooms of all sizes, colors and variety popping up just about everywhere! These colorful ones were peeking out through a mess of twigs, grass blades and rotting leaves. I put my small camera below the mushrooms close to the ground to capture the colorful specimens!  I am grateful that I slip my little camera with me whenever I get out.  I did not want to disturb them or pluck them out even though I would have liked to sketch them from life. Upon a bit of research I think they are a variety of Hygrocybe punicea  and probably not poisonous. 

I was not planning on filling up the paper with color but somehow got carried away! I loaded my brush with transparent colors, and used, brushstrokes, crushed paper tissue, and misting for texture. 

Wednesday, August 3, 2011

The Seven Links Project

Hanging Fire watercolor 16x12 

Here it is, 'Hanging Fire' selected by my husband as my most beautiful  painting for my Seven Links Project. As mentioned in my previous post,  The Seven Links Project is courtesy of Crystal Cook who tagged me to post seven links in my blog for

Your most beautiful post
Your most popular post
Your most controversial post
Your most helpful post
A post whose success surprised you
A post you feel didn't get the attention it deserved
The post you are most proud of

The idea behind the project is "to unite bloggers(from all sectors) in a joint endeavor to share lessons learned and create a bank of long but not forgotten blog posts that deserve to see the light of the day again"  

I could never settle on any of my paintings as my most beautiful one (being partial to all of them (-: ), so,  I finally asked my husband for his pick.  I agree with him that the peppers in Hanging Fire look gorgeous in their luscious red. Please let me know what you think is my most beautiful painting -- I know that is  a very subjective selection !

Resplendent  Watercolor on Yupo 11x14"

Resplendent on Yupo is definitely my choice for 'your most popular post'  if going by the number of hits it gets every single day.  The blogger picked it as my most popular post for the side bar! This painting gave me confidence to continue my experiments on Yupo paper.

Ignorance mixed media 12x15" 

'The post you are most proudest of '  has to be my mixed media painting  Ignorance.  That particular day I had picked up one of my failed paintings of a street scene of a town in India to see if I could salvage it.  Listening to the news about wars in various parts of the world, I started  a collage  on it from torn pieces of rice paper from another failed calligraphy attempt about "Truth alone triumphs.' I was guided by a photograph from one of the newspapers from couple of months before that had etched in my memory - even today I see clearly in my mind's eye the dark figures in a chaotic city scape with blue smoke from a bomb blast.  I am proud of how I channeled my frustration with the violent world out there, my failed paintings and brought together various mediums and styles to express myself.  I am also proud that my daughter within minutes of my posting the painting e-mailed me to ask me if she could have it!

Collateral Damage  water media 9x12 

'Collateral Damage'  surely qualifies for  the 'your most controversial post'.  I consider it controversial for the artistic liberties I took in painting the  disaster caused by the Gulf oil spill. The scene is from my imagination and I closed that post with the thought :  'My hope is that the message doesn't get swept away in the debate about realistic depiction'.

Sketch of a sculpture, white Prismacolor pencil on black paper

The honor for 'A post whose success surprised you' goes to Negative Drawing  showing the sketch of a sculpture done with white Prismacolor pencil on black paper.  I am pleased that I was successful in sketching the sculpture from Chrysler Museum in Norfolk, VA  as well as how according to Stats it has become the second most popular post on my blog!

'A post you feel didn't get the attention it deserved'  goes to Show-off time :

Bangle Pedlar  color pencils 14x10" 

I wavered between Bangle Pedlar and Mandala Meditation - both color pencil portraits. I settled on Bangle Pedlar  from my second blog post but very first post of a painting  -a portrait in color pencils. I guess it is understandable that I never got any feedback on the painting as my blog was still very new :) The painting hangs in my living room and always elicits a happy reaction from all who see it.

At the Art Institute of Chicago digital Photography

As for the 'most helpful post', I would like to think that all my posts are helpful in some way as I strive to include a link or two or some information that one might find useful or worthy of contemplation :)  I consider  my post on 'Universal Acceptance' most helpful - as my attempt at shining a light on how important it is to accept one and all and find  unity in all our diversity.

Now, I pass the Seven Links Project challenge on to :

I really enjoyed doing this challenge - wonderful way to go back and see how my blog and my artistic abilities have evolved  :) 

Thursday, June 9, 2011

Sixteen Rules to Forget

Koi  (final) watercolor on Yupo 11x14

A month and a half ago when I was getting ready to frame the paintings for my show at the library, I had to stop and go back over my earlier version of  the Koi painting, further deepening the shadows (the photograph unfortunately still doesn't capture the darks well enough) and adding some more details to the fish and the water.  I like this newer more vibrant version :). Under glass with  'museum white' double mat really gives the painting a wonderful 'finished' look. I can never  get over how matting and framing dresses up a painting!!! 

I must admit I have been washing, painting, rewashing and painting again on regular paper for a few years  but  its easier on Yupo.  Yupo paper  has helped me be bolder with trying out various options for a painting --especially going darker, then coming back and saving the whites. It has helped me take chances and  try out different solutions on the same painting till I am satisfied. I play with shapes, values, colors or other elements with abandon. Recently I reread Arne Westerman's book "Painting Watercolors Filled with Life and Energy." and it reaffirmed for me the method in my madness. At the end of the book he has  a chapter on Six Things to Remember and Sixteen Rules to Forget (my favorite)! I am sharing shortened versions of both below (and that will also help me remember better .)

Remember these: 
1. Paint only those things you feel connected to.
2.  Consider the uniqueness of your idea.
3.  See your work as a rectangle -not a person or a thing in the middle of a rectangle.
4.  Simplify.
5.  Use light like a film director.
6.  Use color with boldness. 

Forget These Rules: Rules (in italics) and my summarized version of his  refreshingly candid comments/explanation (not in italics) 
1.  Be careful to avoid "ouzles" in your painting. -Don't worry-its one of the exclusive qualities of watercolor.
2.  Design is simply a matter of picking the right formula. Not really. Just keep it simple. 
3. Watercolor is an unforgiving medium. Nonsense. You can paint, wash it off, restate and wash again.
4.  Expensive brushes are better and last longer. Not necessarily.  Experiment and find brushes just right for you.
5.  Paper must be stretched before painting. Not true.
6.  Don't use opaque white paint. Thats cheating.  A silly rule aimed to prove how difficult it is to paint 'transparent color.' The Old Masters used white paint. Cerulean blue, red & orange cadmiums, and yellow ochre are as opaque as white. 
7.  Always erase your pencil lines.  Not necessary.  It adds interest and texture.
8.  Be careful with the paper's surface.  Good watercolor paper takes a lot of abuse and its the results that count.
9.  Be neat and tidy.  Wrong.
10. Don't waste film, paint, paper and other supplies. Better to waste than lose a great opportunity.
11. Don't paint from photographs. Paint on the scene or work from photographs. Go either way without guilt.
12. Always work light to dark.  Not true. Develop as you go. 
13. Make every brushstroke count. No. You will play it safe and go nuts.
14.  Watercolor requires tremendous control. Not true. If you don't like it wash it off.
15.  Don't paint a vertical subject in a vertical format. Not necessarily.
16. Always stay inside the lines.  The term "crossing the line" suggests adventure. 

I close with these words from Arne Westerman: "You are an artist. Go to work." 

Friday, May 27, 2011

Always Reflecting

 Reflecting watercolor on Yupo 7"x11"

I, like countless others, have a fascination for photographing reflections.  I am intrigued how the reflections are sometimes mirror images and other times diffused and forming beautiful abstracts. To me, the play of light, color, patterns echoing the reality in its own terms - when an object is reflected off glass, mirror, water or any other shiny surface - is a mystery and miracle at the same time. Fortunately or unfortunately,  quite often I  find I become aware of the beauty of the surroundings as I catch the reflections. 

I enjoyed working on the yupo and now I want to explore this same image on a larger size regular paper soon!

Monday, April 18, 2011

Drawing Fire

Delicate Dance  watercolor on Yupo

Last summer we enjoyed many Calla Lily blooms in our garden. This past week, I finally got around to painting one on yupo sheet many times before I was satisfied.  It was a tremendous learning experience to try out different colors and varying backgrounds simply by repeatedly painting and washing  off  until I settled on this rendition.  I am experimenting using only washes and water for texture. 

I borrowed the title of the post from a series of articles in New York Times  by Michael D. Fay. On June 6 2010, in the introduction to the series, NYT explains:  'In 2005, then Chief Warrant Officer Michael D. Fay traveled to Iraq in his capacity as official Marine Corps artist. There he fought with Marines engaged in Operation Steel Curtain against insurgents along the Euphrates River, and documented the events in sketches, photographs and audio recordings. Mr. Fay describes that experience here in “Drawing Fire,” to be published in five consecutive parts this week in Home Fires. It is based on material from his memoir, “The War Artist,” (earlier drafts appeared on his blog in January), and includes artwork and photographs from his time with Marine units in Operation Steel Curtain.'  His accounts of the war and the accompanying sketches paint the horrors that is deeply riveting and moving. Check out his blog 'Fire and Ice' and also the Joe Bonham Project, where you will find more sketches by 'group of illustrators dedicated to recording the faces and experiences of America's returning wounded warriors.'  Kandhahar Journal  has sketches and accounts by war artists in Afghanistan.  The artist soldiers give a different picture of the war. 

Saturday, December 25, 2010

Home For the Holidays

Home For the Holidays  watercolor on Yupo 14x11"

And the rug was vacuumed just in time :) Our suitcases all have a red ribbon to make it easy to identify them.  So, for me it is really very appropriate: any time we go home to India to visit our family there, return from India to our home here and when our kids come home - thats all a  precious gift!  This holiday season I wish everyone a happy, healthy, prosperous and peace filled times with your family and friends! 

Thursday, September 30, 2010

Right Brain, Left Brain

watercolor on 140lb cp 9x12"

watercolor on Yupo  7x11"
I often switch between left brain and right brain ways when I plan and paint trying to find order as well as spontaneity. In that vein, I did a side by side comparison of watercolor on cold press and Yupo.  Layering paint is fun on cold press where as it is very difficult and slow process to layer on Yupo. The colors dry lighter on cold press and hues are pure and brilliant on yupo. It is very easy to take off paint from yupo since it is a non-absorbant surface. I washed the paints off three times before I settled on this Yupo version (half heartedly). On cold press, it is crucial to plan and save the whites early on.  The slick surface of Yupo requires different techniques than the regular watercolor paper. I discovered erasing on yupo paper makes it harder for the paint to adhere.  Another difference is yupo needs to be on a flat surface while painting since the paint moves freely-which also means that one can tilt the paper to get different mixes and effects. I have to use thick paint with little water to have definite detailed shapes on yupo and spraying with water mist gives it wonderful textures. For other kinds of texture I have also tried laying balled up plastic wrap or blotting paper towel on wet paint.  Removing or adding paint by using stencils, cheese cloth, gives beautiful shapes.  I can see myself continue my experiments and playing around with resists etc.  :)

Deconstructing and reconstructing art work is a preoccupation for me as I try to figure out the artistic and technical aspects to help me with creations. I happened upon this quirky TED video of Ursus Wehrli sharing his version of  cleaner, more organized 'tidier art' in a very funny unconventional way :) Enjoy a different take on creativity :) 

Friday, September 17, 2010

Courage to Transform

Koi watercolor on Yupo 11"x14
I have been wanting to paint Koi for years.  I find myself watching them for hours whenever I see them in a pond and admire their shape and colors! I also have way too many photographs of them :)  It was a lot of fun to paint the koi because the Yupo paper easily duplicates their bright colors. Surprisingly this time, I found myself working hard to tone down some of the texture in water in the composition so it won't compete so much with  colorful koi yet would show movement.  I think I need to work on couple of paintings at a time when painting on yupo -that will give each piece time for the paint to dry before I put the next layer!  There is a shine to the paper, and I find the photographs do not do justice to bright colors! 

As I was researching information about Koi in between painting them I found myself torn between really keeping to a particular fish's colorations and markings or mix them up(-which is my usual way of painting). For Koi collectors and breeders the markings and color are extremely important.  The Koi carry a lot of significance for the Japanese and Chinese representing passionate love, courage, strength, friendship and wealth. According to  a legend of those countries, if a koi fish succeeded in climbing the falls at the point of Dragon Gate in the Yellow River  then they are transformed to dragons, signifying overcoming life's difficulties. According to Buddhists, the koi represent a person courageously swimming through 'ocean of suffering.' 

Its a bit too late too adhere to realism in markings and color but I love the symbolism behind the fish :) 

Tuesday, August 31, 2010

Domes of Blue


Entrance to Blue Mosque,  watercolor on Yupo 14x11"

All over the world, throughout history, various absolutely grand and architecturally unique and beautiful places of worship have been built. Is it to glorify God, or to indulge the person who conceived and bank rolled it,  or to admire the talents and skills of artists and artisans who built it, a testimony of what man is capable of creating?  First look at the Blue Mosque in Istanbul last year during our trip was through the massive doors. I liked the multiple blue domes  - the repeating shapes and colors with sunlight streaming in. Looking at all that marble all around, I was suddenly reminded of Rabindranath Tagore's quote: While God waits for His Temple to be built of love, men bring stones.  

The look of marble was ideal to paint on yupo -- layering paint and creating texture by dabbing plastic wrap and paper towel.  I had to repeat the process of adding and lifting paint several times on the outer walls by the doors to make them darker. I also tried several times in the past couple of days to photograph the painting and this is the closest I could come to duplicate the  actual paint colors.  

Friday, August 6, 2010

Language of the Soul


The Dancer watercolor on Yupo 14x11"
"And those who were seen dancing were thought to be insane by those who could not hear the music " - Friedrich Wilhelm Nietzche

I am really enjoying painting on Yupo - learning with each new piece.  In The Dancer I played again with just paint, water, brush. Yupo surface was perfect to bring out the silky transparency of the bellowing skirt and the veils.  I used a bunch of  photographs taken many years ago  at a dance demonstration and  added my own background of veils. I finished the lady more than a week ago and then waited for inspiration to resolve the background. Since this is yupo I may yet come back to it after a few days :)

Over the years, every time I saw those photographs, or I see someone totally absorbed in creating art, music or anything else, I am reminded of Mihaly Csikszentmihalyi's concept of 'Flow.'  According to Mihaly, Flow is completely focused motivation. It is single minded immersion and represents perhaps the ultimate in harnessing emotions in the service of performing and learning. Check out this video of a TED talk by Mihaly on 'Flow' - creativity and happiness.

Tuesday, July 27, 2010

Summer Special


Sunflower  watercolor on Yupo 11x14"
One more Yupo experimentation. I used only watercolors, brush and misting with water (thats the summer special!) this time for this painting. Blotting with balled up paper towel I had on hand to remove excess water or paint also added some interesting textures and lines.  The center of the flower was fun to create by dropping a color, misting and dropping another color and watch the textures happen .  I was able to lift the color to show the  sunlight streaking between the petals and the flower head. Next time I hope to come up with a   composition that will lend itself even more to the mingling of colors and challenge myself to find ways to make textures :) 

Friday, July 16, 2010

Resplendent on Yupo


Resplendent watercolor on Yupo 11x14"
Last week I tried out watercolors on synthetic Yupo paper. It was a fun experience full of surprises. The water flows and just 'sits' on the slick surface so I could tilt, push and let the watercolors mingle and produce or lift patterns. I did minimal sketching and had to learn by trial and error how to work the paint on the very smooth surface and how much water to use. It was easier once I discovered that watercolors flow better if I first paint with water and then drop the colors. I had to watch out and not overdo patterns with brush strokes. The paint could be easily removed which was both a plus and a disadvantage since I could easily takeout deliberately or inadvertently what I had already painted with a swipe of a damp brush! I found it hard to paint details. I also learned to be patient and wait. It was important not to disturb an area I liked till it fully dried. I really like how the colors seem to be brighter and bolder on the Yupo paper. Looking at the painting now, I realize I only used brush, water and paint and really did not make full use of the surface to mingle the colors or get free flowing patterns and also use plastic wrap, salt or alcohol for textures. I also see that I need to give up my urge for control and let the surface do its thing :)

In my research about working on Yupo paper I read that once I know I have 'finished' the painting it should be sealed several thin coats of a fixative spray. A quick search on Google produced a wealth of information on how to paint on Yupo including video clips on YouTube. I really enjoyed my first experience and excitedly looking forward to playing more with yupo!

p. s: please do not click on the 'link within- you may also like' - that does not have a title/or the one that  says tattoo --its spam --I can't take it off and I don't want to give in and take the widget off completely :(
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