Field Experiments

Watermelon and berries  sketching with Aquaflow brush with watercolor tube paint

At the Gate sketches with Aquaflow brush, tube paint, Pilot G-2 pen

Ready to Board  sketch with Aquaflow brush, tube paint, Pilot G-2 pen

I had purchased a Aquaflow waterbrush just before my unexpected  trip to India last month. I made myself a small field box by putting a blob of paint each of cool and warm reds, blues, and greens, aurelion yellow, raw umber, burnt umber into an old small flat Celestial Seasoning Tea box measuring 3"x2"x1/2" . The brush, the box and my sketch book (5x3"), a Pilot G-2 pen were packed into a quart size ziploc bag and fit in my purse neatly. 

I really enjoyed trying out my 'field sketch box kit' at the airports mostly and found it fun. It took some practice to get a feel for the brush which has a store of water --to figure out how much to squeeze as you paint and how to blend the colors!  I also now know to add a sponge or couple of paper towels to the kit. I played around with sketching first and then adding the colors  as well as putting down the colors first and then defining with the pen. Except that by the end of the trip, some of the paints mixed with each other (airplane pressure issue?) and there was a small mess in part of the box, the kit was a successful experiment. 

Fig  Salvia  sketches with Sakura waterbrush Koi watercolor field sketch box

The sketches of the fig and the Salvia was done at home couple of days ago with the Koi Watercolor Field sketch Box and the Sakura waterbrush that came with it.  The field box has 24 mini pans of paint, 2 sponge strips, a mixing tray that fits neatly to the side when opened, and room for the dis-assembled brushpen. The lid can be used as a mini easel for the watercolor paper that I cut fit into the space between the lid and the mixing tray.  I could hold the field box in one one hand and paint with the other, making it a neat field box. The box measures 6"x4"x1" when closed. I am not too happy with the waterbrush that came with as it kept loosing hair and it took me a while to figure out that I had to twist it to the right to loosen it as opposed to turning to left as I instinctively do ! I was afraid I was going to ruin the brush even before I had a chance to paint with it!!!  I am really looking forward to using my field kits regularly and hope all the sketching will make a difference in my studio paintings :) Please let me know how you approach sketching on the go.   

the set ups :)

Mini Sacred Pause

Slow Sunny Day watercolor 2.5"x6.5"

When I was in Istanbul two years ago, this scene by the square near the Blue Mosque caught my eye. I can't remember what she was selling as she sat there on that very sunny hot hot day. The square was quite crowded with pilgrims and tourists but I saw how the lady watching the child and the child joyfully chasing after the flock of birds were each in their own world.  In this miniature, I choose to paint just that. It was a challenge to paint small and only some of details but I loved the process. 

I read the other day in a article "Sacred Pause" written by Hugh Bryne and Rebecca Hines :"In the midst of daily life there are simple ways to take a “mini sacred pause,” bring awareness to what is alive here and now, and relax into presence" Doesn't it look like the lady and the child know how to integrate those mindful principles? As it is life is very fragile - we definitely need to take and appreciate these 'sacred pauses.'

Comfort or Boredom?

A Day In the Life.. Page 7 The Fiction Project color pencils

I completed the fiction project last week and mailed it off to Art House Co-op in Brooklyn, NY. In the end I filled 30 pages with sketches and writing - that includes an author page, and two pages of tid-bits and explanations. I had initially torn off two pages to experiment on, and another three pages when I had difficulty with the page with the rangoli. I scanned the pages to my computer so I will be posting them slowly on my blog :) I sprayed the completed pages with Krylon acrylic clear coating so the color pencils will hold up and not smudge on the remote chance that it will be handled and looked at a number of times!

The project was exciting, fun and stressful all at the same time. I was sketching, drawing and thinking about  the book every single day and I felt daily practice definitely improved my skills. I am looking into another project to keep up the daily practice :). Giving my best and not being hung up on perfection freed me to enjoy the process. The project pushed me to sketch things I would have overlooked or afraid to tackle. I hope to give some of the sketches full treatment in larger versions.  I was excited to see the end product - a book authored and illustrated by me - not perfect or amazing, but a small accomplishment! Strangely, I did not mind mailing it off.  

Now, about  page 7: on a daily basis, I do not care for chores - will gladly by-pass them whenever I can!  Over the years I have noticed how my elderly or unwell relatives and friends have fiercely insisted on doing the daily little chores as they negotiated their days, and that made a great impression on me. I wonder, why, when, how or if, the perspective  will change for me. 

Art Surprises

Partial view of Bellagio, Las Vegas  3.5"x11"

Waiting for the spectacular water fountain show in front of Bellagio I sketched the wings of the massive hotel/casino building from across the body of water.  I have a small sketch book  (3.5x5.5" )which easily fits into my purse and is handy for fast little sketches, even though, as I recently discovered, it  is difficult to photograph. Still, I love it because I tend to pull the book out more often as I find myself getting a little bolder about sketching in public. Next step is to equip myself with a small watercolor field kit and try my hand at doing small studies -until then I will happily play with my camera :) The Bellagio also has a beautiful glass ceiling installation by the artist Dale Chihuly in their lobby and a chandelier in the casino area. I also saw an exhibit  there : 'Figuratively Speaking: A survey of the human form'  showcasing about 30 paintings, drawings, photographs, sculpture by artists from 1800 to present day. I enjoyed  the unexpected opportunity to see the works of Picasso, Renoir, Degas, Hockney, Lichenstein, Chuck Close, and others. 

Closer to home, I have two color pencil pieces - Hot Shadows and Reflections in the 'Small Works : Miniatures by Hampton Roads Artists' at the Charles Taylor Arts Center/The Hampton Arts Commission, Hampton, VA.  The opening yesterday was fun and the show will run through Dec. 5.